| Videos |
| Richard Roundtree | ... | John Shaft | |
| Moses Gunn | ... | Bumpy Jonas | |
| Charles Cioffi | ... | Vic Androzzi | |
| Christopher St. John | ... | Ben Buford | |
| Gwenn Mitchell | ... | Ellie Moore | |
| Lawrence Pressman | ... | Sergeant Tom Hannon | |
| Victor Arnold | ... | Charlie | |
| Sherri Brewer | ... | Marcy | |
| Rex Robbins | ... | Rollie | |
| Camille Yarbrough | ... | Dina Greene | |
| Margaret Warncke | ... | Linda | |
| Joseph Leon | ... | Byron Leibowitz | |
| Arnold Johnson | ... | Cul | |
| Dominic Barto | ... | Patsy | |
| George Strus | ... | Carmen | |
| Edmund Hashim | ... | Lee | |
| Drew Bundini Brown | ... | Willy | |
| Tommy Lane | ... | Leroy | |
| Al Kirk | ... | Sims | |
| Shimen Ruskin | ... | Dr. Sam | |
| Antonio Fargas | ... | Bunky | |
| Gertrude Jeannette | ... | Old Lady | |
| Lee Steele | ... | Blind Vendor | |
| Damu King | ... | Mai | |
| Donny Burks | ... | Remmy | |
| Tony King | ... | Davies | |
| Benjamin R. Rixson | ... | Bay Newfield | |
| Ricardo Brown | ... | Tuffy | |
| Alan Weeks | ... | Gus | |
| Glenn Johnson | ... | Char | |
| Dennis Tate | ... | Dotts | |
| Adam Wade | ... | Brother #1 | |
| James Hainesworth | ... | Brother #2 | |
| Clee Burtonya | ... | Sonny | |
| Ed Bernard | ... | Poerco | |
| Eddie Barth | ... | Tony (as Ed Barth) | |
| Joe Pronto | ... | Dom | |
| Robin Nolan | ... | Waitress | |
| Ron Tannas | ... | Billy | |
| Betty Bresler | ... | Mrs. Androzzi | |
| Gonzalo Madurga | ... | Counterman | |
| Paul Nevens | ... | Elevator Man | |
| Jon Richards | ... | Elevator Starter | |
| rest of cast listed alphabetically: | |||
| Gordon Parks | ... | Apartment Landlord (uncredited) | |
Directed by | |||
| Gordon Parks | |||
Writing credits | ||
| Ernest Tidyman | (novel) | |
| Ernest Tidyman | (writer) & | |
| John D.F. Black | (writer) | |
Produced by | |||
| Joel Freeman | .... | producer | |
| David Golden | .... | associate producer | |
Original Music by | |||
| Isaac Hayes | |||
| J.J. Johnson | |||
Cinematography by | |||
| Urs Furrer | |||
Film Editing by | |||
| Hugh A. Robertson | |||
Casting by | |||
| Judith Lamb | |||
Art Direction by | |||
| Emanuel Gerard | |||
Set Decoration by | |||
| Robert Drumheller | |||
Costume Design by | |||
| Joseph G. Aulisi | (as Joe Aulisi) | ||
Makeup Department | |||
| Martin Bell | .... | makeup artist | |
Production Management | |||
| Steven P. Skloot | .... | unit production manager (as Steven Skloot) | |
Second Unit Director or Assistant Director | |||
| Ted Zachary | .... | assistant director | |
| Allan Wertheim | .... | second assistant director (uncredited) | |
Sound Department | |||
| Lee Bost | .... | sound | |
| Hal Watkins | .... | sound | |
Stunts | |||
| Bob Herron | .... | stunts (uncredited) | |
| Joe Pronto | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Ron Zarilla | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Sylvia Fay | .... | extras casting | |
Music Department | |||
| Tom McIntosh | .... | technical assistant to composer | |
| Mayuto Correa | .... | musician (uncredited) | |
Other crew | |||
| Tom Miller | .... | unit publicist (uncredited) | |
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| Shaft | King of New York | The Godfather | Magnum Force | Beverly Hills Cop |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
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Gordon Parks' 'Shaft' may not have been the first blaxploitation movie but it was the most important and commercially successful of the initial batch, and it kicked open the door for other dynamic 1970s screen heroes like The Hammer, Coffy, Black Caesar, Foxy Brown and The Jones' (Black Belt and Cleopatra). In some ways it is one of the most conventional of the blaxploitation genre in the sense that all it really is is a black man (the charismatic Richard Roundtree) playing a part that up until then would have been played by a white one (Lee Marvin, Clint Eastwood, even Sean Connery). A super cool, hard as nails hero/anti-hero who is as handy with his fists as he is with the ladies. But of course, that is what made 'Shaft' so revolutionary and influential at the time. Personally my favourite blaxploitation movie is 'Superfly', released the following year and directed by Gordon Parks' son, but I can't deny that if you accept 'Shaft' for what it is, and not what it COULD be, it's difficult to fault, and still one of the coolest and most entertaining action thrillers of the 1970s, as good as 'The Getaway', 'Dirty Harry' or 'The French Connection' (the latter being also written incidentally by Ernest Tidyman who created the John Shaft character in a popular series of novels). The main reason 'Shaft' really works is because of the casting of virtual unknown Richard Roundtree, and the music score by soul legend Isaac Hayes. Roundtree probably had more potential than any black star of the period to cross over into major Hollywood stardom, but for some reason (typecasting, bad breaks) he faded away quickly, and ended up playing small character roles, usually cops, in cult favourites like Larry Cohen's 'Q' and William Lustig's 'Maniac Cop', and more recently bit parts in 'Se7en' and John Singleton's ill advised "remake" of 'Shaft' itself. Hayes' title theme is an utter classic, and one of the most recognisable and imitated pieces of music from the early 70s. Hayes had already released the brilliant 'Hot Buttered Soul' before this, but 'Shaft' made him a superstar, and even gave him a career as an action here himself for a while with 'Truck Turner'. I don't think overall Hayes' score for the movie is as consistently impressive as Curtis Mayfield's work on 'Superfly', but the main theme is still a sensational piece of music. Roundtree is backed up with a strong supporting cast, including Moses Gunn ('Rollerball') as Bumpy, a great baddie, Charles Cioffi ('Klute') as Androzzi, the cop who is frequently exasperated with Shaft's behaviour, and Muhammad Ali associate Drew Bundini Brown as Willy, a former childhood friend of Shaft who is now a black panther and disgusted with his decadent lifestyle. Also keep an eye out for a small bit by Antonio Fargas, who is best known as Huggy Bear in 'Starsky And Hutch' and also went on to appear as Pam Grier's brother in 'Foxy Brown', and as Doodlebug in 'Cleopatra Jones'. 'Shaft' is a movie that changed the face of Hollywood forever, and is highly recommended to anyone who enjoys 1970s movies, music or fashions.