| Videos |
| Alain Delon | ... | Commissaire Edouard Coleman | |
| Richard Crenna | ... | Simon | |
| Catherine Deneuve | ... | Cathy | |
| Riccardo Cucciolla | ... | Paul Weber | |
| Michael Conrad | ... | Louis Costa | |
| Paul Crauchet | ... | Morand | |
| Simone Valère | ... | Paul's wife | |
| André Pousse | ... | Marc Albouis | |
| Jean Desailly | ... | Distinguished gentleman who was robbed a statue | |
| Valérie Wilson | ... | Gaby | |
| Henri Marteau | ... | Police officer instructor of shooting | |
| Catherine Rethi | |||
| Louis Grandidier | |||
| Philippe Gasté | ... | Un policier | |
| Dominique Zentar | |||
| Jako Mica | |||
| Jo Tafanelli | |||
| Stan Dylik | |||
| Georges Florian | |||
| Léon Minisini | ... | Mathieu la Valise ('Suitcase Matthew') | |
| Roger Fradet | |||
| Jacques Galland | |||
| Jean-Pierre Posier | |||
| Jacques Leroy | |||
| Michel Fretault | |||
| Gene Moyle | |||
| Nicole Témime | |||
| Pierre Vaudier |
Directed by | |||
| Jean-Pierre Melville | |||
Writing credits(in alphabetical order) | ||
| Jean-Pierre Melville | writer | |
Produced by | |||
| Robert Dorfmann | .... | producer | |
Original Music by | |||
| Michel Colombier | |||
Cinematography by | |||
| Walter Wottitz | |||
Film Editing by | |||
| Patricia Nény | |||
Production Design by | |||
| Théobald Meurisse | (as Théo Meurisse) | ||
Set Decoration by | |||
| Pierre Charron | |||
Costume Design by | |||
| Colette Baudot | |||
Makeup Department | |||
| Michel Deruelle | .... | makeup artist | |
Production Management | |||
| Jean Drouin | .... | unit manager | |
| Phillip Kenny | .... | unit production manager | |
| Pierre Saint-Blancat | .... | production manager (as Pierre Saint Blancat) | |
Second Unit Director or Assistant Director | |||
| Jean-François Delon | .... | first assistant director | |
| Bernard Girardot | .... | trainee assistant director | |
| Marc Grunebaum | .... | assistant director | |
| Philippe Martin | .... | trainee assistant director | |
| Pierre Tati | .... | second assistant director | |
Art Department | |||
| René Albouze | .... | property master | |
| Enrique Sonois | .... | assistant production designer | |
Sound Department | |||
| André Hervée | .... | sound recordist | |
| Maurice Laumain | .... | sound editor | |
| Jean Nény | .... | sound | |
Camera and Electrical Department | |||
| André Domage | .... | camera operator | |
| Valery Ivanow | .... | first assistant camera (as Valéry Ivanow) | |
Costume and Wardrobe Department | |||
| Yves Saint-Laurent | .... | costume designer: Catherine Deneuve's black dress | |
Editorial Department | |||
| Marie-Josée Audiard | .... | assistant editor (as Marie-José Audiard) | |
| Sophie Tatischeff | .... | assistant editor (as Sophie Tati) | |
Other crew | |||
| Phillip Kenny | .... | location manager | |
| Florence Moncorgé-Gabin | .... | script girl (as Florence Moncorgé) | |
| Georges Pansu | .... | title designer | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
| Add this title to MyMovies |
Well, Melville has done it again (or did it again 34 years ago when this movie came out). He has created an excellent cat and mouse story. Another addition to his incomparable body of work. A weary and wise police detective (Alain Delon with his piercing eyes) is solving Paris' serious crimes. Along comes Simon (Richard Crenna) and his band of thieves who exact a couple of daring, nearly perfect crimes. By chance the police get a clue and go about pursuing the criminals. The further into the film we go, the more complex the story becomes. Both men are friends/more than friends with Cathy (the exquisite Catherine Deneuve at her iciest), and they are acquainted with each other. As the police close in on Simon and his band, destroying them in the process, the commissioner goes about his business with a dull matter-of-factness. Tomorrow will bring another crime to solve.
This movie is like chevre (goat cheese) rolled in ash. That tart, distinct taste is recognizable anywhere. It may be a bit of an acquired taste, but once drawn in, it awakens and enlivens the taste buds with each consumption. The ash gives it a bit of grit, which blends perfectly with the flavor. 8/10
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