Kes (1970)

Director:

Ken Loach

Writers:

Barry Hines (book)
Barry Hines (adaptation) ...

Release Date:

19 June 1970 (France)

Genre:

Drama

Tagline:

They beat him. They deprived him. They ridiculed him. They broke his heart. But they couldn't break his spirit.

Plot:

A young, English working-class boy spends his free time caring for and training his pet falcon.

Plot Keywords:

Falcon | Teacher | School | Child Nudity | Public Humiliation

Awards:

Won 2 BAFTA Film Awards. Another 2 wins & 4 nominations

US TV Schedule:

Fri. Dec. 4

1:00 PM

TCM

Cast

David Bradley	...	Billy
Freddie Fletcher	...	Jud
Lynne Perrie	...	Mrs. Casper
Colin Welland	...	Mr. Farthing
Brian Glover	...	Mr. Sugden
Bob Bowes	...	Mr. Gryce
Bernard Atha	...	Youth Employment Officer
Laurence Bould
Joey Kaye	...	Comedian at Pub
Ted Carroll
Robert Naylor	...	MacDowell
Agnes Drumgoon
George Speed	...	Billy's Friend
Desmond Guthrie
Zoe Sutherland	...	Librarian

Also Known As:

A Kestrel for a Knave (UK) (working title)

MPAA:

Rated PG-13 for language, nudity and some teen smoking.

Runtime:

110 min | Netherlands:90 min

Country:

UK

Language:

English

Color:

Color

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

USA:PG-13 | Australia:PG | Germany:12 | Sweden:11 | UK:PG (video rating) (1987) | UK:U (original rating) | USA:GP | West Germany:12

Filming Locations:

Athersley South, Barnsley, South Yorkshire, England, UK

Company:

Kestrel Films Ltd.

Trivia:

Krzysztof Kieslowski's favourite film.

Goofs:

Crew or equipment visible: Member of crew visible (with a beard) in the scene where Mr. Sugden is selecting the football teams.

Movie Connections:

Referenced in The Royal Tenenbaums (2001)

Possibly the best British film of all time !

Although Kes was not Loach's first film (he had made "Cathy come home" for television and "Poor Cow") it is probably his best both artistically and historically. Historically, the film is an important one, because it's the first one that gives an accurate description of a working-class environment. There had been several social realist movies made before it, such as Karel Reisz's "Saturday Night and Sunday Morning" or Tony Richardson's "Billy Liar", but Kes set a whole new agenda. Esthetically, Loach went a lot further than those before him, filming his characters in a quasi-documentary way. Also, the actors were, for a great part, non-professionals, which lent a further "realistic" touch to the film. For the first time, strong regional accents (Yorkshire) were allowed to flow freely. Finally, the story itself is extremely compelling. Without being at all demonstrative or heavy, the film is the most powerful indictment of the british class system that has ever been recorded on film.

Billy Casper, the hero, is shown to have absolutely no chance of escaping his harsh milieu. At home, his half-brother bullies him and he finds no comfort from his mother. At school the behaviour of teachers, career-councillors and headmasters ranges from violent to merely condescending. It's this anti-institutional side to the film that makes it so powerful. Billy basically knows that he'll probably end up down the mine and he knows that school isn't there for his pleasure or his fulfillment but to tell him what to do. So, unable to express himself at home or at school, Billy develops a passion for hawks and devotes great time and effort to the taming of a kestrel. This passion comes to symbolise both the boy's hopes and his identity.