| Jean-Pierre Léaud | ... | Claude Roc | |
| Kika Markham | ... | Ann Brown | |
| Stacey Tendeter | ... | Muriel Brown | |
| Sylvia Marriott | ... | Mrs. Brown | |
| Marie Mansart | ... | Madame Roc | |
| Philippe Léotard | ... | Diurka | |
| Irène Tunc | ... | Ruta | |
| Mark Peterson | ... | Mr. Flint | |
| Georges Delerue | ... | Claude's Business Agent | |
| Marie Iracane | ... | Madame Roc's maidservant | |
| Marcel Berbert | ... | Vendeur d'art | |
| Jeanne Lobre | ... | Porter | |
| David Markham | ... | Palmist | |
| rest of cast listed alphabetically: | |||
| Sophie Baker | ... | Amie au café (uncredited) | |
| René Gaillard | ... | Chauffeur de taxi (uncredited) | |
| Anne Levaslot | ... | Muriel enfant (uncredited) | |
| Annie Miller | ... | Monique (uncredited) | |
| Christine Pellé | ... | Secrétaire de Claude (uncredited) | |
| Guillaume Schiffman | ... | Enfant (uncredited) | |
| Mathieu Schiffman | ... | Enfant (uncredited) | |
| Jeanne Sophie | ... | Clarisse (uncredited) | |
| Eva Truffaut | ... | Enfant (uncredited) | |
| François Truffaut | ... | Récitant / Narrator (voice) (uncredited) | |
| Laura Truffaut | ... | Enfant (uncredited) | |
Directed by | |||
| François Truffaut | |||
Writing credits | ||
| Henri-Pierre Roché | (novel "Deux anglaises et le continent") | |
| François Truffaut | (adaptation & dialogue) & | |
| Jean Gruault | (adaptation & dialogue) | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| Néstor Almendros | (as Nestor Almendros) | ||
Film Editing by | |||
| Martine Barraqué | |||
| Yann Dedet | |||
Production Design by | |||
| Michel de Broin | |||
Costume Design by | |||
| Gitt Magrini | |||
Makeup Department | |||
| Simone Knapp | .... | hair stylist | |
Production Management | |||
| Marcel Berbert | .... | executive in charge of production | |
| Claude Miller | .... | production manager (as Claude Miler) | |
| Roland Thénot | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Suzanne Schiffman | .... | assistant director | |
| Olivier Mergault | .... | second assistant director (uncredited) | |
Art Department | |||
| Jean-Claude Dolbert | .... | property master | |
| Jean-Pierre Kohut-Svelko | .... | design assistant (as Jean-Pierre Kohut) | |
Sound Department | |||
| René Levert | .... | sound | |
Camera and Electrical Department | |||
| Yves Lafaye | .... | assistant camera | |
| Jean-Claude Rivière | .... | camera operator | |
Costume and Wardrobe Department | |||
| Pierangelo Cicoletti | .... | costume assistant | |
Editorial Department | |||
| Claudine Kaufmann | .... | assistant editor (uncredited) | |
Other crew | |||
| Christian Lentretien | .... | production administrator | |
| Christine Pellé | .... | script girl | |
| Recent Posts (updated daily) | User |
|---|---|
| CRIMINALLY UNDERRATED | jdickson05 |
| the novel is available | filmforum1 |
|
|
|
|
|
| Les liaisons dangereuses | The Notebook | Metroland | Trzy kolory: Bialy | Love in the Time of Cholera |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Romance section | IMDb France section | Add this title to MyMovies |
The restored 130-minute version of Two English Girls is something of a misfire but not without compensations. For a director who complained about the overly-literary nature of French cinema, his mise-en-scene is very clumsy here, with excessive use of narration not just to fill in gaps but to tell us the characters thoughts and feelings during scenes where, had he done his job properly, we should know. At times it threatens to become a slideshow accompaniment to a book reading.
The plot ambles along directionlessly as Jean-Pierre Leaud's selfish young Frenchman selfishly destroys two sisters' lives without ever finding happiness himself. It's very much fantasy-fulfilment, with the two embodying Madonna and Whore and at times threatens to turn into a distaff Jules et Jim as everyone is oh so civilized about it all. The casting is also problematic. Kika Markham is fine as the free-spirit of sorts, but Stacey Tendeter is less effective as her 'purer' sister and the casting of the minor British roles is haphazard at best - David Markham is fine as a fortune teller, but the next-door neighbour is not exactly a natural actor and one scene features a London Bobby who looks about as English as Raimu on a particularly jowelly day.
It's one of those films that always seems to be on for another hour no matter how far into it you get, and it doesn't reward the effort with more than minor pleasures. But it is nice to see composer Georges Delerue in a small role as an estate agent and for all its clumsiness and overlength it has its moments and a mildly affecting ending. It's just a shame getting there took so long.