| Photos (see all 29 | slideshow) |
| Frederick Stafford | ... | Andre Devereaux | |
| Dany Robin | ... | Nicole Devereaux | |
| John Vernon | ... | Rico Parra | |
| Karin Dor | ... | Juanita de Cordoba | |
| Michel Piccoli | ... | Jacques Granville | |
| Philippe Noiret | ... | Henri Jarre | |
| Claude Jade | ... | Michele Picard | |
| Michel Subor | ... | Francois Picard | |
| Roscoe Lee Browne | ... | Philippe Dubois | |
| Per-Axel Arosenius | ... | Boris Kusenov | |
| John Forsythe | ... | Michael Nordstrom | |
| Edmon Ryan | ... | McKittreck | |
| Sonja Kolthoff | ... | Mrs. Kusenov | |
| Tina Hedström | ... | Tamara Kusenov (as Tina Hedstrom) | |
| John Van Dreelen | ... | Claude Martin | |
| Donald Randolph | ... | Luis Uribe (as Don Randolph) | |
| Roberto Contreras | ... | Muñoz | |
| Carlos Rivas | ... | Hernandez | |
| Roger Til | ... | Jean Chabrier | |
| Lewis Charles | ... | Pablo Mendoza | |
| Sándor Szabó | ... | Emile Redon (as Sandor Szabo) | |
| Anna Navarro | ... | Carlotta Mendoza | |
| Lew Brown | ... | American Official | |
| John Roper | ... | Thomas | |
| George Skaff | ... | Rene d'Arcy | |
| rest of cast listed alphabetically: | |||
| Henri Attal | ... | Man on boat (scenes deleted) | |
| Dominique Zardi | ... | Man on boat (scenes deleted) | |
| Fidel Castro | ... | Himself (archive footage) (uncredited) | |
| Rita Conde | ... | Dolores (uncredited) | |
| Ann Doran | ... | Mrs. Forsyth (uncredited) | |
| Abel Fernandez | ... | Cuban Guerrilla Fighter (uncredited) | |
| Gregory Gaye | ... | Meeting Co-Ordinator (uncredited) | |
| Trent Gough | ... | UN Visitor (uncredited) | |
| Ernesto 'Che' Guevara | ... | Himself (archive footage) (uncredited) | |
| Alfred Hitchcock | ... | Man in wheelchair at airport (uncredited) | |
| John Holland | ... | (uncredited) | |
| Ray Kellogg | ... | Security Guard (uncredited) | |
| John Stephenson | ... | State Department interrogator (uncredited) | |
| Hal Taggart | ... | Ambassador (uncredited) | |
| Ben Wright | ... | French Officer (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Leon Uris | (novel) | |
| Samuel A. Taylor | (screenplay) (as Samuel Taylor) | |
Produced by | |||
| Herbert Coleman | .... | associate producer | |
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| Maurice Jarre | (music composed by) | ||
Cinematography by | |||
| Jack Hildyard | |||
Film Editing by | |||
| William H. Ziegler | |||
Production Design by | |||
| Henry Bumstead | |||
Set Decoration by | |||
| John P. Austin | (as John Austin) | ||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Leonard Engelman | .... | makeup artist | |
| Larry Germain | .... | hair stylist | |
| Nellie Manley | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
Production Management | |||
| Fred Surin | .... | production manager: Paris | |
| Wallace Worsley Jr. | .... | unit production manager (as Wallace Worsley) | |
Second Unit Director or Assistant Director | |||
| Douglas Green | .... | assistant director | |
| James A. Westman | .... | assistant director (as James Westman) | |
| Cassius Weathersby | .... | assistant director (uncredited) | |
Art Department | |||
| Thomas Wright | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Robert R. Bertrand | .... | sound | |
| Waldon O. Watson | .... | sound | |
Visual Effects by | |||
| Albert Whitlock | .... | special photographic effects | |
Camera and Electrical Department | |||
| William Dodds | .... | camera operator | |
| Bill Johnson | .... | camera operator (uncredited) | |
| Sherman Kunkel | .... | camera operator (uncredited) | |
| Pierre Zucca | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Peter V. Saldutti | .... | costume supervisor: men (as Peter Saldutti) | |
Editorial Department | |||
| Jeff Gourson | .... | assistant film editor (uncredited) | |
Music Department | |||
| Maurice Jarre | .... | conductor | |
Other crew | |||
| Odette Ferry | .... | technical advisor: France | |
| J.P. Mathieu | .... | technical advisor: Cuba | |
| Hal Mohr | .... | photographic consultant | |
| Peggy Robertson | .... | assistant: Mr. Hitchcock | |
| Trudy von Trotha | .... | script supervisor (as Trudy Von Trotha) | |
| Orin Borsten | .... | publicist (uncredited) | |
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| Add this title to MyMovies |
This film would have been better if Hitchcock had enough time to work on the script. One of the major problems was Hitchcock and Samuel A. Taylor didn't get enough time to work on the script properly. Some of the Scenes were written hours before the shooting.
Leon Uris (Writer of Novel "Topaz") told Hitchcock that he wouls like to write the screenplay for Hitchcock. Hitchcock agreed. But when Hitchcock saw the script Leon Uris sent him, he wasn't happy about it. He found the script unacceptable. So he finally called in Samuel Taylor to rewrite the script from scratch. Samuel Taylor and Hitchcock tried their best to write a good script. But there wasn't enough time. Alfred Hitchcock was unhappy with Alec Coppel's script for Vertigo. When Samuel Taylor was hired to work on Vertigo, they had lot of time to work on it. Topaz (1969) was exactly the opposite.
Sean Connery was Hitchcock's original choice for Frederick Stafford's role. But Sean Connery wasn't interested in playing the role. So Hitchcock decided to cast foreign actors and actresses. Hitchcock casted foreign actors in this film because he didn't enjoy working with Paul Newman in Torn Curtain. Hitchcock found Paul Newman's attitude very disrespectful.
Its very interesting that Hitchcock was able to make an interesting film even when he didn't have enough time to work properly on the scripting process. There are Suspenseful scenes in the film.
For Example, check the scene where John Vernon (Rico Parra) finds out his red suitcase is missing. And Hitchcock put some scenes in the film with no dialogue. But you know what is going on when you watch the scene. The death of Juanita de Cordoba was brilliantly shot by Hitchcock.
I think Hitchcock left the relationship between the characters open to the audience.
I think this film will get better by time. When I first watched the film, I thought the film was dull. But when I watched it recently, I liked the film.