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Directed by | |||
| Mike Nichols | |||
Writing credits | ||
| Joseph Heller | (novel) | |
| Buck Henry | (screenplay) | |
Produced by | |||
| John Calley | .... | producer | |
| Martin Ransohoff | .... | producer | |
| Clive Reed | .... | associate producer | |
Non-Original Music by | |||
| Richard Strauss | (from "Also sprach Zarathustra") | ||
Cinematography by | |||
| David Watkin | |||
Film Editing by | |||
| Sam O'Steen | |||
Casting by | |||
| Alan Shayne | |||
Production Design by | |||
| Richard Sylbert | |||
Art Direction by | |||
| Harold Michelson | |||
Set Decoration by | |||
| Ray Moyer | |||
Costume Design by | |||
| Ernest Adler | (uncredited) | ||
Makeup Department | |||
| Ernest Adler | .... | hair styles supervisor | |
| Del Armstrong | .... | makeup supervisor | |
| Giancarlo De Leonardis | .... | hair department head (uncredited) | |
Production Management | |||
| Jack Corrick | .... | production manager | |
| Joe L. Cramer | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Martin Cohan | .... | second assistant director | |
| Ronald R. Grow | .... | second assistant director (as Ron Grow) | |
| John Jordan | .... | second unit director | |
| Andrew Marton | .... | second unit director | |
| Alan McCabe | .... | second unit director | |
| Edward Teets | .... | assistant director (as Edward A. Teets) | |
Art Department | |||
| Robert Schultz | .... | property master | |
| Harold Michelson | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Howard Beals | .... | supervising sound editor | |
| Larry Jost | .... | sound recordist (as Lawrence O. Jost) | |
| Elden Ruberg | .... | sound recordist | |
| Greg Dillon | .... | sound editor (uncredited) | |
Special Effects by | |||
| Lee Vasque | .... | special effects | |
Visual Effects by | |||
| Albert Whitlock | .... | special photographic effects | |
| Robin Browne | .... | optical effects cameraman (uncredited) | |
Stunts | |||
| Phil Adams | .... | stunts (uncredited) | |
| Paul Baxley | .... | stunts (uncredited) | |
| Ron Burke | .... | stunts (uncredited) | |
| Richard E. Butler | .... | stunt coordinator (uncredited) | |
| Alex Sharp | .... | stunts (uncredited) | |
| Frank Tallman | .... | stunt pilot (uncredited) | |
Camera and Electrical Department | |||
| Peter Ewens | .... | first assistant camera | |
| Bud Gaunt | .... | key grip | |
| Earl Gilbert | .... | gaffer | |
| Alan McCabe | .... | camera operator | |
| Nelson Tyler | .... | helicopter photographer | |
| Harold E. Wellman | .... | photographer: second unit (as Harold Wellman) | |
| Ronald B. MacKenzie | .... | electrician (uncredited) | |
| Robert Willoughby | .... | special still photographer (uncredited) | |
Casting Department | |||
| Jose Villaverde | .... | local casting (uncredited) | |
Costume and Wardrobe Department | |||
| Ernest Adler | .... | costume supervisor | |
| Lambert Marks | .... | wardrobe: men | |
Editorial Department | |||
| Stu Linder | .... | assistant editor | |
Music Department | |||
| Fritz Reiner | .... | conductor | |
| June Edgerton | .... | music editor (uncredited) | |
| John C. Hammell | .... | supervising music editor (uncredited) | |
Transportation Department | |||
| Salvador Gutiérrez | .... | transportation captain (uncredited) | |
Other crew | |||
| Baccio Bandini | .... | production coordinator: Rome | |
| Wayne Fitzgerald | .... | title designer | |
| Major Alexander Gerry | .... | technical advisor | |
| Geoffrey Horne | .... | dialogue coach | |
