| Photos (see all 21 | slideshow) |
| Elvis Presley | ... | Dr. John Carpenter | |
| Mary Tyler Moore | ... | Sister Michelle Gallagher | |
| Barbara McNair | ... | Sister Irene Hawkins | |
| Jane Elliot | ... | Sister Barbara Bennett | |
| Leora Dana | ... | Mother Joseph | |
| Edward Asner | ... | Lt. Moretti | |
| Robert Emhardt | ... | The Banker | |
| Regis Toomey | ... | Father Gibbons | |
| Doro Merande | ... | Rose | |
| Ruth McDevitt | ... | Lily | |
| Richard Carlson | ... | Bishop Finley | |
| Nefti Millet | ... | Julio Hernandez | |
| Laura Figueroa | ... | Desiree | |
| Lorena Kirk | ... | Amanda | |
| Virginia Vincent | ... | Miss Parker | |
| David Renard | ... | Colom | |
| Ji-Tu Cumbuka | ... | Hawk | |
| William Elliott | ... | Robbie (as Bill Elliott) | |
| Rodolfo Hoyos Jr. | ... | Mr. Hernandez | |
| rest of cast listed alphabetically: | |||
| Mario Aniov | ... | 1st Young Man (uncredited) | |
| Ray Ballard | ... | Ice Cream Clerk (uncredited) | |
| Jim Beach | ... | Father Witkowski (uncredited) | |
| Timothy Carey | ... | Ajax Market Manager (uncredited) | |
| Rita Conde | ... | Woman in Market (uncredited) | |
| Steve Conte | ... | Man in Scene 166 (uncredited) | |
| Frank Corsentino | ... | 2nd Man (uncredited) | |
| John Daheim | ... | 1st Underling (uncredited) | |
| Robert De Anda | ... | Teammate (uncredited) | |
| Tony De Costa | ... | Chino (uncredited) | |
| Paul Factor | ... | 3rd Man (uncredited) | |
| Linda Garay | ... | Expectant Mother (uncredited) | |
| Stella Garcia | ... | Maria (uncredited) | |
| Pepe Hern | ... | Man in Scene 93 (uncredited) | |
| Darlene Love | ... | Backup singer in opening scene at the clinic and closing scene at the church (uncredited) | |
| A Martinez | ... | 2nd Young Man (uncredited) | |
| Troy Melton | ... | 2nd Underling (uncredited) | |
| Lilith Miles | ... | 1st Stiletto Deb (uncredited) | |
| Araceli Rey | ... | Senora Gavilan (uncredited) | |
| Ruben Rodriguez | ... | Church Drummer (uncredited) | |
| Stanley Schneider | ... | Traffic Cop (uncredited) | |
| Harry Swoger | ... | Fat Man (uncredited) | |
| Alex Tinne | ... | Tony (uncredited) | |
| Alex Val | ... | Tomas (uncredited) | |
| Roberto Vargas | ... | Cuban Mainliner (uncredited) | |
| Len Wayland | ... | Police Sergeant (uncredited) | |
| Caitlin Wyles | ... | 2nd Stiletto Deb (uncredited) | |
Directed by | |||
| William A. Graham | (as William Graham) | ||
Writing credits(in alphabetical order) | ||
| Eric Bercovici | screenplay | |
| John Joseph | story | |
| James Lee | screenplay | |
| Richard Morris | story | |
| S.S. Schweitzer | screenplay | |
Produced by | |||
| Joe Connelly | .... | producer | |
| Irving Paley | .... | associate producer | |
Original Music by | |||
| Billy Goldenberg | (as William Goldenberg) | ||
Cinematography by | |||
| Russell Metty | |||
Film Editing by | |||
| Douglas Stewart | |||
Casting by | |||
| Bob Edmiston | (uncredited) | ||
Art Direction by | |||
| Frank Arrigo | |||
| Alexander Golitzen | |||
Set Decoration by | |||
| Ruby R. Levitt | |||
| John McCarthy Jr. | |||
Costume Design by | |||
| Helen Colvig | |||
Makeup Department | |||
| Larry Germain | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
| Clair Holgate | .... | hair stylist (uncredited) | |
| James Lee McCoy | .... | makeup artist (uncredited) | |
| Thomas Tuttle | .... | makeup artist (uncredited) | |
Production Management | |||
| Joseph E. Kenney | .... | unit production manager (as Joseph Kenny) | |
Second Unit Director or Assistant Director | |||
| Phil Bowles | .... | assistant director | |
| Richard C. Bennett | .... | second assistant director (uncredited) | |
| Walt Gilmore | .... | dga trainee (uncredited) | |
| Jack Terry | .... | second assistant director (uncredited) | |
Art Department | |||
| Joe Alves | .... | assistant art director | |
| William Nunley | .... | property master (uncredited) | |
| Bill Smallback | .... | property master (uncredited) | |
Sound Department | |||
| Lyle Cain | .... | sound (uncredited) | |
| Perry Devore | .... | boom operator (uncredited) | |
| Ronald Pierce | .... | sound (uncredited) | |
| Bill Schwartz | .... | sound recordist (uncredited) | |
| Waldon O. Watson | .... | sound (uncredited) | |
Camera and Electrical Department | |||
| Wilbur Gossman | .... | camera operator (uncredited) | |
| Ollie Hansel | .... | grip (uncredited) | |
| Edward Hobson | .... | gaffer (uncredited) | |
| William John Ranaldi | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| May Booth | .... | wardrobe (uncredited) | |
| Austin Felious | .... | wardrobe (uncredited) | |
Music Department | |||
| Dolores Fuller | .... | composer: song "Have a Happy" | |
| Stanley Wilson | .... | music supervisor | |
| Cubby O'Brien | .... | musician: drums (uncredited) | |
Other crew | |||
| Diana N. Loomis | .... | script supervisor | |
| Walter Woodworth | .... | production coordinator | |
| Robert W. Zaslow | .... | supervisor: rage reduction scene (as Dr. Robert W. Zaslow) | |
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Poor Elvis. He was advised to do Midnight Cowboy, Barbra wanted him for A Star is Born - but thanks to the Colonel, his last screen appearance was Change of Habit, so he could complete his contract with the studio. Elvis, it seems, lost a bet with the devil.
Actually, the film is quite pleasant with a familiar and competent cast. Mary Tyler Moore comes off the worst -- we know she's an excellent actress but this role is impossible - eyes heavenward, she resists Elvis' advances as she has her Crisis of Faith. Great to see a young Jane Elliot before her soap opera days.
Elvis does fine, he always does. He looks good and sounds great. And as much as this film has been made fun of, it has more dignity than Harem Scarum or some of the others. What a shame - Elvis had more acting talent than was ever mined, and, had he been challenged, would have lived up to it.