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The Private Life of Sherlock Holmes (1970)
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Overview
Release Date:
29 October 1970 (USA) moreTagline:
The world's greatest detective tackles his toughest case ! morePlot:
Sherlock Holmes and Dr. Watson assist a beautiful woman with amnesia who seeks her missing husband. full summary | add synopsisAwards:
2 nominations moreUser Comments:
Thoroughly civilised, delightful entertainment moreCast
(Cast overview, first billed only)| Robert Stephens | ... | Sherlock Holmes | |
| Colin Blakely | ... | Dr.John H. Watson | |
| Geneviève Page | ... | Ilse von Hoffmanstal, aka Gabrielle Valladon (as Genevieve Page) | |
| Christopher Lee | ... | Mycroft Holmes | |
| Tamara Toumanova | ... | Madame Petrova | |
| Clive Revill | ... | Nikolai Rogozhin | |
| Irene Handl | ... | Mrs. Hudson | |
| Mollie Maureen | ... | Queen Victoria | |
| Stanley Holloway | ... | Gravedigger | |
| Catherine Lacey | ... | Woman in wheelchair | |
| Peter Madden | ... | Von Tirpitz | |
| Michael Balfour | ... | Cabby | |
| James Copeland | ... | Guide | |
| John Garrie | ... | Carter #1 | |
| Godfrey James | ... | Carter #2 |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
125 min | Germany:120 min (TV version)Country:
UKColor:
ColorAspect Ratio:
2.35 : 1 moreSound Mix:
MonoCertification:
Iceland:L | USA:PG-13 (certificate #22200) | Australia:PG | Finland:K-12 | Sweden:11 | UK:A (original rating) | UK:PG (video rating) (1988) | USA:GP (original rating) | West Germany:6 | Singapore:PGMOVIEmeter: 
Fun Stuff
Trivia:
According to Billy Wilder, since because of schedule conflicts he couldn't himself supervise the bowdlerization of the picture demanded by the Studios, he entrusted the task to the editor, Ernest Walter. Nevertheless, Wilder supposedly strongly disliked the cuts made by Walter, and couldn't re-edit the movie because all the deleted scenes were lost or thrown away. Some of those scenes are available today, but never with both the audio and the video intact. moreGoofs:
Errors in geography: When Holmes, Watson and Gabrielle get off the train at Inverness, the train goes forward to another destination. The railway station at Inverness is a terminus. moreQuotes:
Holmes: Some of us are cursed with memories like flypaper. Stuck there is a staggering amount of miscellaneous data, most of it useless. moreFAQ
This FAQ is empty. Add the first question.more
Message Boards
Discuss this title with other users on IMDb message board for The Private Life of Sherlock Holmes (1970)| Recent Posts (updated daily) | User |
|---|---|
| Yes, has everyone gone mad? | weichikris |
| Christopher Lee bald?! | darthquincunx |
| ballet party music ? | sunder-4 |
| What Music? | fahree |
| Robert Stephens' illness? | tippusmaximus |
| DVD comment | mobile707 |
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Billy Wilder's take on the world's most famous detective is both painstakingly faithful and sardonically subversive to Sir Arthur Conan Doyle's idiossyncratic creation. Presented as a case that loyal companion John Watson duly recorded but requested remain secret until long after his death, in which Holmes aids a Belgian woman find her missing husband, a mining engineer hired by an apparently non-existant English company, it makes clever use of the rulebook Conan Doyle set down while at the same time undermining it from within. The title and the plot may seem misleading at first - the first half hour especially seems at odds with what comes afterwards - but in fact if you're a Holmes fan you'll quickly realise that this is as close to romance as the detective would ever allow, and Wilder tells it through a masterful accumulation of small touches that only someone as meticulous as the man himself would notice. Script-wise, it's a cracking mystery in the best Doyle tradition, with all the time-honoured twists and turns present and correct. The acting is also up to Wilder's usual standards; Stephens and Blakely are an engaging duo as a bored Holmes and a bumbling Watson, and there's a hysterically funny supporting turn by the always underrated Revill as a Russian ballet impresario. Wilder's trademark pointed cynicism fits the English witticism particularly well, even if at times it all seems a bit too modern for the peaceful Victorian surroundings, but it is quite ironic to see him chiding Britain's stiff-upper-lip, old-fashioned morality when the film seems to be an "old timers' movie" entirely out of sync with its own time. Still, it's hard to find fault in such a thoroughly civilised and delightful entertainment.