| Photos (see all 13 | slideshow) |
| Vanessa Redgrave | ... | Sister Jeanne | |
| Oliver Reed | ... | Urbain Grandier | |
| Dudley Sutton | ... | Baron De Laubardemont | |
| Max Adrian | ... | Ibert | |
| Gemma Jones | ... | Madeleine | |
| Murray Melvin | ... | Mignon | |
| Michael Gothard | ... | Father Barre | |
| Georgina Hale | ... | Philippe | |
| Brian Murphy | ... | Adam | |
| Christopher Logue | ... | Cardinal Richelieu | |
| Graham Armitage | ... | Louis XIII | |
| John Woodvine | ... | Trincant | |
| Andrew Faulds | ... | Rangier | |
| Kenneth Colley | ... | Legrand | |
| Judith Paris | ... | Sister Judith | |
| Catherine Willmer | ... | Sister Catherine | |
| Iza Teller | ... | Sister Iza | |
| rest of cast listed alphabetically: | |||
| Imogen Claire | ... | Nun (uncredited) | |
| Selina Gilbert | ... | Nun (uncredited) | |
| Alex 'Alien' Russell | ... | (uncredited) | |
| Doremy Vernon | ... | Nun (uncredited) | |
Directed by | |||
| Ken Russell | |||
Writing credits(in alphabetical order) | ||
| Aldous Huxley | novel "The Devils of Loudon" | |
| Ken Russell | writer | |
| John Whiting | play | |
Produced by | |||
| Roy Baird | .... | associate producer | |
| Ken Russell | .... | producer | |
| Robert H. Solo | .... | producer | |
Original Music by | |||
| Peter Maxwell Davies | |||
Cinematography by | |||
| David Watkin | |||
Film Editing by | |||
| Michael Bradsell | |||
Production Design by | |||
| Derek Jarman | |||
Art Direction by | |||
| Robert Cartwright | |||
Costume Design by | |||
| Shirley Russell | |||
Makeup Department | |||
| Ramon Gow | .... | hair stylist | |
| Charles E. Parker | .... | makeup artist | |
Production Management | |||
| Graham Ford | .... | unit manager | |
| Neville C. Thompson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ted Morley | .... | assistant director | |
| Nicolas Hippisley-Coxe | .... | second second assistant director (uncredited) | |
Art Department | |||
| Terry Apsey | .... | construction manager | |
| George Ball | .... | property manager | |
| Derek Jarman | .... | set designer | |
| Alan Tomkins | .... | assistant art director | |
| Ian Whittaker | .... | set dresser | |
| Bryn Siddall | .... | property buyer (uncredited) | |
Sound Department | |||
| Gordon K. McCallum | .... | sound mixer | |
| Terry Rawlings | .... | dubbing editor | |
| Brian Simmons | .... | sound recordist | |
| John Hayward | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| John Richardson | .... | special effects | |
Camera and Electrical Department | |||
| Peter Ewens | .... | assistant camera | |
| John Swan | .... | electrical supervisor | |
| Ronnie Taylor | .... | camera operator | |
| Robin Browne | .... | director of photography: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Tiny Nicholls | .... | wardrobe supervisor | |
Editorial Department | |||
| Stuart Baird | .... | assistant editor | |
Music Department | |||
| Peter Maxwell Davies | .... | conductor | |
| David Munrow | .... | period music arranger and director | |
Other crew | |||
| Harry Benn | .... | production controller | |
| Terry Gilbert | .... | choreographer | |
| Ann Skinner | .... | continuity | |
| Geoff Freeman | .... | unit publicist (uncredited) | |
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| Alucarda, la hija de las tinieblas | The Baby of Mâcon | Novecento | Aguirre, der Zorn Gottes | Il Decameron |
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| Full cast and crew | Company credits | External reviews |
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A few movies are so controversial that the Movie industry does their best to kill them off (see Terry Gilliams' "Brazil"). Such was the case with "The Devils" First, to clear a few things up...this did NOT come from a play, nor was it a novel. It is based on Aldous Huxley's painstakingly researched religious history of the famous Loudun exorcisms during the time of Richelieu. The book may be out of print, but my wife found a copy published in 1952 by Chatto & Windus. There are some more recent publications, but this one is lovely, with an engraving of Bishop Urban Grandier(the main character) dating back to 1627. Huxley actually includes original letters, which still exist, written by the participants of this travesty. Much of the dialogue of the film is directly from Huxley. The vision however is uniquely Russell's. When this movie was originally released, it was given an X rating, not due to sex, or even violence, although there is some of each. The plain fact is that the film in its original form is simply overpowering. The Movie Review board thought so! I was fortunate enough to see the original uncut version, rated X at the local art-house upon its release. This film is a shortened version. While still worthwhile, this film absolutely SCREAMS for a Criterion Collection restoration to its original (brilliant) form.