Sometimes a Great Notion (1970)

User Rating:

7.0/10   

Director:

Paul Newman

Writers:

Ken Kesey (novel)
John Gay (writer)

Release Date:

31 December 1970 (USA)

Genre:

Drama | Action | Adventure

Tagline:

"Never give an inch" was the motto of the Stampers of Oregon. And live it they did!

Plot:

A family of fiercely-independent Oregon loggers struggle to keep the family business alive amidst changing times.

Plot Keywords:

Logger | Strike | Mouth To Mouth Air Exchange Underwater | Lumberjack | Family Relationships

Awards:

Nominated for 2 Oscars.

Cast

Paul Newman	...	Hank Stamper
Henry Fonda	...	Henry Stamper
Lee Remick	...	Viv Stamper, Hank's Wife
Michael Sarrazin	...	Leland Stamper
Richard Jaeckel	...	Joe Ben Stamper
Linda Lawson	...	Jan Stamper, Joe Ben's Wife
Cliff Potts	...	Andy Stamper
Sam Gilman	...	John Stamper
Lee de Broux	...	Willard Eggleston
Jim Burk	...	Biggy Newton
Roy Jenson	...	Howie Elwood
Joe Maross	...	Floyd Evenwrite
Roy Poole	...	Jonathan Stamper
Charles Tyner	...	Les Gibbons
Bennie E. Dobbins	...	Bit Part (as Bennie Dobbins)
Alan Gibbs	...	Bit Part
Mickey Gilbert	...	Bit Part
Dick Hudkins	...	Bit Part
Terry Leonard	...	Bit Part
Fred Lerner	...	Bit Part
Gary McLarty	...	Bit Part
Hal Needham	...	Bit Part
J.N. Roberts	...	Bit Part
Dean Smith	...	Bit Part
Fred M. Waugh	...	Bit Part (as Fred Waugh)
Fred Zendar	...	Bit Part
rest of cast listed alphabetically:
Jon Morgan Woodward	...	A logger (uncredited)

Directed by
Paul Newman

Writing credits
Ken Kesey		(novel)
John Gay		(writer)

Produced by
Frank Caffey	....	associate producer
John Foreman	....	producer
Paul Newman	....	co-executive producer

Original Music by
Henry Mancini

Cinematography by
Richard Moore

Film Editing by
Bob Wyman

Art Direction by
Philip M. Jefferies		(as Philip Jefferies)

Set Decoration by
William Kiernan

Costume Design by
Edith Head

Makeup Department
Jim Markham	....	hair designer: men
Monty Westmore	....	makeup artist

Production Management
Arthur S. Newman Jr.	....	unit production manager

Second Unit Director or Assistant Director
Mickey McCardle	....	assistant director
Michael D. Moore	....	second unit director
Paul J. Crossey	....	dga trainee (uncredited)
Harvey S. Laidman	....	second assistant director (uncredited)
Gene Marum	....	second assistant director (uncredited)

Sound Department
James R. Alexander	....	sound
Waldon O. Watson	....	sound

Stunts
M. James Arnett	....	stunt coordinator (as James Arnett)
Stan Barrett	....	stunts (uncredited)
Jim Burk	....	stunts (uncredited)
Everett Creach	....	stunts (uncredited)
Carol Daniels	....	stunts (uncredited)
Bennie E. Dobbins	....	stunts (uncredited)
Alan Gibbs	....	stunts (uncredited)
Mickey Gilbert	....	stunts (uncredited)
Dick Hudkins	....	stunts (uncredited)
Roy Jenson	....	stunts (uncredited)
Terry Leonard	....	stunts (uncredited)
Fred Lerner	....	stunts (uncredited)
Gary McLarty	....	stunts (uncredited)
Hal Needham	....	stunts (uncredited)
J.N. Roberts	....	stunts (uncredited)
Dean Smith	....	stunts (uncredited)
Fred M. Waugh	....	stunts (uncredited)
Fred Zendar	....	stunts (uncredited)

Camera and Electrical Department
Rexford L. Metz	....	camera operator: second unit (uncredited)

Other crew
Dean Fillmore	....	technical advisor
Annabelle King	....	production assistant (uncredited)

Production Companies

• Newman-Foreman Company
• Universal Pictures

Distributors

• Universal Pictures (1971) (USA) (theatrical)
• National Broadcasting Company (NBC) (1976) (USA) (TV) (original airing)
• Cinéma International Corporation (CIC) (1972) (Sweden) (theatrical)

Other Companies

• Cinematique  cosmetics
• Universal Title  titles and opticals

Also Known As:

Never Give a Inch (USA) (reissue title)
Never Give an Inch (UK)

Runtime:

114 min | Portugal:108 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Iceland:12 | Australia:M | Finland:K-16 | Norway:16 | Sweden:15 | USA:GP (original rating) | USA:PG

Filming Locations:

Broughton Log Flume, Columbia River Gorge, Washington, USA

Company:

Newman-Foreman Company

Trivia:

Paul Newman replaced Richard A. Colla as director.

Quotes:

Hank Stamper: [after Leeland removes his shirt to investigate a bug-bite] Where'd you learn the strip act? In college?

Movie Connections:

Referenced in "Prison Break: Dead Fall (#2.8)" (2006)

Soundtrack:

All His Children

Always A Great Movie

This is one of my favorite movies. It has excellent acting, a great story (by the late great Ken Kesey), and some very intense scenes. I found that Paul Newman's direction was very well done. This is a movie for fans of great character development.

First, Paul Newman, as usual, did an outstanding job. This is my favorite character. He was able to pull off this very icey dominance, even over his own father. He plays his character like he is Hank Stamper. Paul Newman always does a great job in his movies, but I think this one I especially like because he isn't as likeable as Cool Hand Luke or Fast Eddie (which are two other favorite characters and movies of mine).

Then there is Henry Fonda, who plays the eldest Stamper, Henry. He was a very interesting character, and Henry Fonda did a great job at playing him. He and Hank both head the family, and he and Paul Newman have a fractured relationship that is sort of crass, but still fun to see them on-screen together.

Then there is Michael Sarrazin, who plays the outcast Leeland Stamper. He is probably the best character. While all the other Stampers have leather skin and huge scars from wood chips, he has big bushy hair and is not a big barrel chested logger. Hank and Henry treat him like crap almost the whole movie, because he doesn't belong. Leeland just came back from the city, and he came back for the sole purpose of getting even with Hank.

And Finally, there is Lee Remick, who plays Hank's shut out wife Viv. She is probably the most complex character, simply because she only lets on what she thinks of her situation in little bits. She and Hank used to be wild lovers, but Hank is working so hard because of the logger's strike, he pretty much shuts her out, and so she begins to drift away from Hank.

My only problem with this movie is that they didn't have the big rights of passage fight between Hank and Leeland. In the book Leeland fought Hank after everything bad happened to the Stampers, as a way to show Hank that he isn't in control. I think that was the biggest part in the novel, and they left it out. But aside from that, I loved this movie.

Check this movie, or the book out for that matter, if you enjoy strong character development, many tragic events, and stories that take place in the backwoods of Oregon. 9/10