Overview
Release Date:
4 February 1970 (USA)
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Tagline:
One of the most bizarre episodes in the annals of American Crime.
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User Comments:
Simply one of THE great American movies!
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Additional Details
Also Known As:
Dear Martha (USA) (working title)
The Lonely Hearts Killers
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Runtime:
108 min
Aspect Ratio:
1.85 : 1
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MOVIEmeter: 
No change since last week
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Fun Stuff
Trivia:
Originally to be directed by
Martin Scorsese, but he was replaced after a week of shooting due to creative differences by
Donald Volkman who was subsequently replaced by
Leonard Kastle. Scorsese was fired because he was filming every scene in master shots and not shooting close-ups or other coverage, making the film impossible to edit.
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Goofs:
Revealing mistakes: In the scene on the bus with the dead victim of Martha and Ray, there is a long shot of the woman's face with her eyes somewhat googly and her tongue sticking out, as you hear the bus driver exclaiming her death, etc. Towards the end of the shot, if you watch the woman's face, you can see her tongue move.
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Soundtrack:
Symphonies Nos. 5, 6 & 9
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Recommendations
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'The Honeymoon Killers' is easily one of the most underrated movies of all time. Often unfairly ignored as "just" a b-movie, or half remembered as trivia - the movie Scorsese nearly directed - it is in fact close to perfect, and one of the finest of all American movies dealing with murder. Why writer/director Leonard Kastle didn't make any other movies after this brilliant debut is both a mystery and a tragedy. His work is so impressive and fresh here, who knows what he could have been capable of. He may have turned out to be one of the greats, and even rivaled Scorsese, or Coppola, both having had a similar starts with low budget genre material (see 'Bloody Mama' and 'Dementia 13', their respective collaborations with king of the quickies Roger Corman).
The late Shirley Stoler is a knockout as bored nurse Martha Beck, and Tony Lo Bianco is equally impressive as her Spanish con man boyfriend Raymond Fernandez. Sadly neither actor got the career breaks they deserved. Stoler had small supporting roles in credible movies like 'Klute' and 'The Deer Hunter', and cult favourites like 'Frankenhooker' and 'Miami Blues', but always seemed to overlooked because of her weight. Lo Bianco starred in excellent sleepers like 'The Seven-Ups' and 'God Told Me To', but more often than not ended up as second-Mafioso-on-the-left in crappy movies like 'Boiling Point' and 'The Juror'. Too bad, both are brilliant here and had the potential to go on to better things.
'The Honeymoon Killers' is a minor masterpiece and should be essential viewing for all movie buffs. Don't miss this one!