| Videos (see all 6 NEW) |
| Tue. Nov. 10 | 12:00 PM | TOON | Foul Play in Funland | #1.8 | |
| Thur. Nov. 12 | 12:00 PM | TOON | A Gaggle of Galloping Ghosts | #1.11 | more |
| Don Messick | ... | Scooby Doo (25 episodes, 1969-1970) | |
| Casey Kasem | ... | Shaggy (25 episodes, 1969-1970) | |
| Nicole Jaffe | ... | Velma (25 episodes, 1969-1970) | |
| Frank Welker | ... | Fred (25 episodes, 1969-1970) | |
| Stefanianna Christopherson | ... | Daphne (17 episodes, 1969-1970) |
Series Directed by | |||
| Joseph Barbera | (25 episodes, 1969-1970) | ||
| William Hanna | (25 episodes, 1969-1970) | ||
Series Writing credits | ||
| Bill Lutz | (25 episodes, 1969-1970) | |
| Joe Ruby | (17 episodes, 1969-1970) | |
| Ken Spears | (17 episodes, 1969-1970) | |
| Larz Bourne | (8 episodes, 1970) | |
| Tom Dagenais | (8 episodes, 1970) | |
Series Produced by | |||
| Joseph Barbera | .... | producer (25 episodes, 1969-1970) | |
| William Hanna | .... | producer (25 episodes, 1969-1970) | |
| Lewis Marshall | .... | associate producer (17 episodes, 1969-1970) | |
| Alex Lovy | .... | co-producer (8 episodes, 1970) | |
Series Original Music by | |||
| Ted Nichols | (unknown episodes) | ||
| Will Schaefer | (unknown episodes) | ||
Series Film Editing by | |||
| Ted Baker | (17 episodes, 1969-1970) | ||
| Greg Watson | (17 episodes, 1969-1970) | ||
| Chip Yaras | (17 episodes, 1969-1970) | ||
Series Production Design by | |||
| Iwao Takamoto | (25 episodes, 1969-1970) | ||
Series Production Management | |||
| Victor O. Schipek | .... | production supervisor (25 episodes, 1969-1970) | |
Series Sound Department | |||
| Richard Olson | .... | sound director (25 episodes, 1969-1970) | |
| Earl Bennett | .... | sound effects editor (8 episodes, 1970) | |
| Bill Getty | .... | sound director (8 episodes, 1970) | |
| Ron Sawade | .... | sound effects editor (8 episodes, 1970) | |
Series Camera and Electrical Department | |||
| George Epperson | .... | camera operator (25 episodes, 1969-1970) | |
| Bill Kotler | .... | camera operator (25 episodes, 1969-1970) | |
| Roy Wade | .... | camera operator (25 episodes, 1969-1970) | |
| Dick Blundell | .... | camera operator (17 episodes, 1969-1970) | |
| Charles Flekal | .... | camera operator (17 episodes, 1969-1970) | |
| Cliff Shirpser | .... | camera operator (17 episodes, 1969-1970) | |
| Ralph Migliori | .... | camera operator (8 episodes, 1970) | |
| Jerry Whittington | .... | camera operator (unknown episodes) | |
Series Animation Department | |||
| Mike Arens | .... | layout artist (25 episodes, 1969-1970) | |
| Ric Gonzales | .... | layout artist (25 episodes, 1969-1970) | |
| Roberta Greutert | .... | ink and paint supervisor (25 episodes, 1969-1970) | |
| Alex Ignatiev | .... | layout artist (25 episodes, 1969-1970) | |
| Bill Keil | .... | animator (25 episodes, 1969-1970) | |
| Gary Niblett | .... | background artist (25 episodes, 1969-1970) | |
| Charles A. Nichols | .... | animation director (25 episodes, 1969-1970) | |
| George Rowley | .... | animator (25 episodes, 1969-1970) | |
| Bob Singer | .... | layout artist (25 episodes, 1969-1970) | |
| Robert 'Tiger' West | .... | xerographer (25 episodes, 1969-1970) | |
| Alvaro Arce | .... | layout artist (17 episodes, 1969-1970) | |
| Daniela Bielecka | .... | background artist (17 episodes, 1969-1970) | |
| Oliver Callahan | .... | animator (17 episodes, 1969-1970) | |
| Rudy Cataldi | .... | animator (17 episodes, 1969-1970) | |
| Ron Dias | .... | background artist (17 episodes, 1969-1970) | |
| Zdenko Gasparovic | .... | animator (17 episodes, 1969-1970) | |
| Bob Goe | .... | animator (17 episodes, 1969-1970) | |
| Paul Gruwell | .... | layout artist (17 episodes, 1969-1970) | |
| Bill Lignante | .... | layout artist (17 episodes, 1969-1970) | |
| Hicks Lokey | .... | animator (17 episodes, 1969-1970) | |
| Ed Love | .... | animator (17 episodes, 1969-1970) | |
| Bill Nunes | .... | animator (17 episodes, 1969-1970) | |
| Rolando Oliva | .... | background artist (17 episodes, 1969-1970) | |
| Joan Orbison | .... | animator (17 episodes, 1969-1970) | |
| Walt Peregoy | .... | background stylist (17 episodes, 1969-1970) | |
| Jay Sarbry | .... | animator (17 episodes, 1969-1970) | |
