Harold and Maude (1971)

User Rating:

8.1/10   

Director:

Hal Ashby

Writer:

Colin Higgins (written by)

Release Date:

20 December 1971 (USA)

Genre:

Comedy | Romance

Tagline:

They will defy everything you've ever seen or heard about screen lovers! [Video]

Plot:

Young, rich, and obsessed with death, Harold finds himself changed forever when he meets lively septuagenarian Maude at a funeral.

Plot Keywords:

Funeral | Suicide | Fake Suicide | Junkyard | Fireworks

Awards:

Nominated for 2 Golden Globes. Another 2 wins & 1 nomination

Cast

Ruth Gordon	...	Maude
Bud Cort	...	Harold
Vivian Pickles	...	Mrs. Chasen
Cyril Cusack	...	Glaucus
Charles Tyner	...	Uncle Victor
Ellen Geer	...	Sunshine Doré
Eric Christmas	...	Priest
G. Wood	...	Psychiatrist
Judy Engles	...	Candy Gulf
Shari Summers	...	Edith Phern
Tom Skerritt	...	Motorcycle Officer (as M. Borman)
Susan Madigan	...	Girlfriend
Ray K. Goman	...	Police Officer (as Ray Goman)
Gordon Devol	...	Police Officer (as Gordon DeVol)
Harvey Brumfield	...	Police Officer

Runtime:

91 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

West Germany:18 (original rating) | Portugal:M/12 | South Korea:18 (2005) | USA:Approved (No. 23028) | USA:TV-14 (TV rating) | Australia:M | Canada:14A | Finland:K-16 | Ireland:15 | Netherlands:12 | Norway:16 | Spain:18 | Sweden:15 | UK:15 | USA:GP (original rating) | USA:PG | West Germany:12 | Singapore:PG

Filming Locations:

Berkeley, California, USA

Company:

Mildred Lewis and Colin Higgins Productions

Trivia:

Fearing that he would be typecast as crazy (as Robert Altman had warned), Bud Cort, who was offered the part of Billy Bibbit, turned down that role in One Flew Over the Cuckoo's Nest (1975). He wanted the role of McMurphy, which belonged to Jack Nicholson but was denied it by director Milos Forman. His next film wasn't until 1977.

Goofs:

Crew or equipment visible: When Maude pulls the banjo out of a cabinet, you see the reflection of crew and lights.

Quotes:

[first lines]
Mrs. Chasen: [after spotting Harold hanging from a noose in the living room] I suppose you think that's very funny, Harold... Oh, dinner at eight, Harold. And do try and be a little more vivacious.

Movie Connections:

Featured in The Man Who Shot Chinatown: The Life and Work of John A. Alonzo (2007)

Soundtrack:

Tea for the Tillerman

Interesting love tale

If so irreverent a story were to be told today, how would one react? As was probably the case when the film was released, people would probably find the theme edgy, if not inappropriate.

Such is the case with the cult film `Harold and Maude.' It openly explores themes of suicide, love, death and life with a fresh perspective.

The interesting part is how this film will likely find you. In most societies, an older man will likely fall for a woman years his junior. However, Harold (Bud Cort)-a shy teenager with an affinity for death-meets his 80-year-old true love Maude (Ruth Gordon), not at a dance or social event, but at funerals. The meeting almost seems reminiscent of Edward Norton's character's support group addiction in `Fight Club.'

Harold loves the attention he gets from staging fake suicides to frighten his obtuse and superficial haute-culture mother. In a reaction, she enlists him in a computer dating service in a vain matchmaking attempt to fix him up with Beetle-driving yuppies-to-be. The beauty is he frightens off all his prospective mates with cleverly staged fake suicides. At the same time, he meets Maude, a free-spirited senior who teaches him to appreciate life. After spending more time with her, he finds himself in love with her. However, a barrage of authority-i.e. priests, army-loving uncles and a psychiatrist-urge him not to follow through with his relationship.

`Harold and Maude' plays on '60s-esque themes of anti-establishment and open minds. Harold's militaristic uncle comes across as comical in his war-mongering vices-right down to his armless right sleeve that salutes when he pulls the string. Harold seems unhappy though he's surrounded by extravagance that rivals anything on MTV's `Cribs.' Not only that but his mother's lack of sense and indifference to her son mirrors her addiction to affluence. In addition to the swarm of brides-to-be, she tries to pacify him with material possessions-including a spanking-new Jaguar convertible, which he converts into a hearse.

Cat Stevens' open-air, acoustic-driven rock 'n' roll provides the soundtrack for the film. It gives the film a decent organic sound indicative of its demeanor.

This is a film that chases happiness wherever it can be found with a Woodstock-sense of responsibility. Maude's vices of vehicular larceny and bong smoking match Harold's love of fake hara-kiris and hearses. In a way, this movie comes across as a bit dated in that time has indeed erased the '60s anticipation of The Age of Aquarius and replaced it with `Fight Club' desperation.

However what the film lacks in reality, it makes up for in heart. This movie is not meant to be taken seriously; it's only to break down paradigms of societal thought.