| Alejandro Jodorowsky | ... | El Topo | |
| Brontis Jodorowsky | ... | Son of El Topo, as a boy | |
| José Legarreta | ... | Dying Man | |
| Alfonso Arau | ... | Bandit #1 | |
| José Luis Fernández | ... | Bandit #2 | |
| Alf Junco | ... | Bandit #3 (as Alí Junco) | |
| Gerardo Zepeda | ... | Bandit #4 (as Gerardo Cepeda) | |
| René Barrera | ... | Bandit #5 | |
| René Alís | ... | Bandit #6 | |
| Federico Gonzáles | ... | Bandit #7 | |
| Vicente Lara | ... | Bandit #8 | |
| Pablo Leder | ... | Monk #1 | |
| Giuliano Girini Sasseroli | ... | Monk #2 | |
| Cristian Merkel | ... | Monk #3 | |
| Aldo Grumelli | ... | Monk #4 | |
| Mara Lorenzio | ... | Mara | |
| David Silva | ... | The Colonel | |
| Ignacio Martínez España | ... | Armless man | |
| Eliseo Gardea Saucedo | ... | Legless man | |
| Héctor Martínez | ... | Master #1 (as Hector Martinez 'El Borrado') | |
| Paula Romo | ... | Woman in black | |
| Bertha Lomelí | ... | Gypsy, Mother of Master #2 (as Berta Lomeli) | |
| Juan José Gurrola | ... | Master #2 | |
| Víctor Fosado | ... | Master #3 | |
| Agustín Isunza | ... | Master #4 | |
| Jacqueline Luis | ... | Small woman | |
| Carlos Lavenant | ... | Executioner #1 | |
| Eliseo Pereda | ... | Executioner #2 | |
| Pablo Marichal | ... | Slave | |
| Beatriz Beltrán Lobo | ... | Woman #1 | |
| Carmen Lamadrid | ... | Woman #2 | |
| Pepita González | ... | Woman #3 | |
| Cecilia Leger | ... | Woman #4 (as Cecilia Leguer) | |
| Elvira Agosti | ... | Woman #5 | |
| Antonio Álvarez | ... | Prisoner #1 | |
| Rueben Gonzáles | ... | Prisoner #2 (as Rubén González) | |
| Víctor Manuel Osorio | ... | Prisoner #3 | |
| José Pérez Bustos | ... | Prisoner #4 | |
| Eduardo Danel | ... | Prisoner #5 | |
| Álvaro García | ... | Prisoner #6 (as Alvaro García) | |
| José Antonio Alcaraz | ... | Sheriff | |
| Felipe Díaz Garza | ... | Deputy (as Felipe Diazgarza) | |
| Patricio Pereda | ... | The child | |
| Marcos E. Contreras | ... | Boxer #1 | |
| Arturo Silva | ... | Boxer #2 | |
| Robert John | ... | Son of El Topo, as a man | |
| Julián de Meriche | ... | Priest (as Julien de Meriche) | |
| Valerie Tremblay | ... | Woman in church (as Valerie Trumblay) | |
| José Luis González de León | ... | Man in church (as J.L. González de León) | |
| Francisco González Salazar | ... | Shopkeeper | |
| Pedro García | ... | Man with carrot |
Directed by | |||
| Alejandro Jodorowsky | (as Alexandro Jodorowsky) | ||
Writing credits | ||
| Alejandro Jodorowsky | (written by) (as Alexandro Jodorowsky) | |
Produced by | |||
| Mick Gochanour | .... | producer | |
| Mick Gochanour | .... | restored version | |
| Robin Klein | .... | producer | |
| Juan López Moctezuma | .... | producer | |
| Moshe Rosemberg | .... | producer (as Moishe Rosemberg) | |
| Saúl Rosemberg | .... | producer | |
| Roberto Viskin | .... | executive producer | |
Original Music by | |||
| Alejandro Jodorowsky | |||
| Nacho Méndez | |||
Cinematography by | |||
| Rafael Corkidi | |||
Film Editing by | |||
| Federico Landeros | |||
Production Design by | |||
| Alejandro Jodorowsky | |||
Art Direction by | |||
| José Durán | |||
Set Decoration by | |||
| José Luis Garduño | |||
Costume Design by | |||
| Alejandro Jodorowsky | |||
Second Unit Director or Assistant Director | |||
| José Luis González de León | .... | assistant director | |
Sound Department | |||
| Gonzalo Gavira | .... | sound effects engineer | |
| Lilia Lupercio | .... | sound editor | |
Other crew | |||
| Humberto Gurza | .... | animal wrangler | |
| Miguel Gurza | .... | animal wrangler | |
| 'Chema' Hernandez | .... | livestock coordinator | |
| Luz María Rojas | .... | production assistant | |
| Vicente Rojo | .... | title designer | |
| Jorge Rubio Salazar | .... | production assistant (as Jorge Rubio) | |
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| The Holy Mountain | Salò o le 120 giornate di Sodoma | Furyô anego den: Inoshika Ochô | Deus e o Diabo na Terra do Sol | Ta paidia tou Diavolou |
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| News articles | IMDb Adventure section | IMDb Mexico section |
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7 out of 10
Highly controversial in it's day this thing has certainly tamed quite a bit. The blood, violence, nudity, and sexuality really seem like no big deal. The effects aren't real good either and coupled with some real chopping editing you hardly see anything that 'shocking'. In many ways this looks like just another amateurish artifact from a bygone era.
Yet content wise it is actually quite alerting. Director Jodorowsky shows a definite talent. Yes it certainly does seem to bite off more than it can chew especially with such a limited budget. It is saturated (almost bogged down) with heavy symbolism and a seeming need to blow everything up to an almost epic proportion. His ambitions just don't and can't equal the final result. Yet this is still far from a failure. Even while being hampered there are certain scenes that leave a very strong impression.
Has a reputation of being convoluted and yet it is really quite lyrical. Once one adjusts to it's mesmerizing use of symbolism it becomes fascinating. It's heavy allegorical nature is both intriguing and provocative. There is a very unique vision here, which raises it well above the fray despite the other limitations.
The story seems confusing and hard to explain, but really it isn't. It's a story of a mysterious gunmen who comes out of nowhere to avenge a town that has been massacred. Once finished with this he takes the perpetrators women and goes off into the desert. Here he must prove himself against four different masters that all seem invincible. Yet it is to women and lust that he falls victim. Defeated and demoralized he turns to spirituality and ends up fighting to save some deformed people from a town that has literally barricaded them into a underground cavern.
If nothing else the whole thing keeps you going. It is fun and interesting to see one man go through such different stages much like a lot of people. It also gives you a sort of complete view of the person by showing you all his different sides. There is a lot of religious correlations and a overall negative view of women. There is also, surprisingly, a lot of comedy and lighheartedness.
It does fail to leave a overall strong impact. There is also a very cold, alienating tone to it and the characters are all rather unpleasant. Yet for those that like to take a ride into the different they won't be disappointed. The castration of a pompous Colonel is amazing. The showdowns with the masters are memorable and the game of Russian roulette amongst a group of churchgoers isn't bad either.
The film promotes a rather curious statement made by it's director and used on most of it's posters and box covers. It states "If you are great El Topo is a great picture. If you are limited than El Topo is limited." This statement has always seemed quite amusing simply because it allows no room for anyone to criticize the film. If they do they will simply be labeled as 'limited'. I give this film 7 out of 10 points, which makes me , I guess, 70 percent great!