IMDb > Les lèvres rouges (1971)
Les lèvres rouges
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Les lèvres rouges (1971) More at IMDbPro »

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Overview

User Rating:
6.6/10   983 votes
MOVIEmeter: ?
Up 2% in popularity this week. See why on IMDbPro.
Director:
Writers:
Pierre Drouot (scenario) &
Harry Kümel (scenario) ...
more
Contact:
View company contact information for Daughters of Darkness on IMDbPro.
Release Date:
3 December 1971 (West Germany) more
Genre:
Tagline:
An erotic nightmare of vampire lust [DVD] more
Plot:
A newlywed couple are passing through a vacation resort. Their paths cross with a mysterious, strikingly beautiful countess and her aide. full summary | full synopsis
NewsDesk:
(2 articles)
Finals Week: 'The Final Girl: A few thoughts on Feminism and Horror'
 (From pretty-scary. 21 December 2009, 12:08 PM, PST)

Daughters Of Darkness
 (From Fangoria. 8 November 2008, 4:26 PM, PST)

User Reviews:
A Landmark in Vampire Erotica more (31 total)

Cast

  (Complete credited cast)

Additional Details

Also Known As:
Blood on the Lips
Blut an den Lippen
Children of the Night (video title)
Daughters of Darkness (USA)
Erzebeth
Le rouge aux Lèvres (Belgium: French title)
The Promise of Red Lips
The Red Lips
The Redness of the Lips
more
Runtime:
USA:100 min (uncut version) | USA:87 min
Language:
Color:
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Certification:
Canada:13+ (Quebec) (re-rating) (2005) | Canada:18 (Nova Scotia) (2003) | Canada:18+ (Quebec) (original rating) | Iceland:16 | Australia:MA | West Germany:18 | UK:18 | USA:R
Company:

Fun Stuff

Trivia:
The dining room of Palais des Thermes (Ostend) with the coloured glass wall representing the sea with seagulls, where Valerie and Stefan are eating the first evening and where countess Bathory sees them for the first time, still exists but the trinkhall (300 meters from the hotel) with the seduction scene between countess Bathory and Valerie ("little Edelweis") is no longer there. The entrance hall is at Hotel Astoria (with the conversation with Pierre and where countess Bathory is knitting), but the rooms and windows are shot at the Grand Hotel des Thermes. If countess Bathory has been there 40 years ago, this is not probable because the hotel is build only in 1932 and the action takes place in 1970... more
Quotes:
Countess Bathory: I feel it in my bones, the night is dying... more
Movie Connections:
Featured in Daughters of Darkness (2006) (V) more
Soundtrack:
Daughters of Darkness more

FAQ

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6 out of 6 people found the following review useful.
A Landmark in Vampire Erotica, 7 August 2007
7/10
Author: Jonny_Numb from Hellfudge, Pennsylvania

While I appreciate vampires as a staple of the horror genre, I have never been a big fan of vampire films. And while I will be the first to laud the merits of Bela Lugosi and Christopher Lee's contributions to the cape, they look rather timid next to Countess Elizabeth Bathory (the luminous and sensual Delphine Seyrig) in "Daughters of Darkness." While Harry Kumel's film is one of the most aesthetically beautiful vampire pictures ever lensed, dripping with subtle sexual tension, it also presses forth with a feminist/lesbian subtext that's as alluring as it is clever. The plot is relatively straightforward, and the film takes its time in establishing mood and atmosphere--Valerie (Danielle Ouiment) and Stefan (John Karlen) are newlyweds who are on the rocks only 3 hours into the marriage, and things are complicated further when Countess Bathory and her assistant, Ilona (Andrea Rau) check into the same deserted seaside hotel. While the atmosphere could be compared to the Universal and Hammer horrors, Kumel's artistry--with well-framed images, emphasis on wardrobe, and a very deliberate color scheme--exists in its own unique league. The topic of lesbianism--and even heterosexuality--is presented in a minimalist, unexploitative manner, yet maintains a pervasive eroticism throughout. Even the vampiric seduction is presented with a minimum of graphic bloodshed, which is all the more effective. "Daughters of Darkness" is the type of moody, character-driven piece that plays like a sensual sister to George Romero's similarly unique "Martin." As my comment title implies, this is an excellent film, required viewing for fans of horror and great art alike.

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