| Photos (see all 13 | slideshow) | Videos |
| Jason Robards | ... | Cable Hogue | |
| Stella Stevens | ... | Hildy | |
| David Warner | ... | Joshua | |
| Strother Martin | ... | Bowen | |
| Slim Pickens | ... | Ben Fairchild | |
| L.Q. Jones | ... | Taggart | |
| Peter Whitney | ... | Cushing | |
| R.G. Armstrong | ... | Quittner | |
| Gene Evans | ... | Clete | |
| William Mims | ... | Jensen | |
| Kathleen Freeman | ... | Mrs. Jensen | |
| Susan O'Connell | ... | Claudia | |
| Vaughn Taylor | ... | Powell | |
| Max Evans | ... | Webb Seely | |
| James Anderson | ... | Preacher | |
| Felix Nelson | ... | William | |
| Darwin Lamb | ... | The Stranger (as Darwin W. Lamb) | |
| Mary Munday | ... | Dot | |
| William D. Faralla | ... | Lucius | |
| Matthew Peckinpah | ... | Matthew | |
| Victor Izay | ... | Stage Office Clerk | |
| Easy Pickens | ... | Easy |
Directed by | |||
| Sam Peckinpah | |||
Writing credits(in alphabetical order) | ||
| John Crawford | writer | |
| Gordon T. Dawson | uncredited | |
| Edmund Penney | writer | |
Produced by | |||
| Gordon T. Dawson | .... | associate producer (as Gordon Dawson) | |
| William D. Faralla | .... | co-producer (as William Faralla) | |
| Phil Feldman | .... | executive producer | |
| Sam Peckinpah | .... | producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Lucien Ballard | |||
Film Editing by | |||
| Lou Lombardo | |||
| Frank Santillo | |||
Art Direction by | |||
| Leroy Coleman | |||
Set Decoration by | |||
| Jack Mills | |||
Makeup Department | |||
| Kathryn Blondell | .... | hair stylist (as Kathy Blondell) | |
| Al Fleming | .... | makeup artist | |
| Gary Liddiard | .... | makeup artist | |
Production Management | |||
| George Templeton | .... | unit production manager (as Dink Templeton) | |
Second Unit Director or Assistant Director | |||
| John Gaudioso | .... | assistant director | |
Sound Department | |||
| Don Rush | .... | sound | |
| Tex Rudloff | .... | sound re-recording mixer (uncredited) | |
| Dan Wallin | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Bud Hulburd | .... | special effects | |
Stunts | |||
| Mickey Gilbert | .... | stunts (uncredited) | |
| Steve Ward | .... | stunts (uncredited) | |
| Troy Ward | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Robert Fletcher | .... | costumes: Miss Stevens | |
Music Department | |||
| Sonny Burke | .... | music supervisor | |
| Richard Gillis | .... | composer: song "Butterfly Mornings" | |
| Richard Gillis | .... | musician | |
| Arthur Morton | .... | orchestrator | |
| Dan Wallin | .... | score mixer (uncredited) | |
Other crew | |||
| Frank Kowalski | .... | dialogue supervisor | |
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| Die Blechtrommel | McCabe & Mrs. Miller | My Own Private Idaho | Pat Garrett & Billy the Kid | Edvard Munch |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Fresh off his triumphant "The Wild Bunch" and just before his astounding "Straw Dogs," Sam Peckipah made this "little picture," that flopped. However, while "The Wild Bunch" and "Straw Dogs" are terrific movies, "Ballad of Cable Hogue" is the most accomplished of the three. It certainly is hard to categorize "...Hogue," thematically. It includes strong elements of the following genres: o Violent western o Slapstick comedy o Sophisticated comedy o Romantic comedy o Love story o Social commentary o Spiritual film
With the exception of the rather silly slapstick, director Sam Peckinpah handles all these elements superbly, particularly the social commentary, spiritual elements and love story. Much credit is due to a fine cast, particularly actress Stella Stevens and actor David Warner, who both deserved Oscar nominations. Stevens, as the prostitute, "Hildy," mines the "...heart of gold" and hits the mother lode. Hers is one of the all time great performances by an actress. Warner's manipulative preacher, "Josh," manages to be alternately witty, lecherous, noble and profound, without missing a beat.
The best I can say about Jason Robards as "Cable" is, if you loved his character, "Cheyenne" from "Once Upon a Time in the West," you love his "Cable Hogue."
Don't read the plot of this movie. Go in as I did in 1970, not knowing what to expect. You'll be amused, touched, aroused (particularly if your a male) and saddened. It's all here. How many films can you say that about?
I give "The Ballad of Cable Hogue" a "10."