| Photos (see all 11 | slideshow) |
| Barry Newman | ... | Kowalski | |
| Cleavon Little | ... | Super Soul | |
| Dean Jagger | ... | Prospector | |
| Victoria Medlin | ... | Vera Thornton | |
| Paul Koslo | ... | Charlie, Young Nevada Patrolman | |
| Robert Donner | ... | Collins, Older Nevada Patrolman (as Bob Donner) | |
| Timothy Scott | ... | Angel | |
| Gilda Texter | ... | Nude Motorcycle Rider | |
| Anthony James | ... | Male Hitchhiker #1, in Front Seat | |
| Arthur Malet | ... | Male Hitchhiker #2, in Back Seat | |
| Karl Swenson | ... | Sandy McKees, Argo's Attendant | |
| Severn Darden | ... | Rev. J. 'Jessie' Hovah | |
| Delaney Bramlett | ... | J. Hovah's Singer (as Delaney & Bonnie and Friends) | |
| Bonnie Bramlett | ... | J. Hovah's Singer (as Delaney & Bonnie and Friends) | |
| Lee Weaver | ... | Jake, Kowalski's Denver Connection | |
| Cherie Foster | ... | Girl #1 | |
| Valerie Kairys | ... | Girl #2 | |
| Tom Reese | ... | Sheriff | |
| Owen Bush | ... | Communications Officer | |
| rest of cast listed alphabetically: | |||
| Charlotte Rampling | ... | Hitchhiker (scenes deleted) | |
| John Amos | ... | Super Soul's Engineer (uncredited) | |
| Val Avery | ... | Rapist Cop (uncredited) | |
| Rita Coolidge | ... | J. Hovah's Singer (uncredited) | |
| David Gates | ... | Piano Player at Revival Meeting (uncredited) | |
Directed by | |||
| Richard C. Sarafian | |||
Writing credits | ||
| Malcolm Hart | (story outline) | |
| G. Cabrera Infante | (screenplay) (as Guillermo Cain) | |
| Barry Hall | uncredited | |
Produced by | |||
| Michael Pearson | .... | executive producer | |
| Norman Spencer | .... | producer | |
Cinematography by | |||
| John A. Alonzo | (director of photography) | ||
Film Editing by | |||
| Stefan Arnsten | |||
Art Direction by | |||
| Dennis J. Parrish | (uncredited) | ||
Set Decoration by | |||
| Glen Daniels | |||
| Jerry Wunderlich | |||
Makeup Department | |||
| Del Acevedo | .... | makeup artist | |
Production Management | |||
| Francisco Day | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Dick Glassman | .... | assistant director (as Richard Glassman) | |
Art Department | |||
| Dennis J. Parrish | .... | property master (as Dennis Parrish) | |
Sound Department | |||
| William Edmondson | .... | sound mixer (as Bill Edmondson) | |
| Tom Edwards | .... | sound mixer | |
| Theodore Soderberg | .... | sound mixer | |
Stunts | |||
| Louie Elias | .... | stunt coordinator (as Louis Elias) | |
| Carey Loftin | .... | stunt coordinator (as Cary Loftin) | |
| Max Balchowsky | .... | stunts (uncredited) | |
| Joe Brooks | .... | stunts (uncredited) | |
| James W. Gavin | .... | aerial stunts (uncredited) | |
| Bill Hickman | .... | stunts (uncredited) | |
| Carey Loftin | .... | stunt double (uncredited) | |
| Carey Loftin | .... | stunt driver (uncredited) | |
Casting Department | |||
| Michael McLean | .... | casting supervisor | |
Costume and Wardrobe Department | |||
| Ed Wynigear | .... | wardrobe master | |
Music Department | |||
| Jimmy Bowen | .... | music producer | |
| Jimmy Bowen | .... | music supervisor | |
| Pete Carpenter | .... | musical associate | |
| Tom Thacker | .... | musical associate | |
Other crew | |||
| Michael McLean | .... | associate: Mr. Sarafian | |
| Iain Quarrier | .... | creative associate | |
| Maurice Unger | .... | production administrator | |
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| Bullitt | It's a Mad Mad Mad Mad World | Government Agents vs Phantom Legion | Duel | Sullivan's Travels |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
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The best road movie ever made. To appreciate it you have got to try and see it from the culture of that era. It is totally anti establishment as was the mood of half of America. So the police are all idiots, the 'good ol boys' are either violent rednecks or passive disapproving onlookers. Kowalski is going to give those mid west conservatives something they won't forget, he's going to shake things up for a day or two. Kowalski is simply the symbol of the many disenfranchised at the time. The story starts at the end. We hear a boring stifling radio news item on the price of grain. We see dreary looking bystanders who need to be turned on. Then Super Soul takes over the airwaves with his wild DJ antics and hippy music trying to jolt these people out of their fixed ways. The old and the new are clashing. This sets the mood we know from then it is rebellious. Other aspects the stunts the music the characters have been well covered below so there is no need to say more on that. Some have said that there is no point to this story or Kowalski's motives and have interpreted the title meaning that. But all a vanishing point is an artist name for the phenomena of perspective where two parallel lines seemingly meet and in the long straight roads of the journey we see plenty of vanishing points.