| Photos (see all 1 | slideshow) |
| Christina Lindberg | ... | Inga (as Kristina Lindberg) | |
| Monica Ekman | ... | Greta - Inga's older sister | |
| Krister Ekman | ... | Carsten - Greta's boyfriend | |
| Leif Naeslund | ... | Bjorn - Carsten's friend (as Leif Naslun) | |
| Per-Axel Arosenius | ... | Inga and Greta's father | |
| Ittla Frodi | ... | Inga and Greta's mother (as Itela Frodi) | |
| Tina Hedström | ... | Helen - Inga's friend | |
| Henrik Meyer | ... | Ole, a guy | |
| Wivian Öiangen | ... | Brita - the dream girl (as Vivianne Ojengen) | |
| Jim Engelau | ... | Leonard |
Directed by | |||
| Dan Wolman | (as Floch Johnson) | ||
Writing credits(in alphabetical order) | ||
| Ronnie Friedland | writer | |
| George T. Norris | writer (as George Norris) | |
Produced by | |||
| Ami Artzi | .... | producer | |
| Christopher C. Dewey | .... | executive producer | |
| Dennis Friedland | .... | executive producer | |
Cinematography by | |||
| Hans Welin | (as Hasse Welin) | ||
Film Editing by | |||
| George T. Norris | (as George Norris) | ||
Production Management | |||
| Tomas Dyfverman | .... | production manager | |
Camera and Electrical Department | |||
| Ake Dyfverman | .... | still photographer | |
| Ted Lindahl | .... | electrician | |
| Bo Lindqvist | .... | grip | |
| Roland Sterner | .... | assistant camera | |
Other crew | |||
| Brita Werkmäster | .... | script supervisor (as Brita Werkmaster) | |
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| Anita - ur en tonårsflickas dagbok | The Unbearable Lightness of Being | The Cheerleaders | Kids | The Door in the Floor |
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| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Inga, 16, travels to the city to visit her sister Greta. The walls of Greta's apartment are thin and soon Inga hears Greta and her boyfriend, Carsten making love. Inga's arousal and subsequent journey into adulthood are beautifully and tastefully depicted. The film is lit with exquisite subtlety and edited with calm good taste. Maid in Sweden was one of the first adult films to play in mainstream theaters in the early seventies, and as a sixteen year old myself at the time, this film had particular relevance for me. Upon seeing the film again it still stands the test of time.