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The Undefeated (1969) More at IMDbPro »

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Overview

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Director:
Writers:
James Lee Barrett (screenplay)
Stanley Hough (story)
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Contact:
View company contact information for The Undefeated on IMDbPro.
Release Date:
27 November 1969 (USA) more
Genre:
Plot:
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are... more | add synopsis
Plot Keywords:
User Reviews:
Lightweight, but Overlooked Western more (32 total)

Cast

  (in credits order) (verified as complete)

John Wayne ... Col. John Henry Thomas

Rock Hudson ... Col. James Langdon
Antonio Aguilar ... Juarista Gen. Rojas (as Tony Aguilar)
Roman Gabriel ... Blue Boy

Marian McCargo ... Ann Langdon

Lee Meriwether ... Margaret Langdon
Merlin Olsen ... Cpl. Little George
Melissa Newman ... Charlotte Langdon
Bruce Cabot ... Sgt. Jeff Newby

Jan-Michael Vincent ... Lt. Bubba Wilkes (as Michael Vincent)

Ben Johnson ... Short Grub
Edward Faulkner ... Capt. Anderson
Harry Carey Jr. ... Soloman Webster (Thomas rider)
Paul Fix ... Gen. Joe Masters
Royal Dano ... Maj. Sanders (one-armed major)

Richard Mulligan ... Dan Morse
Carlos Rivas ... Diaz
John Agar ... Christian
Guy Raymond ... D.J. Giles
Don Collier ... Goodyear (Thomas rider)
Big John Hamilton ... July Mudlow (cowardly Langdon party member)
Dub Taylor ... McCartney
Henry Beckman ... Thad Benedict
Víctor Junco ... Maj. Tapia
Robert Donner ... Judd Mailer
Pedro Armendáriz Jr. ... Escalante (as Pedro Armendariz Jr.)
James Dobson ... Corp. Jamison

Rudy Diaz ... Sanchez
Richard Angarola ... Mr. Petain (Maximilian's representative)
James McEachin ... Jimmy Collins
Gregg Palmer ... Ezra Parker
Juan García ... Col. Gomez
rest of cast listed alphabetically:
Barbara Faulkner ... Mrs. Anderson (uncredited)
Barbara Faulkner ... Anderson's Daughter (uncredited)
Jan Faulkner ... Anderson's Daughter (uncredited)
Leslie Faulkner ... Anderson's Daughter (uncredited)
Bob Gravage ... Bobby Jo Hicks (uncredited)
John Hudkins ... Whit (uncredited)
Kiel Martin ... Union corporal with message that the war is over (uncredited)
Hal Needham ... Yankee corporal at river crossing (uncredited)
Chuck Roberson ... Yankee sergeant at river (uncredited)
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Directed by
Andrew V. McLaglen 
 
Writing credits
(in alphabetical order)
James Lee Barrett  screenplay
Stanley Hough  story (as Stanley L. Hough)
Lewis B. Patten  novel (uncredited)

Produced by
Robert L. Jacks .... producer
 
Original Music by
Hugo Montenegro 
 
Cinematography by
William H. Clothier 
 
Film Editing by
Robert L. Simpson  (as Robert Simpson)
 
Art Direction by
Carl Anderson 
 
Set Decoration by
Chester L. Bayhi 
Walter M. Scott 
 
Costume Design by
Bill Thomas 
 
Makeup Department
Edith Lindon .... hair stylist
Leo Lotito Jr. .... makeup artist (as Leo Lotito)
Daniel C. Striepeke .... makeup supervisor (as Dan Striepeke)
Dave Grayson .... makeup artist (uncredited)
 
Production Management
Clarence Eurist .... unit production manager
 
Second Unit Director or Assistant Director
Jack Cunningham .... assistant director
 
Sound Department
David Dockendorf .... sound
Richard Overton .... sound
 
Special Effects by
L.B. Abbott .... special photographic effects
Art Cruickshank .... special photographic effects
 
Stunts
Hal Needham .... stunt coordinator
Denny Arnold .... stunts (uncredited)
Stan Barrett .... stunts (uncredited)
Dick Bullock .... stunts (uncredited)
Jim Burk .... stunts (uncredited)
William H. Burton .... stunts (uncredited)
Tap Canutt .... stunts (uncredited)
Roydon Clark .... stunts (uncredited)
Bill Couch .... stunts (uncredited)
Chuck Couch .... stunts (uncredited)
Jerry Gatlin .... stunts (uncredited)
Alan Gibbs .... stunts (uncredited)
Mickey Gilbert .... stunts (uncredited)
Kent Hays .... stunts (uncredited)
John Hudkins .... stunts (uncredited)
Clyde Hudkins Jr. .... stunts (uncredited)
Gary McLarty .... stunts (uncredited)
Hal Needham .... stunts (uncredited)
Paul Nuckles .... stunts (uncredited)
Bob Orrison .... stunts (uncredited)
Gil Perkins .... stunts (uncredited)
Chuck Roberson .... stunts (uncredited)
J.N. Roberts .... stunts (uncredited)
George Robotham .... stunts (uncredited)
Wally Rose .... stunts (uncredited)
Danny Sands .... stunts (uncredited)
Fred M. Waugh .... stunts (uncredited)
Walter Wyatt .... stunts (uncredited)
Dick Ziker .... stunts (uncredited)
 
