Vanishing Point (1971)

Director:

Richard C. Sarafian

Writers:

Malcolm Hart (story)
Guillermo Cabrera Infante (screenplay)
(more)

Release Date:

13 March 1971 (USA)

Genre:

Action | Drama

Tagline:

It's the maximum trip... at maximum speed.

Plot:

Kowalski works for a car delivery service. He takes delivery of a 1970 Dodge Challenger to take from Colorado to San Fransisco...

Plot Keywords:

Cars | Colorado | Dodge | Naked Woman | Highway Patrol

US TV Schedule:

Tue. Dec. 15

2:45 AM

MAX

Cast

Barry Newman	...	Kowalski
Cleavon Little	...	Super Soul
Dean Jagger	...	Prospector
Victoria Medlin	...	Vera Thornton
Paul Koslo	...	Charlie, Young Nevada Patrolman
Robert Donner	...	Collins, Older Nevada Patrolman (as Bob Donner)
Timothy Scott	...	Angel
Gilda Texter	...	Nude Motorcycle Rider
Anthony James	...	Male Hitchhiker #1, in Front Seat
Arthur Malet	...	Male Hitchhiker #2, in Back Seat
Karl Swenson	...	Sandy McKees, Argo's Attendant
Severn Darden	...	Rev. J. 'Jessie' Hovah
Delaney Bramlett	...	J. Hovah's Singer (as Delaney & Bonnie and Friends)
Bonnie Bramlett	...	J. Hovah's Singer (as Delaney & Bonnie and Friends)
Lee Weaver	...	Jake, Kowalski's Denver Connection
Cherie Foster	...	Girl #1
Valerie Kairys	...	Girl #2
Tom Reese	...	Sheriff
Owen Bush	...	Communications Officer
rest of cast listed alphabetically:
Charlotte Rampling	...	Hitchhiker (scenes deleted)
John Amos	...	Super Soul's Engineer (uncredited)
Val Avery	...	Police Officer (uncredited)
Rita Coolidge	...	J. Hovah's Singer (uncredited)
David Gates	...	Piano Player at Revival Meeting (uncredited)

Directed by
Richard C. Sarafian

Writing credits
Malcolm Hart		(story outline)
Guillermo Cabrera Infante		(screenplay) (as Guillermo Cain)
Barry Hall		uncredited

Produced by
Michael Pearson	....	executive producer
Norman Spencer	....	producer

Cinematography by
John A. Alonzo

Film Editing by
Stefan Arnsten

Art Direction by
Dennis J. Parrish		(uncredited)

Set Decoration by
Glen Daniels
Jerry Wunderlich

Makeup Department
Del Acevedo	....	makeup artist

Production Management
Francisco Day	....	unit production manager

Second Unit Director or Assistant Director
Dick Glassman	....	assistant director (as Richard Glassman)

Art Department
Dennis J. Parrish	....	property master (as Dennis Parrish)

Sound Department
William Edmondson	....	sound mixer (as Bill Edmondson)
Tom Edwards	....	sound mixer
Theodore Soderberg	....	sound mixer

Stunts
Louie Elias	....	stunt coordinator (as Louis Elias)
Carey Loftin	....	stunt coordinator (as Cary Loftin)
Max Balchowsky	....	stunts (uncredited)
Joe Brooks	....	stunts (uncredited)
James W. Gavin	....	aerial stunts (uncredited)
Bill Hickman	....	stunts (uncredited)
Carey Loftin	....	stunt double (uncredited)
Carey Loftin	....	stunt driver (uncredited)

Casting Department
Michael McLean	....	casting supervisor

Costume and Wardrobe Department
Ed Wynigear	....	wardrobe master

Music Department
Jimmy Bowen	....	music producer
Jimmy Bowen	....	music supervisor
Pete Carpenter	....	musical associate
Tom Thacker	....	musical associate

Other crew
Michael McLean	....	associate: Mr. Sarafian
Iain Quarrier	....	creative associate
Maurice Unger	....	production administrator

