| Franco Nero | ... | Yodlaf Peterson | |
| Tomas Milian | ... | El Vasco | |
| Jack Palance | ... | John | |
| Fernando Rey | ... | Prof. Xantos | |
| Iris Berben | ... | Lola | |
| José Bódalo | ... | Gen. Mongo (as Francisco Bódalo) | |
| Eduardo Fajardo | ... | Colonel (as Edoardo Fajardo) | |
| Karin Schubert | ... | Zaira | |
| Gino Pernice | ... | Tourneur (as Luigi Pernice) | |
| Álvaro de Luna | |||
| Jesús Fernández | |||
| Claudio Scarchilli | |||
| Lorenzo Robledo | ... | Man dancing with Zaira | |
| Giovanni Petrucci | (as Giovanni Petti) | ||
| Gérard Tichy | ... | Lieutenant | |
| Gianni Pulone | (as Giovanni Pulone) | ||
| rest of cast listed alphabetically: | |||
| Ramón Fernández Tejela | |||
| Simón Arriaga | ... | (uncredited) | |
| Tito García | ... | Pepito Tigrero (uncredited) | |
| Víctor Israel | ... | Rosenbloom henchman with brown suit (uncredited) | |
| Vicente Roca | ... | Rosenbloom henchman with tropical hat (uncredited) | |
Directed by | |||
| Sergio Corbucci | |||
Writing credits(in alphabetical order) | ||
| Sergio Corbucci | screenplay | |
| Sergio Corbucci | story | |
| Massimo De Rita | writer | |
| Fritz Ebert | writer | |
| José Frade | dialogue | |
| Arduino Maiuri | writer (as Dino Maiuri) | |
Produced by | |||
| Antonio Morelli | .... | executive producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Alejandro Ulloa | |||
Film Editing by | |||
| Eugenio Alabiso | |||
Production Design by | |||
| Adolfo Cofiño | |||
Costume Design by | |||
| Jürgen Henze | |||
Makeup Department | |||
| Giuseppe Capogrosso | .... | makeup artist | |
Production Management | |||
| Maria Alabasio | .... | unit manager | |
| Enrique Bellot | .... | unit manager | |
| Norberto Soliño | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sabatino Ciuffini | .... | assistant director | |
| Ricardo Huertas | .... | assistant director | |
| Manfred R. Köhler | .... | assistant director (as Manfred Köhler) | |
Sound Department | |||
| Nick Alexander | .... | dubbing engineer | |
| Antonio Forrest | .... | sound engineer | |
Camera and Electrical Department | |||
| Giovanni Bergamini | .... | camera operator | |
| Ruggero Radicchi | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Osanna Guardini | .... | wardrobe assistant | |
Editorial Department | |||
| Giuseppe Romano | .... | assistant editor | |
Music Department | |||
| Bruno Nicolai | .... | conductor | |
Other crew | |||
| Lamberto Andreani | .... | production coordinator | |
| Francisco Bellot | .... | production coordinator (as Paco Bellot) | |
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| The Phantom Rider | Giù la testa | Il mercenario | The Tailor of Panama | Zwartboek |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb Spain section |
| Add this title to MyMovies |
A year or so ago, i bought a large plasma TV and soon discovered Westerns look fantastic on these screens. I rediscovered spaghetti westerns and didn't realise there were so many. I have scoured the earth to find rarities and have seen most of them over the past year. In my opinion this is one of the best. It is beautifully shot, well acted and very pacy, and of course the music is the icing on the cake. The ending is brilliant. It is unusual to find a film with such inspired comedy and action having such a moving and stirring finale.
After the Leone westerns this is the best. The thing that struck me was that whether a film is well known is due to a product of marketing rather than quality, as I had never heard of this film. I presume it was never widely distributed in the states as it was looked down on as another 'eurowestern' as the dollars films were.