| Joan Crawford | ... | Dr. Brockton | |
| Michael Gough | ... | Sam Murdock | |
| Bernard Kay | ... | Inspector Greenham | |
| Kim Braden | ... | Anne Brockton | |
| David Griffin | ... | Malcolm Travers | |
| John Hamill | ... | Cliff | |
| Thorley Walters | ... | Magistrate | |
| Jack May | ... | Dr. Selbourne | |
| Geoffrey Case | ... | Bill | |
| Robert Hutton | ... | Dr. Richard Warren | |
| Simon Lack | ... | Colonel Vickers | |
| David Warbeck | ... | Alan Davis | |
| Chloe Franks | ... | Little Girl | |
| Maurice Good | ... | Reporter | |
| Joe Cornelius | ... | Trog | |
| rest of cast listed alphabetically: | |||
| John Baker | ... | Anaesthetist (uncredited) | |
| Golda Casimir | ... | Professor (uncredited) | |
| Herman Cohen | ... | Bartender (uncredited) | |
| John D. Collins | ... | TV crewman watching monitor (uncredited) | |
| Shirley Cooklin | ... | Little Girl's Mother (uncredited) | |
| Robert Crewdson | ... | Dr. Pierre Duval (uncredited) | |
| Harry Fielder | ... | Security guard (uncredited) | |
| Pat Gorman | ... | Army Officer (uncredited) | |
| Brian Grellis | ... | John Dennis (uncredited) | |
| Paul Hansard | ... | Dr. Kurtlimer (uncredited) | |
| Bartlett Mullins | ... | Butcher (uncredited) | |
| Rona Newton-John | ... | Reporter (uncredited) | |
| Cleo Sylvestre | ... | Nurse (uncredited) | |
Directed by | |||
| Freddie Francis | |||
Writing credits(in alphabetical order) | ||
| Peter Bryan | story | |
| John Gilling | story | |
| Aben Kandel | writer | |
Produced by | |||
| Herman Cohen | .... | producer | |
| Harry Woolveridge | .... | associate producer | |
Original Music by | |||
| John Scott | |||
Cinematography by | |||
| Desmond Dickinson | |||
Film Editing by | |||
| Oswald Hafenrichter | |||
Casting by | |||
| Maude Spector | |||
Art Direction by | |||
| Geoffrey Tozer | |||
Set Decoration by | |||
| Helen Thomas | |||
Makeup Department | |||
| Jimmy Evans | .... | makeup artist | |
| Pearl Tipaldi | .... | hair stylist | |
Production Management | |||
| Edward Dorian | .... | production manager (as Eddie Dorian) | |
Second Unit Director or Assistant Director | |||
| Douglas Hermes | .... | assistant director | |
Art Department | |||
| Terry Wells | .... | stand-by property master (uncredited) | |
Sound Department | |||
| Maurice Askew | .... | sound | |
| Tony Dawe | .... | sound | |
| Michael P. Redbourn | .... | sound editor (as Michael Redbourn) | |
Camera and Electrical Department | |||
| Norman Jones | .... | camera operator | |
| Jim Alloway | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| Ron Beck | .... | wardrober | |
Music Department | |||
| John Scott | .... | conductor | |
Other crew | |||
| Brian Brockwell | .... | accountant | |
| Leonora Hail | .... | continuity | |
| Charles E. Parker | .... | monster design | |
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| King Kong | The People That Time Forgot | Horror Express | Behemoth the Sea Monster | The Creeping Flesh |
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It is said Bette Davis commented that if she had found herself starring in "Trog," she'd commit suicide. Alas, poor Joan Crawford, who obviously felt she couldn't be fussy if she wanted the work, descended to this cut-rate, Herman Cohen-produced monster movie. Ironically released in the States by Warner Brothers (on the bottom half of a double-bill with "The Torture Garden"), the studio for which Ms Crawford made several of her hits including "Mildred Pierce", the only scary thing about "Trog" is the sight of a once-glamorous, legendary leading lady schlepping around in a lab coat (she plays an anthropologist), obviously tipsy as she slurs inane lines like "Trog lives on a diet of fish and lishardsh." Let's face it: under the circumstances, you'd drink, too.
Trog is cutesy for troglodyte: a primitive missing-link cave-dweller portrayed by a burly actor in an Alley Oop-like caveman get-up and an over-the-head, dime-store Halloween mask. Discovered by a hunky and shirtless, albeit unfortunate, team of spelunking college students, Trog is captured and put under the observation of Dr Brockton (Joan).
The true villain of this piece is Michael Gough (also slumming it), a representative of the opposing townspeople who, in a public confrontation with Joan, causes her to explode in a moment of impassioned fury. Regrettably, she does not give Gough her trademark slap in the face.
Trog eventually escapes to wreak some customary monster-movie havoc and Joan hunts him down with her "hypo-gun" across the bleak fields of the northern English countryside and down into his cavern, dressed in a smartly tailored tan jacket, slacks and boots ensemble.
Hollywood Royalty? Joan tries to maintain her dignity and poise despite having to deliver lines like, "Put the child down, Trog!" and occasionally looking a little woozy. This sad swan song to a long, brilliant career, amid the preposterous mise en scene, gives "Trog" the feeling of a tragi-comedy. Like one of her memorable screen characters, the real Joan Crawford endeavors to be strong and, ultimately, to triumph against all odds.