| Lilli Palmer | ... | Mme. Fourneau | |
| Cristina Galbó | ... | Theresa | |
| John Moulder-Brown | ... | Luis | |
| Mary Maude | ... | Irene | |
| Cándida Losada | ... | Mlle. Desprez | |
| Tomás Blanco | ... | M. Baldie | |
| Pauline Challoner | ... | Catalina | |
| Teresa Hurtado | ... | Andree | |
| Conchita Paredes | ... | Susana | |
| Víctor Israel | ... | Brechard | |
| María José Valero | ... | Elena | |
| Ana María Pol | ... | Claudia | |
| Blanca Sendino | ... | Cook | |
| Paloma Pagés | ... | Cecilia | |
| Sofía Casares | ... | Margarita | |
| Mari Carmen Duque | ... | Julia | |
| rest of cast listed alphabetically: | |||
| Juana Azorín | ... | Lucia | |
| Gloria Blanco | ... | Regina | |
| Frank Braña | |||
| Clovis Dave | ... | Enrique | |
| María Gustafson | ... | Ingrid | |
| Maribel Martín | ... | Isabelle | |
| Elisa Méndez | ... | María | |
| Luisa Sala | |||
| María Elena Arpón | ... | Uncredited (uncredited) | |
| Loreta Tovar | ... | Alumna (uncredited) | |
Directed by | |||
| Narciso Ibáñez Serrador | |||
Writing credits(in alphabetical order) | ||
| Narciso Ibáñez Serrador | writer (as Luis Peñafiel) | |
| Juan Tébar | story | |
Produced by | |||
| Arturo González | .... | producer | |
| Jose M. Maldonado | .... | assistant producer | |
Original Music by | |||
| Waldo de los Ríos | |||
Cinematography by | |||
| Manuel Berenguer | |||
| Godofredo Pacheco | (uncredited) | ||
Film Editing by | |||
| Mercedes Alonso | |||
| Reginald Mills | |||
Production Design by | |||
| Víctor María Cortezo | |||
| Ramiro Gómez | |||
Art Direction by | |||
| Ramiro Gómez | |||
Set Decoration by | |||
| Víctor María Cortezo | |||
Makeup Department | |||
| José Echevarría | .... | assistant makeup artist | |
| Carmen Martín | .... | makeup artist | |
| Carmen Rodríguez | .... | assistant hair stylist | |
| Julián Ruiz | .... | wig maker | |
| Carmen Sánchez | .... | hair stylist | |
Production Management | |||
| Manuel Pérez | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mahnahén Velasco | .... | assistant director | |
| Jaime Villate | .... | second assistant director | |
Art Department | |||
| Rafael Ablanque | .... | assistant set decorator | |
| Rafael Pérez Murcia | .... | assistant production designer | |
Sound Department | |||
| Luis Castro | .... | sound effects | |
| Enrique Molinero | .... | sound engineer | |
Special Effects by | |||
| John Beaton | .... | special effects | |
| Don Deacon | .... | special effects | |
| Wilfred Thompson | .... | special effects | |
Camera and Electrical Department | |||
| Juan Antonio Aguilar | .... | focus puller | |
| Salvador Gil | .... | second camera operator | |
| Antonio Luengo | .... | still photographer | |
| Luis Pena | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Carmen de la Casa | .... | wardrobe | |
| Manolita Iglesias | .... | assistant wardrobe | |
Editorial Department | |||
| María Luisa Hernández | .... | assistant editor | |
| María Dolores Laguna | .... | assistant editor | |
Music Department | |||
| Waldo de los Ríos | .... | conductor | |
Other crew | |||
| Marisol Carnicero | .... | production secretary | |
| Margarita Pardo | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Spain section | Add this title to MyMovies |
Ever since I beheld a masterpiece called "Quién Puede Matar A Un Niño" ("Who Can Kill a Child?"), I've been on a constant lookout for THIS Spanish gem that also spawned from the clearly gifted mind of writer/director Narciso Ibáñez-Serrador. Thanks to the help of a good friend, I'm now the proud owner of this film on DVD and I can finally do my share of recommending this genuinely frightening film to other fans. "The House that Screamed" differs a lot from the aforementioned film, but it's a genre highlight all the same. "Who Can Kill A Child", which got released during the mid-70's, depended a lot on brutal shocks and one truly disturbing theme whereas "The House that Screamed" (dated 1969) teaches us a lesson in pure tension and atmosphere. There's very little on screen bloodshed here, but the film features without exaggerating a constantly high level of suspense. Literally every sequence bathes in an atmosphere of sheer eeriness and it feels like ominous events lurk behind every corner of every set piece used in the film. As far as I'm concerned, only brilliant directors such as Mario Bava, Dario Argento and Alfred Hitchcock can achieve such a depiction of subtle emotional terror, and now Ibáñez-Serrador is one of the elite. The story is set around the year 1900, in a Southern French boarding school for girls only. These girls supposedly all have discipline problems and the utterly strict headmistress Mme. Fourneau keeps them on a short leash. She has her hands quite full, as her students continuously plan escapes and she also has to prevent her own teenage son from having contact with the wayward girls. When more and more girls disappear without leaving a single trace, the girls righteously begin to fear that the boarding school also homes a vicious killer. The plot is occasionally slow and predictable, yet you easily forgive all this just because our director puts so much effort & dedication into building up the tension and the drawing of his characters. The climax, albeit implausible, is pretty sensational horror stuff! The acting performances are FAR above average, with Lilly Palmer in the most memorable role of her career, and the decors are very convincing. This isn't a movie for the nowadays horror audiences (too little action, I presume), but its themes and plot-twists were very ahead of time back in 1969. If you truly love horror and if you can find a decent copy, I strongly suggest purchasing "The House that Screamed".
Note: This comment is dedicated to fellow IMDb-user G.B, for helping me to obtain this fine movie!