| Meta Rebner | .... | script supervisor | |
| Frank Tallman | .... | flying supervisor (as Frank G. Tallman) | |
| James S. Appleby | .... | pilot: B-25 (uncredited) | |
| John Bagley | .... | pilot: B-25 (uncredited) | |
| Wayne Berg | .... | pilot: B-25 (uncredited) | |
| Jack Biven | .... | pilot: B-25 (uncredited) | |
| Frank Blaha | .... | pilot: B-25 (uncredited) | |
| 'Junior' Burchinal | .... | pilot: B-25 (uncredited) | |
| Ray Burkhead | .... | pilot: B-25 (uncredited) | |
| Louis Odell Burton | .... | pilot: B-25 (uncredited) | |
| Wayne Burtt | .... | pilot: B-25 (uncredited) | |
| Richard Fisher | .... | pilot: B-25 (uncredited) | |
| Bill Fritz | .... | pilot: B-25 (uncredited) | |
| Hal Gray | .... | pilot: B-25 (uncredited) | |
| Barney Green | .... | pilot: B-25 (uncredited) | |
| Don Hackett | .... | pilot: B-25 (uncredited) | |
| Les Hall | .... | pilot: B-25 (uncredited) | |
| Dan Hill | .... | pilot: B-25 (uncredited) | |
| Marvin Jackson | .... | pilot: B-25 (uncredited) | |
| Danny Johnson | .... | pilot: B-25 (uncredited) | |
| Jenner Knight | .... | pilot: B-25 (uncredited) | |
| Steward Kunkee | .... | pilot: B-25 (uncredited) | |
| Paolo Lucidi | .... | production assistant (uncredited) | |
| 'Skip' Marsh | .... | pilot: B-25 (uncredited) | |
| Mike McDonald | .... | pilot: B-25 (uncredited) | |
| Edward Mitrani | .... | pilot: B-25 (uncredited) | |
| Thomas H. Mooney | .... | pilot: B-25 (uncredited) | |
| Don Ornbaum | .... | pilot: B-25 (uncredited) | |
| Frank L. Pine | .... | pilot: B-25 (uncredited) | |
| Charles Rector | .... | pilot: B-25 (uncredited) | |
| Wendell 'Bill' Reid | .... | pilot: B-25 (uncredited) | |
| Terry Rossi | .... | pilot: B-25 (uncredited) | |
| Jim Speers | .... | pilot: B-25 (uncredited) | |
| Len 'Stoney' Stonich | .... | pilot: B-25 (uncredited) | |
| Frank Tallman | .... | pilot: B-25 (uncredited) | |
| David Viviano | .... | pilot: B-25 (uncredited) | |
| David Voltz | .... | pilot: B-25 (uncredited) | |
| Forrest Watson | .... | pilot: B-25 (uncredited) | |
| Rick Wilson | .... | pilot: B-25 (uncredited) | |
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| Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Airplane! | Slaughterhouse-Five | Air Force | The Stunt Man |
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Books are books, and films are something else. Though I enjoyed reading Joseph Heller's novel, I was impressed with this adaptation, when I first saw it in a movie house, especially for its splendid use of the Panavision format. Although now I miss the wide-screen, the impression of high quality filmmaking has not diminished after the years, when I have seen Catch 22 in video.
The adaptation by Buck Henry opens the discussion on films based on books: Henry has preserved Heller's spirit, that is --for me-- the most important thing to do when one adapts a work from another source. And Mike Nichols' excellent direction asserts the autonomy of the cinematic author, who is free to create a different work of art from a literary source.
I must add that all the discussion seems rather strange, for no one knows how Heller's book will be appreciated in the 21st century...
For me, Marcel Dalio's cameo as the Italian blind man makes sense for the whole film, with his reflection on political and economic empires. Everybody is very good in this film (among the best, Jack Gilford, Alan Arkin, Orson Welles, Jon Voight and Bob Balaban), and my only regret is that Paula Prentiss' funny recreation of Nurse Duckett is seen only briefly.