Directed by | |||
| Charles Jarrott | |||
Writing credits(in alphabetical order) | ||
| Maxwell Anderson | play | |
| Bridget Boland | writer | |
| John Hale | writer | |
| Richard Sokolove | adaptation | |
Produced by | |||
| Richard McWhorter | .... | associate producer | |
| Hal B. Wallis | .... | producer | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| Arthur Ibbetson | |||
Film Editing by | |||
| Richard Marden | |||
Casting by | |||
| Sally Nicholl | |||
Production Design by | |||
| Maurice Carter | |||
Art Direction by | |||
| Lionel Couch | |||
Set Decoration by | |||
| Peter Howitt | |||
| Patrick McLoughlin | |||
Costume Design by | |||
| Margaret Furse | |||
Makeup Department | |||
| Ron Berkeley | .... | makeup artist: Richard Burton | |
| Joan Carpenter | .... | hair stylist | |
| Tom Smith | .... | makeup supervisor | |
Production Management | |||
| James H. Ware | .... | production supervisor (as James Ware) | |
Second Unit Director or Assistant Director | |||
| Simon Relph | .... | assistant director | |
| Nicolas Hippisley-Coxe | .... | second second assistant director (uncredited) | |
| Nigel Wooll | .... | second assistant director (uncredited) | |
Art Department | |||
| John Feehan | .... | property master | |
| Ferdinand Bellan | .... | scenic artist (uncredited) | |
| Andrew Campbell | .... | sketch artist (uncredited) | |
| Frank Graves | .... | scenic artist (uncredited) | |
| W. Simpson Robinson | .... | scenic artist (uncredited) | |
Sound Department | |||
| John Aldred | .... | sound dubbing mixer | |
| Colin Miller | .... | sound editor | |
| Don Sharpe | .... | dubbing editor | |
| Robin Clegg | .... | boom operator (uncredited) | |
Visual Effects by | |||
| Gerald Larn | .... | matte painter (uncredited) | |
Camera and Electrical Department | |||
| Paul Wilson | .... | camera operator | |
| Norman Gryspeerdt | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Ivy Baker | .... | costume supervisor (as Ivy Baker Jones) | |
| Vi Murray | .... | wardrobe mistress (uncredited) | |
| Arthur Newman | .... | wardrobe master (uncredited) | |
Editorial Department | |||
| Mary Kessel | .... | assistant editor | |
Other crew | |||
| Valerie Booth | .... | continuity | |
| Inez Easton | .... | location manager | |
| Patrick McLoughlin | .... | researcher | |
| Mary Skeaping | .... | choreographer | |
| Jeremy Taylor | .... | horse master (uncredited) | |
| Joan Williams | .... | production secretary (uncredited) | |
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| The Other Boleyn Girl | A Man for All Seasons | Juana la Loca | Henry VIII and His Six Wives | Young Bess |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
Anne of the Thousand Days is an enjoyably lavish entertainment from the days when duelling kings and commoners were all the rage at the box-office Beckett, A Man For All Seasons, The Lion in Winter before Cromwell and Mary Queen of Scots all but killed off the genre. As history, its better at the general details than the specifics, but it's magnificently staged and not without some dry wit and humour ("We used the incest excuse last time. We can't make a habit of it."), most of it intentional there's not a writer alive who wouldn't be aware of the effect that giving Richard Burton dialogue like "Divorce is like killing after the first time it's easy" would have on an audience. There's even some pathos in the final image of Henry callously riding off to his next bride as his last one's blood stains the hay on the executioner's scaffold. Burton is on good form before he lurched into drunken autopilot mode, and Genevieve Bujold does well as the alternately innocent and vindictive Anne Boleyn. Even the usually arch and hammy John Colicos is fine as the overambitious Thomas Cromwell, but it's the eternally undervalued Anthony Quayle who steals the acting honours as Cardinal Wolsey, even making you feel for the old monster as he falls from favour.