| Ken Southworth | .... | animator (17 episodes, 1969-1970) | |
| Lloyd Vaughan | .... | animator (17 episodes, 1969-1970) | |
| Ray Abrams | .... | animator (8 episodes, 1970) | |
| Carlos Alfonso | .... | animator (8 episodes, 1970) | |
| Richard Bickenbach | .... | layout artist (8 episodes, 1970) | |
| Izzy Ellis | .... | animator (8 episodes, 1970) | |
| Jim Fletcher | .... | layout artist (8 episodes, 1970) | |
| Rene Garcia | .... | background artist (8 episodes, 1970) | |
| Robert Gentle | .... | background artist (8 episodes, 1970) | |
| Gino Giudice | .... | background artist (8 episodes, 1970) | |
| George Goepper | .... | animator (8 episodes, 1970) | |
| Moe Gollub | .... | layout artist (8 episodes, 1970) | |
| Gary Hoffman | .... | layout artist (8 episodes, 1970) | |
| Jack Huber | .... | layout artist (8 episodes, 1970) | |
| Volus Jones | .... | animator (8 episodes, 1970) | |
| Richard Khim | .... | background artist (8 episodes, 1970) | |
| Dick Lundy | .... | animator (8 episodes, 1970) | |
| Fernando Montealegre | .... | background stylist (8 episodes, 1970) | |
| Curt Perkins | .... | background artist (8 episodes, 1970) | |
| Eric Semones | .... | background artist (8 episodes, 1970) | |
| Terry Slade | .... | layout artist (8 episodes, 1970) | |
| Mario Uribe | .... | layout artist (8 episodes, 1970) | |
| Peter Van Elk | .... | background artist (8 episodes, 1970) | |
Series Editorial Department | |||
| Larry C. Cowan | .... | editorial supervisor (8 episodes, 1970) | |
| William E. DeBoer | .... | negative consultant (8 episodes, 1970) | |
| Joed Eaton | .... | post-production (8 episodes, 1970) | |
Series Music Department | |||
| Ted Nichols | .... | musical director (25 episodes, 1969-1970) | |
| Joe Sandusky | .... | music editor (8 episodes, 1970) | |
| David Mook | .... | composer: theme music (unknown episodes) | |
| Ben Raleigh | .... | composer: theme music (unknown episodes) | |
Series Other crew | |||
| Frank Paiker | .... | technical supervisor (25 episodes, 1969-1970) | |
| Robert Schaefer | .... | titles (25 episodes, 1969-1970) | |
| Howard Swift | .... | story director (25 episodes, 1969-1970) | |
| Bill Perez | .... | title designer (17 episodes, 1969-1970) | |
| Joe Ruby | .... | story editor (8 episodes, 1970) | |
| Bob Singer | .... | story director (8 episodes, 1970) | |
| Paul Sommer | .... | story director (8 episodes, 1970) | |
| Ken Spears | .... | story editor (8 episodes, 1970) | |
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| "The New Scooby and Scrappy-Doo Show" | "Scooby-Doo and Scrappy-Doo" | "The New Scooby-Doo Mysteries" | "The 13 Ghosts of Scooby-Doo" | Who Framed Roger Rabbit |
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| Episode guide | Full cast and crew | Company credits |
| External reviews | News articles | IMDb TV section |
| IMDb Animation section | IMDb USA section | Add this title to MyMovies |
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While Disney and Warner Bros. are the kings of made-for-film cartoons, Hanna-Barbera are the kings of made-for-TV cartoons. The creators of The Flintstones, The Jetsons, Yogi Bear, and Hong Kong Phooey; they've all been successful, but the crown jewel of their creations is Scooby Doo.
Unlike most cartoons, Scooby Doo was a smart and ingenious creation that required thinking and deep thought. The adventures of four teen sleuths and their Great Dane have been a regular viewing pleasure for years. Heck, I still watch it today. The best episodes were the first ones from 1969-72. I think they got progressively better over time because in the early ones, they didn't have enough suspects; usually, they'd only meet up with the guy who was the criminal. Later, they'd have 4 or 5 guys who could be the one unmasked at the end.
As for Scrappy, the only episodes worth seeing with him were when he's with the full cast, solving mysteries. I liked him here, because the act with Scooby and Shaggy always being frightened of every situation got tiresome; at least Scrappy would go right in, and Shaggy and Scooby had no choice but to follow him in, or Scrappy would egg them on. Only when they didn't have the full cast and were only in comic situations (i.e. all the other shows) would the show be awful.