12 + 1 (1969)

Directors:

Nicolas Gessner
Luciano Lucignani

Writers:

Antonio Altoviti (screenplay)
Antonio Altoviti (story)

Release Date:

1 May 1970 (USA)

Genre:

Comedy

Plot:

Mario, a young philanderer, receives 13 antique chairs in a bad state by inheritance and decides to sell off them to get some money...

Plot Keywords:

Based On Novel | Number In Title

Cast

Sharon Tate	...	Pat
Vittorio Gassman	...	Mario Beretti
Orson Welles	...	Markan
Vittorio De Sica	...	Di Seta [The Commadatore]
Terry-Thomas	...	Albert (as Terry Thomas)
Grégoire Aslan	...	Le psychiatre
Mylène Demongeot	...	Judy
John Steiner	...	Stanley
Tim Brooke-Taylor	...	Jackie
William Rushton	...	Bennet
Lionel Jeffries	...	Randomhouse
Michele Borelli
Ottavia Piccolo	...	Stefanella
Catana Cayetano
Claude Berthy

Also Known As:

Douze et un (France)
The 13 Chairs
Twelve Plus One (UK)
Una su 13
Una su tredici (Italy) (alternative spelling)

Runtime:

France:90 min | Netherlands:96 min | USA:94 min

Country:

Italy | France

Language:

English

Color:

Color (Eastmancolor)

Sound Mix:

Mono

Certification:

Iceland:L | Finland:S | USA:R

Company:

C.O.F.C.I.

Trivia:

Sharon Tate's final film.

Movie Connections:

Remake of Eredità in Corsa, L' (1939)

The lovely Miss Tate shines...

...in an incredibly goofy, obscure, guilty pleasure of a film! I must say I have been entranced by the beauty and mystery of the gorgeous Sharon Tate for a while now, so her presence was what initially led me to seeking out this rare gem. I saw it under the title "12+1", and I must say, if you are a Tate fan this is well worth seeking out. The movie itself is a fast-paced, slapstick comedy set in swinging London and various European countries. Vittorio Gassman plays Mario, a man who sells thirteen antique chairs bequeathed to him by his late aunt to an antique shop in London, where he meets the groovy, blonde-haired honey known as Sharon Tate. However, the catch is that Mario's aunt has hidden a fortune in one of the chairs, and he, along with Sharon Tate's Pat, sets off on journey throughout Europe to find the fortune, all the while a string of mishaps and misfortunes befalls him and his smashing partner in crime. The movie itself is interesting to watch, for its incredibly dated but very amusing sixties atmosphere, corny music, dialogue and the overall goofiness of what Mario and Pat experience while searching for the chairs. Miss Tate seems to be enjoying herself here, and I found her to be incredibly witty and sexy in what would sadly be her last motion picture appearance. Highlights, besides Miss Tate's delightfully comical performance: Miss Tate's breasts popping out unexpectedly in several scenes, Miss Tate having a wet t-shirt contest, a screeching uber-queen named Jackie frolicking through a field of flowers singing, "I've got the chairs, I've got the chairs!", the Jekyll and Hyde play sequence with Orson Welles as Markau, with Vittorio Gassman hamming it up while trying to get his hands on one of the chairs: "I'm JACK THE RIPPER!", plus, Mario paying money to "have sex" with one of the chairs, among numerous other moments of hilarity in this obscure classic. This is one of those numbers that is likely to never receive a DVD release, so get your hands on the ultra-rare VHS as soon as possible!