The Boy Friend (1971)

User Rating:

7.9/10   

Director:

Ken Russell

Writers:

Ken Russell (screenplay)
Sandy Wilson (musical)

Release Date:

31 March 1972 (Finland)

Genre:

Comedy | Musical | Romance

Tagline:

EMI-MGM Presents The Return Of Entertainment

Plot:

The assistant stage manager of a small-time theatrical company (Polly Browne) is forced to understudy...

Plot Keywords:

1920s | Fantasy Sequence | Rivalry | Backstage | Spoof

Awards:

Nominated for Oscar. Another 3 wins & 3 nominations

Cast

Twiggy	...	Polly Browne
Christopher Gable	...	Tony Brockhurst
Max Adrian	...	Max Mandeville aka Mr. Max / Lord Hubert Brockhurst
Bryan Pringle	...	Percy Parkhill / Percy Browne
Murray Melvin	...	Alphonse
Moyra Fraser	...	Moyra Parkhill / Madame Dubonnet
Georgina Hale	...	Fay
Sally Bryant	...	Nancy
Vladek Sheybal	...	De Thrill
Tommy Tune	...	Tommy
Brian Murphy	...	Peter
Graham Armitage	...	Michael
Antonia Ellis	...	Maisie
Caryl Little	...	Dulcie
Anne Jameson	...	Mrs. Peter (as Ann Jameson)

Also Known As:

The Boyfriend (USA) (alternative spelling)

Runtime:

137 min | UK:125 min (short UK version) | UK:140 min (director's cut) | USA:109 min (US version) | USA:138 min (TCM print)

Country:

UK | USA

Language:

English | French

Color:

Color (Metrocolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

Mono

Certification:

UK:U | Australia:G | Finland:S | Sweden:Btl | USA:G

Filming Locations:

Elstree Studios, Borehamwood, Hertfordshire, England, UK

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

The screen rights for the film were originally bought by famed MGM producer Arthur Freed in 1967 for Debbie Reynolds to star. After Reynolds turned the part down, Liza Minnelli was briefly considered for the role of Polly Browne before Freed shelved the project to concentrate on his 'Irving Berlin' revue, "Say It with Music" (which was never filmed).

Quotes:

Polly Browne: [singing] We want to have, we plot to have, for it's so dreary not to have that certain thing called "The Boyfriend".

Movie Connections:

Featured in That's Dancing! (1985)

Soundtrack:

Bows

"I could be happy with you, my darling, if you could be happy with me."

I was lucky enough, thirty five years ago, to see a revival of the original musical THE BOY FRIEND at a nice little theater in upper Manhattan called THE EQUITY LIBRARY THEATER. It was on West 105th Street, near Riverside Drive, and was very good at putting on revivals of musicals. THE BOY FRIEND was a very charming, slight salute to the musicals of that period of the 1920s, with Polly (the heroine) as one of the girls at a finishing school, and the travails she has to go through before she finds happiness with Tony. With tunes like, "A ROOM IN BLOOMSBURY" they helped capture a period that just doesn't exist anymore. Too bad that.

In the original cast, the role of Polly was played by Julie Andrews, and were the first steps to her musical stardom on Broadway and in film. But that was in the 1950s. In 1971 the film version came out, starring Twiggy, Christopher Gable, Tommy Tune, Max Adrian, and Glenda Jackson. The original sweet musical was changed into a spoof of such musicals. Twiggy, the stage manager, is the understudy for star Glenda Jackson who is injured. She has to take the role on a critical night performance. But Jackson discovers that a Hollywood big-shot is in the audience looking for talent, and she is determined to reclaim her part. Except that now the cast is used to Twiggy's performing the role.

Jackson tries to get rid of Twiggy in one sequence, trying to arrange an accident while the latter is on stage. Similarly other members of the cast, including the head of the company (Adrian) are preening themselves to try to catch the bigwig's attention. Only Twiggy and Tommy Tune are being more circumspect. Twiggy wants the male lead (Christopher Gable) to notice her - she likes him. Tune wants to just perform correctly, and he seems rather less than bothered by the bigwig in the audience than anyone else.

Besides singing (quite well) several tunes of the 1920 period, Twiggy and the cast handle the musical numbers nicely (my favorite is the one where Adrian's attempts at dominating a song "Never Too Old To Fall In Love" being reduced to a comic prop in a Bath chair by Georgina Hale).

The movie is funny and likable. Who can ask for anything more from a good musical film?