Overview
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Release Date:
16 September 1972 (USA)
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Plot:
The professional and personal misadventures of a psychologist and his family, patients, friends and colleagues.
full summary
Awards:
Nominated for 2 Golden Globes.
Another 1 win
&
5 nominations
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TV News Briefs: Sex and the City, Big Shots, Power of 10, Fraggle Rock, Battlestar Galactica, Evening Shade, and Bob Newhart Show
(From TVSeriesFinale. 24 January 2008, 8:34 AM, PST)
Suzanne Pleshette: A Brassy and Bawdy Beauty
(From TVSeriesFinale. 21 January 2008, 9:38 AM, PST)
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| Peter Bonerz | | (29 episodes, 1974-1978) |
| Alan Rafkin | | (23 episodes, 1972-1975) |
| Michael Zinberg | | (15 episodes, 1975-1978) |
| Peter Baldwin | | (12 episodes, 1972-1974) |
| James Burrows | | (11 episodes, 1975-1977) |
| Dick Martin | | (11 episodes, 1977-1978) |
| Jay Sandrich | | (10 episodes, 1972-1975) |
| George Tyne | | (6 episodes, 1973-1974) |
| Jerry London | | (5 episodes, 1973) |
| Alan Myerson | | (4 episodes, 1976) |
| John C. Chulay | | (3 episodes, 1976) |
| Martin Cohan | | (2 episodes, 1973) |
| Bob Claver | | (2 episodes, 1975) |
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| Lorenzo Music | | (70 episodes, 1972-1975) |
| David Davis | | (69 episodes, 1972-1975) |
| Tom Patchett | | (20 episodes, 1972-1976) |
| Jay Tarses | | (20 episodes, 1972-1976) |
| Gordon Farr | | (13 episodes, 1975-1977) |
| Lynne Farr | | (13 episodes, 1975-1977) |
| Jerry Mayer | | (10 episodes, 1972-1975) |
| Charlotte Brown | | (9 episodes, 1972-1974) |
| Sy Rosen | | (9 episodes, 1976-1977) |
| Martin Cohan | | (6 episodes, 1972-1974) |
| Lloyd Garver | | (5 episodes, 1977-1978) |
| Bill Idelson | | (4 episodes, 1973) |
| Phil Davis | | (4 episodes, 1975-1977) |
| Michael Zinberg | | (4 episodes, 1975-1977) |
| Laura Levine | | (4 episodes, 1977-1978) |
| Coleman Mitchell | | (3 episodes, 1974-1975) |
| Geoffrey Neigher | | (3 episodes, 1974-1975) |
| Bruce Kane | | (3 episodes, 1975-1977) |
| Gary David Goldberg | | (3 episodes, 1976-1977) |
| David Lloyd | | (3 episodes, 1976-1977) |
| Hugh Wilson | | (3 episodes, 1976) |
| Glen Charles | | (3 episodes, 1977-1978) |
| Les Charles | | (3 episodes, 1977-1978) |
| Earl Pomerantz | | (3 episodes, 1977-1978) |
| Andrew Smith | | (3 episodes, 1977-1978) |
| Susan Silver | | (2 episodes, 1972-1973) |
| Gene Thompson | | (2 episodes, 1972-1973) |
| Ray Jessel | | (2 episodes, 1974-1975) |
| Arnie Kogen | | (2 episodes, 1974-1975) |
| Erik Tarloff | | (2 episodes, 1974-1975) |
| Douglas Arango | | (2 episodes, 1975-1976) |
| Phil Doran | | (2 episodes, 1975-1976) |
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| Lionel A. Ephraim | .... | executive in charge of production / production manager / ... (41 episodes, 1972-1977) |
| Abby Singer | .... | unit production manager / production manager (27 episodes, 1974-1977) |
| Ted Rich | .... | post-production supervisor (19 episodes, 1974-1977) |
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| James R. Wright | .... | sound mixer / production sound mixer / ... (62 episodes, 1972-1977) |
| Richard Weaver | .... | sound re-recording mixer (23 episodes, 1974-1977) |
| Lee Minkler | .... | sound mixer (4 episodes, 1974) |
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| Henrietta Music | .... | composer: theme "Home to Emily" / composer: theme music (68 episodes, 1972-1977) |
| Lorenzo Music | .... | composer: theme "Home to Emily" / composer: theme music (68 episodes, 1972-1977) |
| Ed Norton | .... | music editor (43 episodes, 1972-1977) |
| Patrick Williams | .... | conductor (6 episodes, 1975) |
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| Rosemary Dorsey | .... | script supervisor (68 episodes, 1972-1977) |
| David Davis | .... | title designer: main titles / title visualization (63 episodes, 1972-1975) |
| Tom Patchett | .... | story consultant (24 episodes, 1973-1974) |
| Jay Tarses | .... | story consultant (24 episodes, 1973-1974) |
| Donna Anderson | .... | assistant to producers / production assistant (24 episodes, 1974-1975) |
| Paula Hollander | .... | assistant to producers (24 episodes, 1974-1975) |
| Gil Clasen | .... | technical coordinator / production coordinator (23 episodes, 1974-1977) |
| Jerry Mayer | .... | story consultant / script consultant (23 episodes, 1974-1975) |
| Lionel A. Ephraim | .... | production executive / production executive: MTM Enterprises / ... (19 episodes, 1973-1977) |
| Milton Hubatka | .... | production assistant (10 episodes, 1974-1975) |
| Dawn Aldredge | .... | production assistant (9 episodes, 1974) |
| Jim Buck | .... | technical coordinator (4 episodes, 1974-1975) |
| Michael Zinberg | .... | title visualization / title designer: main titles (3 episodes, 1975-1977) |
| Meryl O'Loughlin | .... | executive in charge of talent (2 episodes, 1977) |
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| Jane Ficker | .... | script supervisor (unknown episodes) |
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Additional Details
Runtime:
30 min | USA:30 min (142 episodes)
Aspect Ratio:
1.33 : 1
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Fun Stuff
Trivia:
When
Bob Newhart read the premise for the proposed series, he insisted on two changes. First, he insisted that his character be changed from a psychiatrist to a psychologist so he wouldn't make fun of the seriously mentally ill, and he insisted that his character have no children as to avoid the standard scenario of a goofy father.
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Quotes:
Howard Borden:
I was, uh, just decorating my Christmas tree and I was wondering, is there a trick to stringing cranberry sauce?
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FAQ
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A masterpiece of understated adult humor, epitomized by its low-key star, Bob Newhart, who could get big laughs reading from the phone book with his trademark stammers and pauses.
Supporting cast was remarkable, each playing to his or her strengths, gliding smoothly along the tracks laid down by the expert writing staff. Standouts? Everybody was a standout. Peter Bonerz as Jerry, the libidinous orphaned dentist. Bill Daily as the addled Howard Borden, airline navigator, bumbling divorced dad, and meal moocher. Marcia Wallace as Carol, confident, razor-tongued receptionist extraordinaire. Jack Riley as Mr. Carlin, the funniest self-centered jerk of the modern sitcom era. And Suzanne Pleshette as Emily, Bob's gorgeous, sensible wife.
The trick to the show's humor was that it seemed to rise naturally from these characters who, though colorful, also resembled real people. Nobody had to push too hard for a laugh.
Almost three decades later I still haven't seen another TV comedy series that possessed this one's unique tone of humor, an almost indescribable mix of the usual satire and sarcasm and poking fun at our modern life and lifestyles, balanced perfectly against warm-hearted affirmation of the bonds of friendship and affection that make life bearable. And funny.