| Photos (see all 7 | slideshow) | Videos (see all 2 NEW) |
| Lino Capolicchio | ... | Giorgio | |
| Dominique Sanda | ... | Micòl Finzi Contini | |
| Fabio Testi | ... | Bruno Malnate | |
| Romolo Valli | ... | Giorgio's Father | |
| Helmut Berger | ... | Alberto | |
| Camillo Cesarei | ... | Micol's Father | |
| Inna Alexeievna | ... | Micol's Grandmother (as Inna Alexeieff) | |
| Katina Morisani | ... | Micol's Mother | |
| Barbara Pilavin | ... | Giorgio's Mother (as Barbara Leonard Pilavin) | |
| Michael Berger | |||
| Ettore Geri | |||
| Raffaele Curi | ... | Ernesto | |
| Gianpaolo Duregon | |||
| Marcella Gentile | |||
| Cinzia Bruno | ... | Young Micol | |
| Alessandro D'Alatri | ... | Young Giorgio | |
| rest of cast listed alphabetically: | |||
| Camillo Angelini-Rota | ... | Prof. Ermanno Finzi-Contini | |
| Enzo Nigro | ... | Agente OVRA | |
| Eugene Pomeroy | |||
| Joshua Sinclair | (as Gianni Loffredo) | ||
| Katina Viglietti | ... | Olga Finzi-Contini | |
| Martin Bormann | ... | Himself (behind Hitler on balcony) (uncredited) (archive footage) (unconfirmed) | |
| Rudolf Hess | ... | Himself (Hitler Is Germany speech) (archive footage) (uncredited) | |
| Adolf Hitler | ... | Himself (acknowledges Hess) (archive footage) (uncredited) | |
| Benito Mussolini | ... | Himself (watches parade) (archive footage) (uncredited) | |
| Julius Streicher | ... | Himself (sits beside Hitler, partially visible) (archive footage) (uncredited) | |
Directed by | |||
| Vittorio De Sica | |||
Writing credits | ||
| Giorgio Bassani | (novel) | |
| Vittorio Bonicelli | (writer) & | |
| Ugo Pirro | (writer) | |
| Franco Brusati | uncredited & | |
| Vittorio De Sica | uncredited & | |
| Alain Katz | uncredited & | |
| Tullio Pinelli | uncredited & | |
| Cesare Zavattini | uncredited & | |
| Valerio Zurlini | uncredited | |
Produced by | |||
| Artur Brauner | .... | producer (as CCC FIlmkunst - Berlino) | |
| Arthur Cohn | .... | producer: Documento Film | |
| Gianni Hecht Lucari | .... | producer | |
| Fausto Saraceni | .... | executive producer | |
Original Music by | |||
| Manuel De Sica | |||
Cinematography by | |||
| Ennio Guarnieri | (director of photography) | ||
Film Editing by | |||
| Adriana Novelli | |||
Casting by | |||
| Jose Villaverde | |||
Production Design by | |||
| Giancarlo Bartolini Salimbeni | |||
Set Decoration by | |||
| Roberto Granieri | |||
Costume Design by | |||
| Giancarlo Bartolini Salimbeni | |||
Makeup Department | |||
| Anna Cristofani | .... | hair stylist | |
| Giulio Natalucci | .... | makeup artist | |
Production Management | |||
| Romano Dandi | .... | production manager | |
| Enzo Nigro | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Giorgio Treves | .... | assistant director | |
Art Department | |||
| Franco D'Andria | .... | set dresser | |
Sound Department | |||
| Franco Bassi | .... | sound mixer | |
| Max Galinsky | .... | sound | |
| Massimo Loffredi | .... | sound | |
Special Effects by | |||
| Enrico Catalucci | .... | special effects: S. P. E. S. (as E. Catalucci) | |
Camera and Electrical Department | |||
| Giancarlo Ferrando | .... | camera operator | |
| Michele Picciaredda | .... | assistant camera | |
| Giorgio Urbinelli | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Antonio Randaccio | .... | costumer | |
Editorial Department | |||
| Eli Haviv | .... | editor: english version | |
| Marisa Letti | .... | assistant editor | |
| Carla Zamponi | .... | assistant editor | |
Music Department | |||
| Carlo Savina | .... | conductor | |
Other crew | |||
| Luisa Alessandri | .... | assistant to director | |
| Noelle Gillmor | .... | subtitler: English | |
| Franca Invernizzi | .... | production secretary (as Franca Santi) | |
| Mario Milani | .... | script editor | |
| Claudio Saraceni | .... | production accountant | |
| Roberto Del Giudice | .... | voice dubbing: Helmut Berger (uncredited) | |
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| Die Blechtrommel | Novecento | Malèna | Bittere Ernte | La vita è bella |
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I just watched the DVD and had not seen the movie in many years. I found it every bit as moving as I had remembered from my first viewing. This included the Prayer For the Dead (El Moleh Rachamim) magnificently sung as the final credits rolled. I am not Jewish so I had to do some "googling" to learn that El Moleh...is indeed a prayer for the dead. What moved me so apart from the singer's mournfully beautiful voice were the names Aushwitz, Maidenek, Treblinka et. al. interpolated into the text. It reminded me of the penultimate paragraph in Andre Schwartz-Bart's extraordinary novel of the Holacaust, The Last Of The Just where the names of the death camps are artfully placed among the repeated words "And praised Be The Lord". Thank you for the opportunity to share my thoughts.