Overview
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Release Date:
13 October 1971 (USA)
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Plot:
A ruthlessly ambitious Scottish lord siezes the throne with the help of his scheming wife and a trio of witches.
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Awards:
Won BAFTA Film Award.
Another 1 win
&
1 nomination
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Crew believed to be complete
Additional Details
Also Known As:
Macbeth (USA)
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Runtime:
140 min
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1
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Fun Stuff
Trivia:
Director
Roman Polanski's wife, actress
Sharon Tate, was murdered by Charles Manson three years before the making of the film. It is believed that due to this traumatic event, Polanski developed the story to be a more violent representation of Shakespeare's play. For instance, the scene in which Macbeth murders King Duncan was not in the original play and was instead implied.
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Goofs:
Anachronisms: The lyrics to the song that Fleance sings at Macbeth's banquet for Duncan at Inverness are taken from the poem "Merciles Beautè" by Geoffrey Chaucer. In the context of the film this extraneously inserted song is itself an anachronism, as Chaucer lived in the fourteenth century and Shakespeare's "Macbeth" historically takes place in the eleventh century.
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Quotes:
Duncan:
There's no art to find the mind's constuction in the face.
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Roman Polanski's blood-soaked version of Shakespeare's Scottish play was the video version of choice when we were studying this at school, in spite of it having a nude Lady Macbeth and witches (and Keith Chegwin in the cast - he's Banquo's son).
Jon Finch has the lead and he is exceptionally good. Even a dagger which really appears to float before him (an effect not needed) doesn't spoil things. Odd that he never really got good movie roles after this. His Lady M is Francesca Annis, a spider of a schemer, also putting in a good performance.
Less adequate are Martin Shaw as Banquo, Stephan Chase as Malcolm, and Sydney Bromley as the Porter, although Terence Bayler gives good value as Macduff.
Perhaps this Macbeth is the first one to be truly cinematic, something that even Orson Welles couldn't achieve with Scots accents and Scandinavian settings. It remains memorable long after seeing and, in its excesses, opens up the text for a new generation, and finally, sees the repellent murdering usurper get what he deserves.
(Incidentally for perspective, the book 'Macbeth - man and myth' by Nick Aitchison looks at the real historic facts in accessible coffee-table book style).