Sweet Charity (1969)

Director:

Bob Fosse

Writers:

Federico Fellini (screenplay) &
Ennio Flaiano (screenplay) ...

Release Date:

1 April 1969 (USA)

Genre:

Comedy | Drama | Music | Romance

Tagline:

Hey Big Spender !

Plot:

Taxi dancer Charity continues to have Faith in the human race despite apparently endless disappointments at its hands...

Plot Keywords:

Charity | Hope | Dancer | Taxi Dancer | Wish Better Life

Awards:

Nominated for 3 Oscars. Another 2 wins & 1 nomination

Cast

Shirley MacLaine	...	Charity Hope Valentine
John McMartin	...	Oscar Lindquist
Chita Rivera	...	Nickie
Paula Kelly	...	Helene
Stubby Kaye	...	Herman
Barbara Bouchet	...	Ursula
Ricardo Montalban	...	Vittorio Vidal
Sammy Davis Jr.	...	Big Daddy Brubeck
Suzanne Charney	...	Lead frug dancer (as Suzanne Charny)
Alan Hewitt	...	Nicholsby
Dante DiPaolo	...	Charlie (as Dante D'Paulo)
Bud Vest	...	Frug dancer
Ben Vereen	...	Frug dancer
Lee Roy Reams	...	Frug dancer
Al Lanti	...	Dancer in 'Big Spender' number

Also Known As:

Sweet Charity: The Adventures of a Girl Who Wanted to Be Loved (USA) (complete title)

Runtime:

149 min | 154 min (TCM print)

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Mono (Westrex Recording System) (35 mm prints)

Certification:

Argentina:Atp | Australia:G | Finland:S | Sweden:11 | UK:A (original rating) | UK:PG (video rating) (1996) | USA:G | Singapore:PG

Filming Locations:

Central Park, Manhattan, New York City, New York, USA

Company:

Universal Pictures

Trivia:

Chita Rivera's film debut.

Goofs:

Continuity: In the "Aloof" movement of "The Rich Man's Frug," two of the male principal dancers walk down the stairs to light a woman's cigarette, while the others dance behind them. The background choreography in this shot leads directly to the triangle formation of the next shot, and the two men are now in the middle of the group, although there was no time for them to reach that position.

Quotes:

Vittorio: Without love, life would have no purpose.

Movie Connections:

Referenced in "Alice: Sweet Charity (#3.14)" (1979)

Soundtrack:

My Personal Property

Fosse's first

Sure, Bob Fosse sometimes indulges in trendy late-60's stylistic touches like freeze-frames and crash-zooms. Some of the jokes by Neil Simon are corny, and Shirley MacLaine can be a little hard to take sometimes. The film also suffers from the bloated, over-produced quality that infected most 60's major studio musicals.

The dull non-musical scenes are a chore to sit through, but when one of Fosse's amazing production numbers begins, Sweet Charity soars into the sublime. Fosse was quite simply a genius, and the great showcase numbers such as "Hey Big Spender" and "Rich Man's Frug" are as brilliant as any dance numbers ever put on film.

Shifting configurations of dancers, contorted body poses, dance steps that are by turns awkward and graceful, a studied contrast between clustering dancers and separating dancers -- it is hard to describe the magic of the Pompeii Club sequence. I've always felt that Fosse's choreography has the same sense of space and volume as Cubist painting.

Fosse's camera placement and camera movement capture an ideal "in-the-round" feeling of choreographed numbers that one cannot experience in the theater. For a first-time film director, Fosse revealed an amazing facility for the form. Usually theater directors don't take to the medium of film as quickly as Fosse did. Usually, theater directors make visually unexciting films that feel stage-bound. Not Fosse -- Sweet Charity, despite some flaws, doesn't play like a filmed stage play, it has the visual panache of Fellini and Godard.

Sweet Charity was just a warm-up, Fosse's personal film school at Universal's expense, before he truly mastered the form of film-making with the classic Cabaret.