| Photos (see all 24 | slideshow) |
| Clint Eastwood | ... | Dave | |
| Jessica Walter | ... | Evelyn | |
| Donna Mills | ... | Tobie | |
| John Larch | ... | Sgt. McCallum | |
| Jack Ging | ... | Frank | |
| Irene Hervey | ... | Madge | |
| James McEachin | ... | Al Monte | |
| Clarice Taylor | ... | Birdie | |
| Don Siegel | ... | Murphy (as Donald Siegel) | |
| Duke Everts | ... | Jay Jay | |
| George Fargo | ... | Man | |
| Mervin W. Frates | ... | Locksmith | |
| Tim Frawley | ... | Deputy Sheriff | |
| Otis Kadani | ... | Policeman | |
| Brit Lind | ... | Anjelica | |
| Paul E. Lippman | ... | 2nd man | |
| Jack Kosslyn | ... | Cab driver | |
| Ginna Patterson | ... | Madalyn | |
| Malcolm Moran | ... | Man in window | |
| rest of cast listed alphabetically: | |||
| Cannonball Adderley | ... | Himself (leader, Cannonball Adderly and His Quartet) (uncredited) | |
| Cannonball Adderley and His Quartet | ... | Themselves (uncredited) | |
| Robert S. Holman | ... | Policeman (uncredited) | |
| Johnny Otis | ... | Himself (uncredited) | |
| Walter Spear | ... | Policeman (uncredited) | |
Directed by | |||
| Clint Eastwood | |||
Writing credits | ||
| Jo Heims | (story) | |
| Jo Heims | (screenplay) and | |
| Dean Riesner | (screenplay) | |
Produced by | |||
| Robert Daley | .... | producer | |
| Robert E. Larson | .... | associate producer (as Bob Larson) | |
| Jennings Lang | .... | producer (uncredited) | |
Original Music by | |||
| Dee Barton | |||
Cinematography by | |||
| Bruce Surtees | |||
Film Editing by | |||
| Carl Pingitore | |||
Art Direction by | |||
| Alexander Golitzen | |||
Set Decoration by | |||
| Ralph S. Hurst | (as Ralph Hurst) | ||
Costume Design by | |||
| Helen Colvig | |||
Second Unit Director or Assistant Director | |||
| Robert E. Larson | .... | assistant director (as Bob Larson) | |
Art Department | |||
| Don Heitkotter | .... | painting | |
Sound Department | |||
| Robert L. Hoyt | .... | sound | |
| Robert Martin | .... | sound | |
| Waldon O. Watson | .... | sound | |
Stunts | |||
| Jeannie Epper | .... | stunt double: Jessica W (uncredited) | |
| Julie Ann Johnson | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Brad Whitney | .... | costumes: Clint Eastwood (as Brad Whitney of Carmel) | |
Music Department | |||
| Erroll Garner | .... | musician: piano, "Misty" | |
| Ewan MacColl | .... | composer: song "First Time Ever I Saw Your Face" | |
| Mike Deasy | .... | musician (uncredited) | |
Other crew | |||
| Betty A. Griffin | .... | script supervisor (as Betty Abbott) | |
| Jack Kosslyn | .... | dialogue coach | |
| Jennings Lang | .... | presenter | |
Thanks | |||
| Jimmy Lyons | .... | thanks | |
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| Basic Instinct | The Bodyguard | L'uccello dalle piume di cristallo | Single White Female | B. Monkey |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
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This is quite an impressive, very 70s looking psycho-thriller that is sure to please.
Clint Eastwood plays Dave Garver, a radio DJ in southern California. One night, a woman calls requesting that he "Play Misty for me." Later, he meets the woman at a bar he goes to often, and they go back to her house together and make love. The next morning, he leaves, figuring it was just a one-night stand, but when he gets home, the woman, Evelyn Draper (Jessica Walter) shows up with groceries and starts to make herself at home. Dave decides to go with it, and later sees that his old girlfriend, Tobie Williams (Donna Mills), is back in town, and the two become close again. But Evelyn won't go away, and continues to follow Dave everywhere, and starts to get viciously jealous of Tobie. And as Dave and Tobie's relationship forms, Evelyn becomes angry and violent, and eventually, murderous, and Dave must find some way to stop her before she ruins his life, and potentially, kills him.
A very creepy movie. Jessica Walter is beyond convincing as the jealous psycho lover, and Clint Eastwood proves that he doesn't just do Dirty Harry movies. Donna Mills is also quite good as the innocent girlfriend. The movie implies and foreshadows a lot, making everything even scarier. But the best scene in the whole movie is the knife attack on the maid, Birdie. That scene competes with the shower scene in "Psycho" as one of the most shocking in film history. The way the camera darts and swings around, and Birdie's screams as she struggles and fights to get away, all add up to one of the scariest scenes I've every seen. The climax is quite good, if not executed a little too quickly, but what led to it was shocking enough to overshadow it.
All in all, a great film that I would definitely recommend.