| Photos (see all 10 | slideshow) |
| Peter Sellers | ... | Benjamin Hoffman | |
| Sinéad Cusack | ... | Miss Janet Smith | |
| Ruth Dunning | ... | Mrs. Mitchell | |
| Jeremy Bulloch | ... | Tom Mitchell | |
| David Lodge | ... | Foreman | |
| Kay Hall | |||
| rest of cast listed alphabetically: | |||
| Elizabeth Bayley | |||
| Cindy Burrows | |||
| Karen Murtagh | |||
| Ron Taylor | ... | Guitarist | |
Directed by | |||
| Alvin Rakoff | |||
Writing credits(in alphabetical order) | ||
| Ernest Gebler | novel | |
| Ernest Gebler | screenplay | |
Produced by | |||
| Ben Arbeid | .... | producer | |
Original Music by | |||
| Ron Grainer | |||
Cinematography by | |||
| Gerry Turpin | |||
Film Editing by | |||
| Barrie Vince | |||
Art Direction by | |||
| John Blezard | |||
Makeup Department | |||
| Harry Frampton | .... | makeup artist | |
| Patricia McDermott | .... | hair stylist (as Pat McDermott) | |
Production Management | |||
| Bruce Sharman | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Jake Wright | .... | assistant director | |
Art Department | |||
| Ron Coleman | .... | construction manager | |
| Terry Ackland-Snow | .... | draughtsman (uncredited) | |
| Tony Reading | .... | assistant art director (uncredited) | |
Sound Department | |||
| Len Abbott | .... | dubbing mixer | |
| Ian Fuller | .... | sound editor | |
| Claude Hitchcock | .... | sound recordist | |
| A.W. Lumkin | .... | sound supervisor (uncredited) | |
Camera and Electrical Department | |||
| Michael Sarafian | .... | camera operator | |
| Sid Wainwright | .... | chief electrician | |
| Wick Finch | .... | electrician (uncredited) | |
| Joe Pearce | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Elizabeth Anderson-Hunter | .... | wardrobe (as Elizabeth Anderson) | |
Other crew | |||
| Doreen Dearnaley | .... | continuity | |
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If you are a fan of Peter Sellers, and you have not seen this film, then make sure you do so immediately. It is an absolute gem of a movie, with an emotional core rare in film. Barely seen or heard of, it has only been broadcast the once, during a Channel 4 season of Sellers' films in the late nineties, and even then at about two in the morning, which is a scandal. Sellers gives the most interesting performance of his career without his trademark silly voice or make-up and is all the better for it, playing Hoffman as a lonely, shadowy figure, yearning somewhat pathetically for Sinead Cusack's Miss Smith. Part of the film's success is possibly due to the fact that the two main characters spend almost the entire film alone, thus enabling them to build the relationship nicely, changing from seeming lechery on Hoffman's part and terror on Miss Smith's to an emotional bond between them. It keeps you guessing about their relationship right to the end, and Seller's displays real emotional power in the later scenes. A wonderfully melancholic film about unrequited love and a man's fear of time passing as well as a kind of variation on Beauty and the Beast. Highly recommended, with a superb score too. Don't miss it.