Music Department
Hugo Montenegro .... conductor
Herbert W. Spencer .... orchestrator (as Herbert Spencer)
Kenneth Hall .... music editor (uncredited)
Jack Hayes .... additional orchestrator (uncredited)
Leo Shuken .... additional orchestrator (uncredited)
 
Other crew
'Chema' Hernandez .... livestock coordinator (uncredited)
 
Crew believed to be complete


Production CompaniesDistributors
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Additional Details

Runtime:
119 min
Country:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Mono (Westrex Recording System)
Certification:

Fun Stuff

Trivia:
Rock Hudson admitted in a 1980 interview that he thought the movie was "crap", and attributed its box office success only to the fact that it immediately followed True Grit (1969). However, he had fond memories of the filming because he became a close friend of John Wayne and Roman Gabriel. more
Goofs:
Factual errors: Looking closely, you can see the rifle of the tenth member of the firing squad. Also you can plainly see his shadow on the ground at a 10 o' clock position. There are several other shots that confirm the number. more
Quotes:
Col. John Henry Thomas: [Thomas and Langdon are talking to the Mexican bandit] Is the flap on your holster snapped or unsnapped, my Confederate friend?
Col. James Langdon: Snapped, my Yankee friend.
Col. John Henry Thomas: Then, I guess I'm his pigeon.
[Draws and fires as the Mexican goes for his gun]
more
Movie Connections:
Featured in Rock Hudson's Home Movies (1992) more

FAQ

What was the name of the cat in The Undefeated?
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20 out of 23 people found the following review useful.
Lightweight, but Overlooked Western, 11 March 2004
Author: kellyadmirer from New York City/Colorado Springs

"The Undefeated" got lost in the shuffle when it was released during a terrific year for Westerns. Competing against "Butch Cassidy," "The Wild Bunch" and John Wayne's other little Western that year, "True Grit," who was going to remember "The Undefeated"?

Well, not too many moviegoers. However, this is a nice production of a clever script that features several acting legends. With all of the (justifiable) attention on the Civil War in film, concurrent events in Mexico that were just as far-reaching for that country (and, in some ways, for the US) have largely been forgotten, or at least overlooked. Sure, people remember the Alamo from twenty years before the Civil War, and many recall Pancho Villa from 50 years after, but how much recognition has there been of France's blatant violation of the Monroe doctrine with its bid for dominance south of the US border while Grant and Lee were going at it? Clearly, not a lot.

So, this film serves as a nice history lesson. France tried to install its own emperor, Maximilian, on the throne of Mexico while the US was preoccupied with its Civil War. Unfortunately for the French, many Mexicans were not too thrilled with this idea. "Undefeated" takes Maximilian's struggle for survival and combines it with a tale of disaffected US and Confederate soldiers. What results is a very involving story set shortly after the Civil War in which former US soldiers on a cattle (horse) drive encounter former Confederate soldiers, along with their families, who aren't quite ready yet to give up their military trade and are on their way to serve as mercenaries for Emperor Maximilian.

So, with that as the backdrop, the film essentially becomes a character study. Wayne plays Wayne at his most iconic. Perhaps you can tell from time to time that he is not taking the whole thing very seriously, but he lends the film whatever air of gravity it possesses. Football legend Merlin Olsen surprisingly turns in a fine performance, Melissa Newman is very attractive as Hudson's flirty daughter, and quarterback Roman Gabriel of all people provides the romantic conflict. You aren't going to see most of these folks elsewhere, and they give it their all here in unique performances. Ben Johnson and some others of Wayne's traveling troupe of movie cowboys are along to give some down-home flavor, though they aren't called on to do much.

There are lots of chances for Wayne and his buddies to act tough and weathered. The main flaw to me is that the Rock Hudson character, leader of the Confederate force, comes across as too exuberant, a touch too "I'm so happy to be here in a Wayne film." For a man who has lost everything including his fancy mansion and property, his character comes across as a bit too happy-go-lucky. His character also is undercut several times as being naive, such as when Wayne's character has to come and warn him that his party is being tracked by bandits. Wouldn't a formed military body of battle-hardened soldiers know enough to maintain scouts in hostile territory? I thought Hudson rocked in "Ice Station Zebra" from the year before, but coming in to this role at the last minute to replace another actor probably didn't give him enough time to think the role through and maybe make a few script suggestions.

A confrontation between Wayne's small force and formed Mexican troops also is disappointing in how it is staged, making it seem perfunctory. Since this is the main "suspense" at the film's conclusion, the ending is kind of a let-down. Also, the fact that most of the film takes place in the middle of nowhere, with no contact with the world at large, gives the film an artificial feel, as if this were a laboratory experiment about post-war relations. At times like this, the story seems to go through the motions and almost plays like a made-for-TV film.

However, these are not fatal flaws. The heart of the film lies in the interaction of the characters and how they come to terms with how the world has changed since Appomattox. Hudson and his boys appear to learn that it is one thing to fight for your home and hearth against invaders, but war on foreign soil for ephemeral benefits is Hell indeed. There are echoes of modern times with the observation of the Wayne character that "It seems we've gotten ourselves involved in someone else's war." Note the year the film was released.

Recommended for fans of Westerns or the stars. Not a top Wayne film, but an interesting plot with fine performances by an eclectic cast.

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