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Easy Rider (1969)
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Overview
User Rating:
Director:
Writers:
Release Date:
26 June 1969 (Sweden)
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Tagline:
This Year It's Easy Rider more
Plot:
Two counterculture bikers travel from Los Angeles to New Orleans in search of America. full summary | full synopsis
Plot Keywords:
Biker
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Mardi Gras
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Jail Cell
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Motorcycle
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Hitchhiker
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Awards:
Nominated for 2 Oscars.
Another 10 wins
&
10 nominations
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NewsDesk:
(91 articles)
'70s behind-the-camera greats: How Laszlo Kovacs and Vilmos Zsigmond put the cinema in cinematography
(From EW.com - The Movie Critics. 18 November 2009, 12:48 PM, PST)
The Boondock Saints II: All Saints Day
(From Scorecard Review. 16 November 2009, 4:26 PM, PST)
(From EW.com - The Movie Critics. 18 November 2009, 12:48 PM, PST)
The Boondock Saints II: All Saints Day
(From Scorecard Review. 16 November 2009, 4:26 PM, PST)
User Comments:
My favorite movie of all time...
more (231 total)
Cast
(Cast overview, first billed only)| Peter Fonda | ... | Wyatt | |
| Dennis Hopper | ... | Billy | |
| Antonio Mendoza | ... | Jesus | |
| Phil Spector | ... | Connection | |
| Mac Mashourian | ... | Bodyguard | |
| Warren Finnerty | ... | Rancher | |
| Tita Colorado | ... | Rancher's Wife | |
| Luke Askew | ... | Stranger on Highway | |
| Luana Anders | ... | Lisa | |
| Sabrina Scharf | ... | Sarah | |
| Sandy Brown Wyeth | ... | Joanne (as Sandy Wyeth) | |
| Robert Walker Jr. | ... | Jack (as Robert Walker) | |
| Robert Ball | ... | Mime #1 | |
| Carmen Phillips | ... | Mime #2 | |
| Ellie Wood Walker | ... | Mime #3 (as Ellie Walker) |
Additional Details
Also Known As:
The Loners (USA) (working title)
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Parents Guide:
Runtime:
95 min
Country:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Iceland:16 |
Argentina:18 |
Netherlands:12 |
South Korea:15 |
South Korea:18 (DVD rating) |
Brazil:16 |
Philippines:R-18 |
Singapore:M18 |
New Zealand:R16 |
UK:15 (re-rating) (2009) |
Australia:MA (2009 DVD rating) |
Australia:M |
Finland:K-16 |
Norway:15 |
Spain:18 |
Sweden:15 |
UK:18 |
USA:R |
West Germany:16 |
Canada:R (Nova Scotia) |
Canada:PG (Manitoba) |
Canada:AA (Ontario) |
Canada:18+ (Quebec) (original rating) |
Canada:13+ (Quebec) (re-rating) (2003)
Filming Locations:
Company:
Fun Stuff
Trivia:
Goofs:
Boom mic visible: In the jail scene where they first meet George, you can see the shadow of the boom mic on the wall as George and Billy walk across the jail cell after Billy is given a cigarette by the guard.
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Quotes:
George Hanson:
You know, this used to be a helluva good country. I can't understand what's gone wrong with it.
Billy: Man, everybody got chicken, that's what happened. Hey, we can't even get into like, a second-rate hotel, I mean, a second-rate motel, you dig? They think we're gonna cut their throat or somethin'. They're scared, man.
George Hanson: They're not scared of you. They're scared of what you represent to 'em.
Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut.
George Hanson: Oh, no. What you represent to them is freedom.
[...]
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Billy: Man, everybody got chicken, that's what happened. Hey, we can't even get into like, a second-rate hotel, I mean, a second-rate motel, you dig? They think we're gonna cut their throat or somethin'. They're scared, man.
George Hanson: They're not scared of you. They're scared of what you represent to 'em.
Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut.
George Hanson: Oh, no. What you represent to them is freedom.
[...]
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Movie Connections:
Referenced in Recess: School's Out (2001)
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Soundtrack:
The Pusher
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FAQ
How many days did it take Wyatt and Billy to reach New Orleans?What kind of motorcycles were Wyatt and Billy riding?
What kind of drugs were they buying and selling?
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more (231 total)
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Too often this film is relegated to retro documentaries and cheap nostalgia for an era too often reduced to its superficial artifacts (flower power, popular music).
I was born in 1972, three years after this film was made, but the themes in it are still relevant and important to me. Maybe I'm the last of a certain kind of American; someone wondering about what's still possible in the USA, and searching for the realized potential of the American Dream. Perhaps what has changed since this film was released is that freedom - that is, real freedom, just doesn't matter as much to people as it once did. Self-enslavement is a popular past-time for today's numb middle class; a group of people who, I am convinced, do not dream when they sleep.
This movie defined the road film genre, even though it was not the first of its kind. I owe a debt of gratitude to Fonda, Nicholson, and Hopper for pointing out a very real truth about America and its often twisted approach to "freedom." By any standard, this is a film which should not be missed. It is a film I wish I had written myself.