Shinobu Hashimoto (writer)
Akira Kurosawa (writer)
(more)
9 June 1971 (USA) more
Episodes from the lives of a group of Tokyo slum-dwellers: Rokkuchan, a retarded boy who brings meaning... more | add synopsis
Nominated for Oscar. Another 2 wins more
DVD Playhouse--March 2009
(From The Hollywood Interview. 10 March 2009, 11:25 PM, PDT)
No samurai, just great characters more (16 total)
| Yoshitaka Zushi | ... | Rokkuchan | |
| Kin Sugai | ... | Okuni, Rokkuchan's Mother | |
| Toshiyuki Tonomura | ... | Taro Sawagami | |
| Shinsuke Minami | ... | Ryotaro Sawagami | |
| Yûko Kusunoki | ... | Misao Sawagami | |
| Junzaburo Ban | ... | Yukichi Shima | |
| Kiyoko Tange | ... | Mrs. Shima | |
| Michio Hino | ... | Mr. Ikawa | |
| Keiji Furuyama | ... | Mr. Matsui | |
| Tappei Shimokawa | ... | Mr. Nomoto | |
| Kunie Tanaka | ... | Hatsutaro Kawaguchi | |
| Jitsuko Yoshimura | ... | Yoshie Kawaguchi | |
| Hisashi Igawa | ... | Masuo Masuda | |
| Hideko Okiyama | ... | Tatsu Masuda | |
| Tatsuo Matsumura | ... | Kyota Watanaka | |
| Tomoko Yamazaki | ... | Katsuko Watanaka | |
| Masahiko Kametani | ... | Okabe | |
| Hiroshi Akutagawa | ... | Hei | |
| Noboru Mitani | ... | Beggar | |
| Hiroyuki Kawase | ... | Beggar's Son | |
| Imari Tsuji | ... | Otane Watanaka | |
| Akemi Negishi | ... | Good-Looking Housewife | |
| Kazuo Kato | ... | Painter | |
| Michiko Araki | ... | Restaurant proprietress | |
| Masakazu Kuwayama | ... | Western-style restaurant owner | |
| Tomoko Naraoka | ... | Ocho (as Akiko Naraoka) | |
| Koji Mitsui | ... | Foodstand owner | |
| Jerry Fujio | ... | Yoshio Kumamba | |
| Mashahiko Tanimura | ... | Vegetable man Mr. So | |
| Atsushi Watanabe | ... | Tamba | |
| Kamatari Fujiwara | ... | Old Man | |
| Sanji Kojima | ... | Thief | |
| Kayako Sono | ... | Wife of Kuman-mine | |
| Toshiko Sakurai | ... | 3rd Wife | |
| Reiko Niimura | ... | 1st Wife | |
| Kanji Ehata | ... | 2nd Man calling out | |
| Masahiko Ichimura | ... | 3rd Man calling out | |
| Masanari Nihei | ... | 4th Man calling out | |
| Satoshi Hasegawa | ... | Jiro Sawagami | |
| Kumiko Ono | ... | Hanako Sawagami | |
| Tatsuhiko Yanahisa | ... | Shiro Sawagami | |
| Miika Oshida | ... | Umeko Sawagami | |
| Kiyotaka Ishii | ... | Kumanbachi's first child | |
| rest of cast listed alphabetically: | |||
| Hideaki Esumi | ... | Detective (as Hideaki Ezumi) | |
| Akira Hitomi | ... | 1st Man Calling Out | |
| Shin Ibuki | ... | 5th Man Calling Out | |
| Hiroshi Kiyama | ... | Sushi Shop Proprietor | |
| Yoshiko Maki | ... | 2nd Wife | |
| Matsue Ono | ... | 4th Wife | |
| Keiji Sakakida | ... | Sake Shop Proprietor | |
| Toki Shiozawa | ... | Waitress | |
| Toriko Takahara | ... | 5th Wife | |
| Minoru Takashima | ... | Policeman | |
| Minoko Kaizuka | ... | Kumanbachi's second child (uncredited) | |
Directed by | |||
| Akira Kurosawa | |||
Writing credits(in alphabetical order) | ||
| Shinobu Hashimoto | writer | |
| Akira Kurosawa | writer | |
| Hideo Oguni | writer | |
| Shugoro Yamamoto | novel "City Without Seasons" | |
Original Music by | |||
| Tôru Takemitsu | |||
Cinematography by | |||
| Yasumichi Fukuzawa | |||
| Takao Saitô | |||
Film Editing by | |||
| Reiko Kaneko | |||
Art Direction by | |||
| Shinobu Muraki | |||
| Yoshirô Muraki | |||
Costume Design by | |||
| Miyuki Suzuki | |||
Makeup Department | |||
| Sakai Nakao | .... | hair stylist | |
| Shozo Takahashi | .... | hair stylist | |
Production Management | |||
| Hiroshi Nezu | .... | production supervisor | |
Art Department | |||
| Akio Nojima | .... | property master | |
| Tsuneo Shimura | .... | assistant art director | |
Sound Department | |||
| Ichirô Minawa | .... | sound effects editor | |
| Hiromitsu Mori | .... | sound recordist | |
| Mamoru Yamada | .... | sound assistant | |
| Fumio Yanoguchi | .... | sound recordist | |
Camera and Electrical Department | |||
| Naomi Hashiyama | .... | still photographer | |
| Shinji Kojima | .... | assistant lighting technician | |
| Hiromitsu Mori | .... | lighting technician | |
| Daisaku Omura | .... | assistant camera | |
Editorial Department | |||
| Reiko Kaneko | .... | assistant editor | |
Transportation Department | |||
| Isamu Miwano | .... | transportation | |
Other crew | |||
| Shoichi Koga | .... | production assistant | |
| Shôji Nakayama | .... | production assistant | |
| Teruyo Nogami | .... | script supervisor | |
| Etsuo Yamamoto | .... | acting office | |
Clickety-Clack (literal English title)
Dô desu ka den (Japan) (alternative transliteration)
Dodes'ka-den (Japan) (alternative transliteration)
more
140 min
Color (Eastmancolor)
1.37 : 1 more
Mono (Westrex Recording System)
Shooting began on April, 23rd, 1970, and was shot in about a month, which is an incredibly short period of time for a Kurosawa picture, given the facts that a) Kurosawa is a perfectionist and b) his prior film, Akahige (1965), took 2 years to go through all the phases involved in finishing a motion picture. more
Featured in Music for the Movies: Tôru Takemitsu (1994) more
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| Ikiru | Maboroshi no hikari | Miracolo a Milano | Once Were Warriors | Akahige |
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This is a movie about the small scale. What could be more fitting for contemporary Japan?
It's too easy to give Kurosawa his laurels on the strength of the Toshiro Mifune films, his great panoramas of mist and rain, and Fuji, always, shrouded, revealed. Dodesukaden (Dodeska-Den in the US release from Janus) brings you right up into the characters, right into their faces, their homes, their hovels, their dreams. It's billed as Kurosawa's first color film. The composition is phenomenal, really. Each shot, no matter how it moves or how it doesn't, is as wonderfully framed as a painting, as balanced as a beautiful face. The color saturation is complete, and yet they seem to float above the screen rather than clobber you or intrude.
I am astounded by this film. I've never thought of Kurosawa as someone who would know how to handle squalor and the rude life of the bottom of the underclass. I was wrong. There isn't a false step in this picture, from the use of color to the editing to the choice of music and the times it's used. It's as moving a portrait of a community as I'll ever see. Dodesukaden belongs at the top of the canon of Kurosawaa's work, with Ran and The Hidden Fortress next to it.