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Una lucertola con la pelle di donna (1971) More at IMDbPro »

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Una lucertola con la pelle di donna (1971) -- A young woman is accused of murdering her debauched neighbor after dreaming it. Was she set up, or did she really do it?
Una lucertola con la pelle di donna (1971) -- A young woman is accused of murdering her debauched neighbor after dreaming it. Was she set up, or did she really do it?

Overview

User Rating:
7.0/10   910 votes
MOVIEmeter: ?
Down 8% in popularity this week. See why on IMDbPro.
Director:
Writers:
Lucio Fulci (screenplay)
Lucio Fulci (story)
(more)
Contact:
View company contact information for Una lucertola con la pelle di donna on IMDbPro.
Release Date:
20 March 1973 (USA) more
Tagline:
Biting, Gnawing TERROR Claws At Your Brain! more
Plot:
A young woman is accused of murdering her debauched neighbor after dreaming it. Was she set up, or did she really do it? full summary | full synopsis
User Reviews:
Director Fulci in a chameleon's skin... more (25 total)

Cast

  (in credits order)
Florinda Bolkan ... Carol Hammond
Stanley Baker ... Inspector Corvin
Jean Sorel ... Frank Hammond
Silvia Monti ... Deborah
Alberto de Mendoza ... Sgt. Brandon
Penny Brown ... Jenny (hippie girl)
Mike Kennedy ... Hubert (hippie guy)
Ely Galleani ... Joan Hammond (as Edy Gall)
George Rigaud ... Dr. Kerr
Ezio Marano ... Lowell (scientific squad)
Franco Balducci ... McKenna
Luigi Antonio Guerra ... Policeman
Erzsi Paál ... Mrs. Gordon (as Ersi Pond)
Gaetano Imbró ... Policeman
Leo Genn ... Edmond Brighton
Anita Strindberg ... Julia Durer
rest of cast listed alphabetically:
Tony Adams ... Policeman (uncredited)
Jean Degrave ... St. Paul's Clinic director (uncredited)
Basil Dignam ... The Commisoner (uncredited)
Ursel Eberz ... Policewoman Beth (uncredited)
Piero Nistri ... L'amante di mrs Gordon (uncredited)
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Directed by
Lucio Fulci 
 
Writing credits
(in alphabetical order)
Lucio Fulci  screenplay
Lucio Fulci  story
Roberto Gianviti  screenplay
Roberto Gianviti  story
José Luis Martínez Mollá  screenplay
André Tranché  screenplay

Produced by
Edmondo Amati .... producer
Renato Jaboni .... executive producer
 
Original Music by
Ennio Morricone 
 
Cinematography by
Luigi Kuveiller 
 
Film Editing by
Giorgio Serrallonga  (as Jorge Serralonga)
 
Art Direction by
Román Calatayud 
 
Set Decoration by
Roberto Granieri 
 
Costume Design by
Maurizio Chiari 
 
Makeup Department
Franco Di Girolamo .... head makeup artist
Gloria Fava .... assistant makeup artist
Rosa Luciani .... hair stylist
 
Production Management
Luis Méndez .... production manager
Agostino Pane .... production supervisor
 
Second Unit Director or Assistant Director
Giorgio Gentili .... assistant director
 
Art Department
Nedo Azzini .... set designer
Claudio De Santis .... assistant set designer
 
Sound Department
Ken Barker .... sound re-recording mixer
Salvatore Billitteri .... post-synchronization supervisor
Massimo Iabone .... sound (as Massimo Jaboni)
Graham V. Hartstone .... sound re-recording mixer (uncredited)
 
Special Effects by
Eugenio Ascani .... special effects
Carlo Rambaldi .... special effects
 
Camera and Electrical Department
Antonio Annunziata .... first assistant camera
Enrico Bellacci .... chief electrician
Giovanni Bonivento .... second assistant camera (as Gianni Bonivento)
Santiago Gómez .... third assistant camera
Spartaco Pizzi .... key grip
Ubaldo Terzano .... camera operator
 
