C'era una volta il West (1968)

Director:

Sergio Leone

Writers:

Dario Argento (story) &
Bernardo Bertolucci (story) ...

Release Date:

21 December 1968 (Italy)

Genre:

Western

Tagline:

There were three men in her life. One to take her... one to love her... and one to kill her.

Plot:

Epic story of a mysterious stranger with a harmonica who joins forces with a notorious desperado to protect a beautiful widow from a ruthless assassin working for the railroad.

Plot Keywords:

Assassin | Epic | Widow | Railway | Death

Awards:

4 wins & 1 nomination

Cast

Henry Fonda	...	Frank
Claudia Cardinale	...	Jill McBain
Jason Robards	...	Cheyenne
Charles Bronson	...	Harmonica
Gabriele Ferzetti	...	Morton (railroad baron)
Paolo Stoppa	...	Sam
Woody Strode	...	Stony - Member of Frank's Gang
Jack Elam	...	Snaky - Member of Frank's Gang
Keenan Wynn	...	Sheriff (auctioneer)
Frank Wolff	...	Brett McBain
Lionel Stander	...	Barman

Also Known As:

Once Upon a Time in the West (International: English title) (UK) (USA)
Sergio Leone's Once Upon a Time in the West (Australia)
There Was Once the West (USA) (literal English title)

MPAA:

Rated PG-13 for western violence and brief sensuality. (re-rated; rated M/PG in 1969)

Runtime:

Italy:175 min | 165 min (international version) | Finland:137 min (1970)

Country:

Italy | USA

Language:

Italian

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

Canada:13+ (Quebec) (original rating) | Canada:A (Nova Scotia) | Canada:G (Quebec) (re-rating) (2004) | Canada:PA (Manitoba) | Canada:PG (Ontario) | Iceland:16 | South Korea:15 | Finland:K-16 (cut) (1970) | Finland:K-16 (cut) (re-rating) (1977) | Brazil:14 | Argentina:13 | Australia:M | Netherlands:12 | Norway:16 | Portugal:M/12 | Singapore:PG | Spain:13 | Sweden:15 | UK:15 (re-rating) (2000) | UK:15 (video rating) (1989) | UK:AA (original rating) | USA:M (original rating) | USA:PG-13 (re-rating) (2003) | USA:PG (re-rating) (1969) | West Germany:16 (w)

Filming Locations:

Arizona, USA

Company:

Finanzia San Marco

Trivia:

After completing the Dollars trilogy (Per un pugno di dollari (1964), Per qualche dollaro in più (1965), and Il buono, il brutto, il cattivo. (1966)), Sergio Leone didn't want to do another western and began working on Once Upon a Time in America (1984). However, after the huge success of the Dollars Trilogy in the States in 1967 Leone wanted to produce films in the United States and he began selling the idea for Once Upon a Time in America, but studios wouldn't let him do it until he made another Western for them. After thinking about it, Leone concluded that he should do another trilogy which begins with C'era una volta il West (1968), develops into Giù la testa (1971), and ends with Once Upon a Time in America (1984). "Three historical periods which toughened America."

Goofs:

Continuity: During Harmonica's confrontation with Frank towards the end of the movie, his hair appears to have grown significantly from earlier in the film. However, when he enters the house to talk to Jill, his hair is short again.

Quotes:

[first lines]
Station agent: Hey - hey hey hey hey, if you want any tickets, you'll have to go around to, eh, to, eh, the front of the, eh... oooh, well, I s'pose it'll be all right.

Movie Connections:

Referenced in Dip huet seung hung (1989)

An opera of a western vengeance

"Once upon a time in the west" symbolizes the quintessence of theatrical ceremonial. Sergio Leone seized the traditional western and, helped by his scriptwriter Dario Argento, the future reference of giallo and baroque slaughter on large screens, enriched it with emphatic approach and humorous disenchantment. In fact, he builds a myth with modest elements - an organ mouth, a blue-eyed glance, long coats - and introduces lyricism and immoderation, to sublimate the manners of this specific spectacle. The daring of realization - inverted or encircling shot - and artistic choice (Henry Fonda becomes a tough guy) express an authentic will to break the common rules, in order to confer sensible density on his characters and an aesthetic energy on his scenery. Paradoxically, this glittering vision of Redemption, which was hesitating between homage and parody, belongs now to the classics. Looking for ruins poetry and contemporary genesis, the director has created an absolute. A story beginning by "Once upon a time" contains always some scraps of eternity...