| Photos (see all 29 | slideshow) |
| Frederick Stafford | ... | Andre Devereaux | |
| Dany Robin | ... | Nicole Devereaux | |
| John Vernon | ... | Rico Parra | |
| Karin Dor | ... | Juanita de Cordoba | |
| Michel Piccoli | ... | Jacques Granville | |
| Philippe Noiret | ... | Henri Jarre | |
| Claude Jade | ... | Michele Picard | |
| Michel Subor | ... | Francois Picard | |
| Roscoe Lee Browne | ... | Philippe Dubois | |
| Per-Axel Arosenius | ... | Boris Kusenov | |
| John Forsythe | ... | Michael Nordstrom | |
| Edmon Ryan | ... | McKittreck | |
| Sonja Kolthoff | ... | Mrs. Kusenov | |
| Tina Hedström | ... | Tamara Kusenov (as Tina Hedstrom) | |
| John Van Dreelen | ... | Claude Martin | |
| Donald Randolph | ... | Luis Uribe (as Don Randolph) | |
| Roberto Contreras | ... | Muñoz | |
| Carlos Rivas | ... | Hernandez | |
| Roger Til | ... | Jean Chabrier | |
| Lewis Charles | ... | Pablo Mendoza | |
| Sándor Szabó | ... | Emile Redon (as Sandor Szabo) | |
| Anna Navarro | ... | Carlotta Mendoza | |
| Lew Brown | ... | American Official | |
| John Roper | ... | Thomas | |
| George Skaff | ... | Rene d'Arcy | |
| rest of cast listed alphabetically: | |||
| Henri Attal | ... | Man on boat (scenes deleted) | |
| Dominique Zardi | ... | Man on boat (scenes deleted) | |
| Fidel Castro | ... | Himself (archive footage) (uncredited) | |
| Rita Conde | ... | Dolores (uncredited) | |
| John Dehner | ... | Official (uncredited) | |
| Ann Doran | ... | Mrs. Forsyth (uncredited) | |
| Abel Fernandez | ... | Cuban Guerrilla Fighter (uncredited) | |
| Gregory Gaye | ... | Meeting Co-Ordinator (uncredited) | |
| Trent Gough | ... | UN Visitor (uncredited) | |
| Ernesto 'Che' Guevara | ... | Himself (archive footage) (uncredited) | |
| Alfred Hitchcock | ... | Man in wheelchair at airport (uncredited) | |
| John Holland | ... | (uncredited) | |
| Ray Kellogg | ... | Security Guard (uncredited) | |
| John Stephenson | ... | State Department interrogator (uncredited) | |
| Hal Taggart | ... | Ambassador (uncredited) | |
| Ben Wright | ... | French Officer (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Leon Uris | (novel) | |
| Samuel A. Taylor | (screenplay) (as Samuel Taylor) | |
Produced by | |||
| Herbert Coleman | .... | associate producer | |
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| Maurice Jarre | (music composed by) | ||
Cinematography by | |||
| Jack Hildyard | |||
Film Editing by | |||
| William H. Ziegler | |||
Production Design by | |||
| Henry Bumstead | |||
Set Decoration by | |||
| John P. Austin | (as John Austin) | ||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Leonard Engelman | .... | makeup artist | |
| Larry Germain | .... | hair stylist | |
| Nellie Manley | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
Production Management | |||
| Fred Surin | .... | production manager: Paris | |
| Wallace Worsley Jr. | .... | unit production manager (as Wallace Worsley) | |
Second Unit Director or Assistant Director | |||
| Douglas Green | .... | assistant director | |
| James A. Westman | .... | assistant director (as James Westman) | |
| Cassius Weathersby | .... | assistant director (uncredited) | |
Art Department | |||
| Thomas Wright | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Robert R. Bertrand | .... | sound | |
| Waldon O. Watson | .... | sound | |
Visual Effects by | |||
| Albert Whitlock | .... | special photographic effects | |
Camera and Electrical Department | |||
| William Dodds | .... | camera operator | |
| Bill Johnson | .... | camera operator (uncredited) | |
| Sherman Kunkel | .... | camera operator (uncredited) | |
| Pierre Zucca | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Peter V. Saldutti | .... | costume supervisor: men (as Peter Saldutti) | |
Editorial Department | |||
| Jeff Gourson | .... | assistant film editor (uncredited) | |
Music Department | |||
| Maurice Jarre | .... | conductor | |
Other crew | |||
| Odette Ferry | .... | technical advisor: France | |
| J.P. Mathieu | .... | technical advisor: Cuba | |
| Hal Mohr | .... | photographic consultant | |
| Peggy Robertson | .... | assistant: Mr. Hitchcock | |
| Trudy von Trotha | .... | script supervisor (as Trudy Von Trotha) | |
| Orin Borsten | .... | publicist (uncredited) | |
| Recent Posts (updated daily) | User |
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| Pietà | ClassicsCaper |
| I'll watch Topaz on my deathbed! | Max_Planck |
| Red Dots | j_chy |
| Juanita de Cordoba | PorkPie007 |
| Middle finger | mrpacker |
| Juanita's secret? | treehugger1313-1 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
| Add this title to MyMovies |
Like so many Hollywood talents, Hitchcock was stereotyped. Also like so many Hollywood talents, whenever he tried to escape stereotyping, he would get criticized. That certainly was the case with TOPAZ. Although not as humorous, nor as romantic, nor even as exciting as the director's best films, the movie is nonetheless an intelligent and intriguing spy drama, one that compares more to a motion picture like DAY OF THE JACKYL than usual Hitchcock fare.
His other spy dramas, like NORTH BY NORTHWEST, may be more fun, but none of them are as realistic. In fact, very few spy films have the authenticity as TOPAZ. The story is based on fact. In 1962, a Russian top-level KGB defector informed the U.S. that some very high-level French diplomats, in a group called "Sapphire", were selling secrets to the Soviet Union. TIME Magazine printed this story in April 26, 1968, and did so using the same source that Leon Uris did: the U.S. sympathizing (and exiled) former Chief of French Intelligence, Philippe Thyraud de Vosjoli.
Incidentally, a viewer needs to know the chronology and key events surrounding the 1962 Cuban Missile Crises as background, or else the film will be confusing. I suspect many critics condemn it because it's easier for them to dismiss the film rather than confront their own ignorance.
Not that this movie is without weaknesses. Hitchcock was no realist, and the grim world of films like THE SPY WHO CAME IN FROM THE COLD is probably the type of ambiance it should have presented, but doesn't. However, I definitely join the camp of those who consider it underrated. I read writers on Hitchcock who unthinkingly rank TOPAZ with his worst stuff, and yet many of us prefer it over THE TROUBLE WITH HARRY, MR. AND MRS. SMITH, and other Hitchcock works that don't get castigated as nearly as much. I can't help but suspect they receive less criticism because they are more typical Hitchcock. This film is atypical Hitchcock, so readjust your expectations accordingly.