| Photos (see all 10 | slideshow) |
| Ingrid Pitt | ... | Marcilla / Carmilla / Mircalla Karnstein | |
| George Cole | ... | Roger Morton | |
| Kate O'Mara | ... | The Governess (Mme. Perrodot) | |
| Peter Cushing | ... | General von Spielsdorf | |
| Ferdy Mayne | ... | Doctor | |
| Douglas Wilmer | ... | Baron Joachim von Hartog | |
| Madeline Smith | ... | Emma Morton | |
| Dawn Addams | ... | The Countess | |
| Jon Finch | ... | Carl Ebhardt | |
| Pippa Steel | ... | Laura (as Pippa Steele) | |
| Kirsten Lindholm | ... | 1st Vampire (as Kirsten Betts) | |
| Janet Key | ... | Gretchin | |
| Harvey Hall | ... | Renton | |
| John Forbes-Robertson | ... | Man in Black | |
| Charles Farrell | ... | Landlord | |
| Shelagh Wilcocks | ... | Housekeeper | |
| Graham James | ... | 1st Young Man | |
| Tom Browne | ... | 2nd Young Man | |
| Joanna Shelley | ... | Woodman's Daughter | |
| Olga James | ... | Village Girl | |
| rest of cast listed alphabetically: | |||
| Jill Easter | ... | Woodmans Wife (uncredited) | |
| Lindsay Kemp | ... | Jester (uncredited) | |
| Sion Probert | ... | Young Man In Tavern (uncredited) | |
| Vicki Woolf | ... | Landlords Daughter (uncredited) | |
Directed by | |||
| Roy Ward Baker | |||
Writing credits | ||
| Sheridan Le Fanu | (story "Carmilla") | |
| Harry Fine | (adaptation) and | |
| Tudor Gates | (adaptation) and | |
| Michael Style | (adaptation) | |
| Tudor Gates | (writer) | |
Produced by | |||
| Harry Fine | .... | producer | |
| Michael Style | .... | producer | |
| Louis M. Heyward | .... | associate producer (uncredited) | |
Original Music by | |||
| Harry Robertson | (as Harry Robinson) | ||
Cinematography by | |||
| Moray Grant | |||
Film Editing by | |||
| James Needs | |||
Art Direction by | |||
| Scott MacGregor | |||
Costume Design by | |||
| Brian Cox | |||
Makeup Department | |||
| Tom Smith | .... | makeup supervisor | |
| Pearl Tipaldi | .... | hair stylist | |
Production Management | |||
| Tom Sachs | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Derek Whitehurst | .... | assistant director | |
Art Department | |||
| Bill Greene | .... | construction manager | |
Sound Department | |||
| Claude Hitchcock | .... | sound recordist | |
| Roy Hyde | .... | sound editor | |
| Tony Lumkin | .... | recording director | |
| Dennis Whitlock | .... | dubbing mixer | |
Camera and Electrical Department | |||
| Neil Binney | .... | camera operator | |
Costume and Wardrobe Department | |||
| Laura Nightingale | .... | wardrobe mistress | |
Music Department | |||
| Philip Martell | .... | music supervisor | |
Other crew | |||
| Betty Harley | .... | continuity | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb UK section | Add this title to MyMovies |
I tend to like the classic horror films of Hammer, Universal, and American International, and "Vampire Lovers" is an esteemed favorite. There are many elements skillfully blended in this fine production, but the central appeal is Ingrid Pitt who breathes passionate, undead life into her role. Her impressive acting ability is matched by her smoldering screen presence and beauty. She is perfectly cast in this role. Wow, did the people who made this movie ever know what they were doing. The costumery, the lighting and photography, the staging, the acting and direction, all combine seamlessly for a stunning spectacle to be savored over and over again. This is the movie that single-handedly minted the "lesbian vampire" as a major cinematic motif, and set the standard for comparison that later entries in this genre would forever be judged by. I doubt we would ever have had such films as "Vampyres," "Vampyros Lesbos" or various Jean Rollin movies (not to mention Hammer's other Karnstein trilogy entries) without this film. And this movie could never have been as good without Ingrid Pitt. Her command of acting nuance is really something. Check out her facial expression when she's in the broken-down coach and Laura, all excited, tells her: "You're to stay with us!"