Costume and Wardrobe Department
Giorgio Desideri .... assistant costume designer (as Giorgio Desidero)
 
Editorial Department
Rita Antonelli .... assistant editor
Lea Piras .... assistant editor
Vincenzo Tomassi .... supervising editor
 
Music Department
Bruno Nicolai .... conductor
 
Other crew
Enrique Bellot .... production secretary
Roberto Carpentieri .... production secretary
Roberto Giandalia .... script supervisor
Gianfranco Bellini .... voice dubbing: George Rigaud (uncredited)
Pino Colizzi .... voice dubbing: Jean Sorel (uncredited)
Pino Locchi .... voice dubbing: Stanley Baker (uncredited)
Rita Savagnone .... voice dubbing: Florinda Bolkan (uncredited)
 

Production CompaniesDistributors
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Additional Details

Also Known As:
Carole (France)
Le venin de la peur (France) (alternative title)
Les salopes vont en enfer (France)
Lizard in a Woman's Skin (USA) (dubbed version)
Schizoid (USA) (reissue title)
Una lagartija con piel de mujer (Spain)
Una lucertola dalla pelle di donna (Italy) (informal title)
more
Runtime:
France:101 min | Italy:98 min | Spain:89 min | USA:95 min | USA:103 min (DVD version)
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Company:

Fun Stuff

Trivia:
The scene in which Carol encounters the disemboweled dogs in the clinic became quite controversial because of the startlingly realistic (and graphic) appearance of the fake prop dogs. Director Lucio Fulci was nearly sent to prison because it was believed that the dogs were real and Fulci had allowed animal cruelty on the film. However crew members were able to testify in court that the "dogs" were indeed fake and no animals had ever been harmed. Special effects artist Carlo Rambaldi even presented the dog props in court to convince the jury. This was the first time that an effects artist had to testify in court that their work were fake. more
Goofs:
Revealing mistakes: When people are taking pictures of Julia Durer's body, her eyebrow moves. more
Movie Connections:
Featured in Sette scialli di seta gialla (1972) more

FAQ

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4 out of 6 people found the following review useful.
Director Fulci in a chameleon's skin..., 6 June 2006
8/10
Author: Coventry from the Draconian Swamp of Unholy Souls

The more you see of Fulci's work, especially his older films, the more you have to acknowledge that this man was a very versatile filmmaker who deserves to be remembered for a lot more than just his gory zombie-movies! After having seen the stylish crime drama "One on top of the Other", followed by this wonderfully psychedelic giallo, it actually becomes difficult to believe that Lucio Fulci went on making so many eyeball-stabbing & gut-spilling gore flicks! The bloodshed in this film is kept to a minimum in favor of the complex but hugely satisfying story and a large amount of atmospheric set-pieces. Carol (Florinda Bolkan) is the happily married daughter of a rich and prominent politician, but she nevertheless suffers from mental issues and disturbing nightmares. In one of her hallucinations, she violently kills the sexy drug-addicted neighbor with a dagger. When the girl is found butchered exactly like Carol described it to her psychiatrist, she's temporarily homed in an institution while the police carefully observes her friends and relatives. Fulci creates as splendid early 70's atmosphere, with drug-parties, orgies and hippie-characters that could have come straight from the Woodstock concert. The great score and imaginative cinematography also contribute in making this a great example of the giallo genre, yet it are the very intelligent plot twists and red herrings that impress you the most. After about half of the movie, you think you figured out who the killer is, but then Fulci adds a couple more of engaging twists. The murder of the blond girl is quite uncanny and there are several more frights and icky make-up effects to find in Carol's visions, so even the gorehounds among us will be fairly satisfied. The denouement speech could have been a little shorter and not all the supportive cast-members give away equally good performances, still a GREAT film!

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Fulci could actually direct! cherootvendors
high budget or low budget? user-1147
Red cloud ? ManWithNouNeim
did anyone else notice? user-1147
Is it sleazy? lynx2051
Beautiful Film fightceramics
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