| Vanessa Redgrave | ... | Sister Jeanne | |
| Oliver Reed | ... | Urbain Grandier | |
| Dudley Sutton | ... | Baron De Laubardemont | |
| Max Adrian | ... | Ibert | |
| Gemma Jones | ... | Madeleine | |
| Murray Melvin | ... | Mignon | |
| Michael Gothard | ... | Father Barre | |
| Georgina Hale | ... | Philippe | |
| Brian Murphy | ... | Adam | |
| Christopher Logue | ... | Cardinal Richelieu | |
| Graham Armitage | ... | Louis XIII | |
| John Woodvine | ... | Trincant | |
| Andrew Faulds | ... | Rangier | |
| Kenneth Colley | ... | Legrand | |
| Judith Paris | ... | Sister Judith | |
| Catherine Willmer | ... | Sister Catherine | |
| Iza Teller | ... | Sister Iza | |
| rest of cast listed alphabetically: | |||
| Imogen Claire | ... | Nun (uncredited) | |
| Selina Gilbert | ... | Nun (uncredited) | |
| Alex 'Alien' Russell | ... | (uncredited) | |
| Doremy Vernon | ... | Nun (uncredited) | |
Directed by | |||
| Ken Russell | |||
Writing credits(in alphabetical order) | ||
| Aldous Huxley | novel "The Devils of Loudon" | |
| Ken Russell | writer | |
| John Whiting | play | |
Produced by | |||
| Roy Baird | .... | associate producer | |
| Ken Russell | .... | producer | |
| Robert H. Solo | .... | producer | |
Original Music by | |||
| Peter Maxwell Davies | |||
Cinematography by | |||
| David Watkin | |||
Film Editing by | |||
| Michael Bradsell | |||
Production Design by | |||
| Derek Jarman | |||
Art Direction by | |||
| Robert Cartwright | |||
Costume Design by | |||
| Shirley Russell | |||
Makeup Department | |||
| Ramon Gow | .... | hair stylist | |
| Charles E. Parker | .... | makeup artist | |
Production Management | |||
| Graham Ford | .... | unit manager | |
| Neville C. Thompson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ted Morley | .... | assistant director | |
| Nicolas Hippisley-Coxe | .... | second second assistant director (uncredited) | |
Art Department | |||
| Terry Apsey | .... | construction manager | |
| George Ball | .... | property manager | |
| Derek Jarman | .... | set designer | |
| Alan Tomkins | .... | assistant art director | |
| Ian Whittaker | .... | set dresser | |
| Bryn Siddall | .... | property buyer (uncredited) | |
Sound Department | |||
| Gordon K. McCallum | .... | sound mixer | |
| Terry Rawlings | .... | dubbing editor | |
| Brian Simmons | .... | sound recordist | |
| John Hayward | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| John Richardson | .... | special effects | |
Camera and Electrical Department | |||
| Peter Ewens | .... | assistant camera | |
| John Swan | .... | electrical supervisor | |
| Ronnie Taylor | .... | camera operator | |
| Robin Browne | .... | director of photography: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Tiny Nicholls | .... | wardrobe supervisor | |
Editorial Department | |||
| Stuart Baird | .... | assistant editor | |
Music Department | |||
| Peter Maxwell Davies | .... | conductor | |
| David Munrow | .... | period music arranger and director | |
Other crew | |||
| Harry Benn | .... | production controller | |
| Terry Gilbert | .... | choreographer | |
| Ann Skinner | .... | continuity | |
| Geoff Freeman | .... | unit publicist (uncredited) | |
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| Que la fête commence... | Der Name der Rose | Vredens dag | Black Robe | El crimen del padre Amaro |
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Ken Russell is one of those filmmakers whose work you can immediately identify. Whether your first was "Altered States" or (like me) "The Devils," you learn early on that if Mr. Russell's name is listed as director and/or writer, you can expect to be at least a little disturbed.
"The Devils" is, in my humble opinion, one of the best films ever made. I wish I hadnt been born so late because I can imagine how truly intense an experience it must've been to view "The Devils" in theater.
This film is the only film I've ever seen, regardless of genre, to take the viewer into the pit of hell and to hold her/him there unrelenting, uncompromising, and to make the viewer feel as s/he has actually experienced hell. I can only imagine how much difficulty Mr. Russell must have had when MPAA members saw this film. It's bleak, horrifying, shocking, disgusting and thoroughly delicious. Aldous Huxley (the author of the book on which this film was based) would have been proud to see that his true story of a Satanic Catholic church translated very well to film.
One last thing: I have never really been able to sit through the entire film since the first time I saw it. That is, odd as it sounds, extreme praise. What kind of hell would it be if I could sit comfortably?
Thank you, Ken Russell!