Production Companies

• Cupid Productions
• Twentieth Century-Fox Film Corporation

Distributors

• Twentieth Century-Fox Film Corporation (1971) (USA) (theatrical)
• Columbia Broadcasting System (CBS) (1977) (USA) (TV) (original airing)
• Fox Film (1971) (Sweden) (theatrical)
• Fox-Stockholm Film Distribution (1971) (Sweden) (theatrical)
• Twentieth Century-Fox Film Corporation (1975) (USA) (theatrical) (re-release)
• 20th Century Fox Home Entertainment (2002) (UK) (DVD)
• 20th Century Fox Home Entertainment (2004) (USA) (DVD)
• CBS/Fox (USA) (VHS)
• CBS/Fox (USA) (laserdisc)
• Svensk Filmindustri (SF) (2006) (Sweden) (DVD)
• Svensk Filmindustri (SF) (2008) (Sweden) (DVD) (Blu-ray)

MPAA:

Rated R for sensuality/nudity and drug content. (1998 re-rating)

Runtime:

99 min | UK:106 min

Country:

USA | UK

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

France:U | Iceland:L | Germany:16 (re-rating) (2008) | Singapore:PG | USA:R (re-rating) (1998) | Australia:M | Canada:14A | Finland:K-16 | Norway:16 | Sweden:15 | UK:18 | USA:GP (original rating) | West Germany:18 (original rating)

Filming Locations:

Austin, Nevada, USA

Company:

Cupid Productions

Trivia:

Cameo: [David Gates]The singer/songwriter (of Bread fame) played the piano during the rousing revival in the desert with the J. Hovah singers.

Goofs:

Miscellaneous: In the construction area, Kowalski goes off the road to his left, losing the trim ring from the left front wheel. Later in the movie, the trim ring is back on.

Quotes:

Super Soul: And there goes the Challenger, being chased by the blue, blue meanies on wheels. The vicious traffic squad cars are after our lone driver, the last American hero, the electric centaur, the, the demi-god, the super driver of the golden west! Two nasty Nazi cars are close behind the beautiful lone driver. The police numbers are gettin' closer, closer, closer to our soul hero, in his soul mobile, yeah baby! They about to strike. They gonna get him. Smash him. Rape...

Movie Connections:

Referenced in Grindhouse (2007)

Soundtrack:

Runaway Country

Can you ever build enough speed on the road to escape your past & your pain?

"Vanishing Point" asks the question and, like other films of this kind before "Smokey & the Bandit" brought the genre to an end, lets us ponder the answer on our own. Other than that, there's no point to this film except to demonstrate that the Challenger is one of the best-looking muscle/sports cars ever made. Get too far into this movie & you'll want to sell your children to have one. Kowalski is a '70s knight-errant, or a Greek mythological hero, just as you please. He rides his Hemi-powered steed on a quest to San Francisco, not for a "what," or a "why," or even for a lady fair, but only for "how fast." Does he seek redemption? Escape? Self-forgiveness? To stick it to the Man? Who cares? Knavish cops close in on him, lotus-eaters like Hovah (Darden) shun him, sirens (especially the stark-naked Texter, who would've stopped Burt Reynolds's Bandit faster than Sally Field ever did) want him to dally. Sharp-featured, Western character actor Anthony James has a hilarious, uncharacteristic turn as a gay hitchhiker. Humble, noble souls come forth to guide Kowalski like angels, including a scruffy snake-hunter (Jagger), chopper jockey & drug dealer Angel (Scott), and the blind deejay Super Soul (Little, who should've been a contender for the part of Howard Beal in "Network"). The Man's attempts to explain Kowalski are annoying distractions, so hit the "mute" button when you see scenes of cops in offices. And stop wondering why Kowalski, on his quest for speed, is always being overtaken & passed by other vehicles. Just put your brain in neutral, put your popcorn where it's handy, and buckle up.