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Woody Allen (written by) &
Mickey Rose (written by)
19 July 1971 (Sweden) more
When a bumbling New Yorker is dumped by his activist girlfriend, he travels to a tiny Latin American nation and becomes involved in its latest rebellion. full summary | full synopsis
1 nomination more
Blu-Ray Review: ‘Whatever Works’ Coasts on Worn Formula
(From HollywoodChicago.com. 28 October 2009, 7:58 AM, PDT)
Kritzerland releases early Woody Allen scores
(From MovieScore Magazine. 8 October 2009, 1:07 AM, PDT)
Woody Allen's best comedy more (78 total)
| Woody Allen | ... | Fielding Mellish | |
| Louise Lasser | ... | Nancy | |
| Carlos Montalbán | ... | General Emilio M. Vargas | |
| Nati Abascal | ... | Yolanda (as Natividad Abascal) | |
| Jacobo Morales | ... | Esposito | |
| Miguel Ángel Suárez | ... | Luis (as Miguel Suarez) | |
| David Ortiz | ... | Sanchez | |
| René Enríquez | ... | Diaz (as Rene Enríquez) | |
| Jack Axelrod | ... | Arroyo | |
| Howard Cosell | ... | Himself | |
| Roger Grimsby | ... | Himself | |
| Don Dunphy | ... | Himself | |
| Charlotte Rae | ... | Mrs. Mellish | |
| Stanley Ackerman | ... | Dr. Mellish | |
| Dan Frazer | ... | Priest | |
| Martha Greenhouse | ... | Dr. Feigen | |
| Axel Anderson | ... | Man Tortured | |
| Tigre Pérez | ... | Perez (as Tigre Perez) | |
| Baron De Beer | ... | British Ambassador | |
| Arthur Hughes | ... | Judge | |
| John Braden | ... | Prosecutor | |
| Ted Chapman | ... | Policeman | |
| Dorothi Fox | ... | J. Edgar Hoover (as Dorthi Fox) | |
| Dagne Crane | ... | Sharon | |
| Eddie Barth | ... | Paul (as Ed Barth) | |
| Nicholas Saunders | ... | Douglas | |
| Conrad Bain | ... | Semple | |
| Eulogio Peraza | ... | The interpreter | |
| Norman Evans | ... | Senator | |
| Bob O'Connell | ... | FBI Man #1 (as Robert O'Connel) | |
| Robert Dudley | ... | FBI Man #2 | |
| Marilyn Hengst | ... | Norma | |
| Ed Crowley | ... | FBI Security | |
| Beeson Carroll | ... | FBI Security | |
| Allen Garfield | ... | Man on Cross | |
| Princess Fatosh | ... | Snake Bite Lady | |
| Dick Callinan | ... | Cigarette Commercial Man | |
| Hy Anzell | ... | Patient In Operating Room (as Hy Anzel) | |
| rest of cast listed alphabetically: | |||
| Anthony Caso | ... | Subway Thug #2 (uncredited) | |
| Mary Jo Catlett | ... | Woman in Hotel Lobby Cheering Honeymoon (uncredited) | |
| Danny DeVito | ... | Subway Hood (uncredited) (unconfirmed) | |
| Ines Hellendall | ... | Patron (uncredited) | |
| Sylvester Stallone | ... | Subway Thug #1 (uncredited) | |
Directed by | |||
| Woody Allen | |||
Writing credits | ||
| Woody Allen | (written by) & | |
| Mickey Rose | (written by) | |
Produced by | |||
| Jack Grossberg | .... | producer | |
| Charles H. Joffe | .... | executive producer | |
| Jack Rollins | .... | executive producer (as a Jack Rollins & Charles H. Joffe production) | |
| Ralph Rosenblum | .... | associate producer | |
Original Music by | |||
| Marvin Hamlisch | (music) | ||
Cinematography by | |||
| Andrew M. Costikyan | (director of photography) | ||
Film Editing by | |||
| Ron Kalish | (film editor) | ||
| Ralph Rosenblum | |||
Casting by | |||
| Vicky Hernández | (as Vicky Hernandez) | ||
Production Design by | |||
| Ed Wittstein | |||
Set Decoration by | |||
| Herbert F. Mulligan | |||
Costume Design by | |||
| Gene Coffin | |||
Makeup Department | |||
| Guy Del Russo | .... | make-up | |
Production Management | |||
| Morton Gorowitz | .... | unit production manager | |
| Robert J. Koster | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Fred T. Gallo | .... | first assistant director | |
| Michael Behrman | .... | second assistant director (uncredited) | |
Art Department | |||
| Connie Brink | .... | property master (as Conrad Brink) | |
| Merle Eckert | .... | set constructor | |
| Eugene Powell | .... | scenic chargeman (as Eugene M. Powell) | |
Sound Department | |||
| Nathan Boxer | .... | sound | |
