| Tony Curtis | ... | Danny Wilde (24 episodes, 1971-1972) | |
| Roger Moore | ... | Lord Brett Sinclair / ... (24 episodes, 1971-1972) | |
| Laurence Naismith | ... | Judge Fulton (11 episodes, 1971-1972) |
Series Directed by | |||
| Leslie Norman | (7 episodes, 1971-1972) | ||
| Roy Ward Baker | (4 episodes, 1971-1972) | ||
| Basil Dearden | (3 episodes, 1971-1972) | ||
| Val Guest | (2 episodes, 1971-1972) | ||
| Sidney Hayers | (2 episodes, 1971-1972) | ||
| Roger Moore | (2 episodes, 1971) | ||
Series Writing credits | ||
| Terry Nation | (7 episodes, 1971-1972) | |
| Brian Clemens | (3 episodes, 1971) | |
| Donald James | (2 episodes, 1971-1972) | |
| Michael Pertwee | (2 episodes, 1971) | |
| Tony Barwick | (2 episodes, 1972) | |
Series Produced by | |||
| Robert S. Baker | .... | producer (24 episodes, 1971-1972) | |
| Terry Nation | .... | associate producer (24 episodes, 1971-1972) | |
Series Original Music by | |||
| Ken Thorne | (22 episodes, 1971-1972) | ||
| David Lindup | (2 episodes, 1971-1972) | ||
Series Cinematography by | |||
| Tony Spratling | (24 episodes, 1971-1972) | ||
Series Film Editing by | |||
| Bert Rule | (12 episodes, 1971-1972) | ||
| Peter Pitt | (8 episodes, 1971-1972) | ||
| Derek Chambers | (3 episodes, 1971-1972) | ||
Series Art Direction by | |||
| Harry Pottle | (18 episodes, 1971-1972) | ||
| Charles Bishop | (6 episodes, 1971-1972) | ||
Series Makeup Department | |||
| Gerry Fletcher | .... | makeup artist (24 episodes, 1971-1972) | |
| Mike Jones | .... | hair stylist (24 episodes, 1971-1972) | |
Series Production Management | |||
| Malcolm J. Christopher | .... | production manager (24 episodes, 1971-1972) | |
| Johnny Goodman | .... | executive in charge of production (24 episodes, 1971-1972) | |
Series Second Unit Director or Assistant Director | |||
| Peter Price | .... | assistant director (18 episodes, 1971-1972) | |
| Frank Ernst | .... | assistant director (6 episodes, 1971-1972) | |
Series Art Department | |||
| Ken Tait | .... | set dresser (24 episodes, 1971-1972) | |
Series Sound Department | |||
| Claude Hitchcock | .... | sound recordist (24 episodes, 1971-1972) | |
| Ted Karnon | .... | dubbing mixer (24 episodes, 1971-1972) | |
| Jim Sibley | .... | dubbing editor (24 episodes, 1971-1972) | |
Series Camera and Electrical Department | |||
| James Devis | .... | camera operator (24 episodes, 1971-1972) | |
| Brian Ellis | .... | focus puller (24 episodes, 1971-1972) | |
Series Costume and Wardrobe Department | |||
| John Briggs | .... | wardrobe supervisor (24 episodes, 1971-1972) | |
Series Music Department | |||
| John Barry | .... | composer: theme music (24 episodes, 1971-1972) | |
| Deveril Goodman | .... | music editor (24 episodes, 1971-1972) | |
| Don Kirshner | .... | music supervisor (24 episodes, 1971-1972) | |
| Ken Thorne | .... | conductor (22 episodes, 1971-1972) | |
| David Lindup | .... | conductor (2 episodes, 1971-1972) | |
Series Other crew | |||
| Robert S. Baker | .... | deviser (24 episodes, 1971-1972) | |
| Doris Martin | .... | continuity (24 episodes, 1971-1972) | |
| Roger Moore | .... | clothes: Lord Sinclair (24 episodes, 1971-1972) | |
| Terry Nation | .... | story consultant (24 episodes, 1971-1972) | |
| Arnold Ross | .... | location manager (23 episodes, 1971-1972) | |
| Ann M. Paterson | .... | production secretary (22 episodes, 1971-1972) | |
| Milton S. Gelman | .... | co-story consultant (7 episodes, 1971-1972) | |
| Walter Black | .... | co-story consultant (3 episodes, 1971-1972) | |
| Julie Leighton-White | .... | production secretary (2 episodes, 1971-1972) | |
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| On Her Majesty's Secret Service | "The Avengers" | "The New Avengers" | The World Is Not Enough | Johnny English |
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Lord Brett Sinclair and Danny Wilde are drawn together by Judge Fulton to use there wasted talents and use them for the fight against crime. Top notch action and comedy the Persuaders were the oddest of couples that got on very well. Lord Brett Sinclair and aristocratic, suave and stylish with clothes to match was the true English Gent. Danny Wilde a millionaire with wit and a very large wallet. Cars, Girls, Guns and one liners was the best combination of this powerful suspense series hat ran for only 2 years, it is a real shame. No one has ever come close to the partnership of Moore and Curtis. Sinclairs lucky number was 7 and he drove an Austin Martin, a pre-James Bond role which made him an international success. Everyone with a thing for action and suspense must watch this.