| Al Gramaglia | .... | sound re-recordist | |
| James Sabat | .... | sound (as James J. Sabat) | |
| John Strauss | .... | effects editor | |
Special Effects by | |||
| Don B. Courtney | .... | special effects | |
Camera and Electrical Department | |||
| Robert A. Hudecek | .... | gaffer | |
| Michael Mahony | .... | key grip | |
| Jack Stager | .... | still photographer | |
| Howard Block | .... | additional camera operator (uncredited) | |
| Walter Stewart | .... | gaffer (segments) (uncredited) | |
Casting Department | |||
| Sylvia Fay | .... | atmosphere | |
Costume and Wardrobe Department | |||
| Martin Gaiptman | .... | wardrobe (as Martin D. Gaiptman) | |
Editorial Department | |||
| Susan Behr | .... | assistant editor | |
Music Department | |||
| Ralph Burns | .... | orchestrations | |
| Felix Giglio | .... | music supervisor | |
| Jerry Graff | .... | vocal supervisor | |
| John Strauss | .... | music editor | |
Transportation Department | |||
| Richard Augustine | .... | transportation captain | |
| Harry J. Leavey | .... | transportation captain (as Harry B. Leavey) | |
Other crew | |||
| Axel Anderson | .... | production assistant | |
| Samuel D. Berns | .... | unit publicist | |
| Antonio Encarnacion | .... | production assistant | |
| William Eustace | .... | location manager | |
| Norman Gorbaty | .... | titles | |
| Johnny Jensen | .... | technician | |
| Henry Polonsky | .... | assistant to producer | |
| Barbara Robinson | .... | script | |
| Noni Rock | .... | production secretary | |
| Howard Storm | .... | assistant: Woody Allen | |
| Barbara Sundahl | .... | secretary | |
| Manolon Villamil | .... | production assistant | |
Rated PG-13 for comic sexuality including some pin-up nudity, some drug use and crude language.
82 min
1.37 : 1 more
Netherlands:6 | USA:TV-14 (TV rating) | Argentina:18 | Australia:M | Canada:PG | Finland:K-12 | France:U | Germany:16 | Iceland:Unrated | Ireland:15 | Sweden:11 | UK:15 (video rating) (1988) | UK:AA (cut) | USA:GP (original rating, certificate #22817) | USA:PG-13 (re-rating) | Singapore:PG
In the middle of the movie, during the turmoil that surrounds the dictatorship at San Marcos, outside, an old baby-carriage can be seen rolling off a stairs. This is a direct reference to the most dramatic scene in Eisenstein?s classic _Bronensots Potyomkin (1925)_. more
Audio/visual unsynchronized: When Fielding is driving his Volkswagen and talking, there is a shot where his lips clearly aren't moving. more
[first lines]
Don Dunphy:
Good afternoon. Wide World of Sports is in the little republic of San Marcos where we're going to bring you a live, on the spot assassination. They're going to kill the president of this lovely Latin American country and replace him with a military dictatorship...
more
Referenced in "Have I Got News for You: (#33.6)" (2007) more
Naughty Marietta more
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This is one of Woody Allen's earliest films -which should rank with the all-time greatest comedies. Although it was made back when the trial of The Chicago Seven was still fresh and Tobacco was still advertised on television, Bananas is timeless and still topical: J. Edgar Hoover in drag; the CIA sending US troops to fight on both sides of a revolution because they are afraid of being on the wrong side. One can usually recall a few scenes from a good movie, but Bananas is one of those great movies which one can replay in the mind from beginning to end. (Bananas is neatly bracketed at the beginning and end by Howard Cossell playing himself in bizarre Wide World of Sports coverages.) Allen has total control as writer, director and lead actor as in his later films, but in Bananas, the humor is broader and more cinematic. He plays the nebbish Fielding Mellish with less of the existential whining that mars his later films. There is a youthful resiliance like a toy punching bag that keeps coming back up. That is what made Chaplin's little tramp both comical and endearing.