| Photos (see all 5 | slideshow) | Videos |
| Betty Connell | ... | Queen | |
| Nancy Lee Noble | ... | Honey Pot | |
| Christie Wagner | ... | Karen | |
| Rodney Bedell | ... | Ted | |
| Pat Poston | ... | Whitey | |
| Ruby Tuesday | ... | Terry | |
| John Weymer | ... | Joe-Boy | |
| Joani Kramer | ... | Russian | |
| Donna Stelzer | ... | Supergirl | |
| Roz Cohen | ... | Deita | |
| Donna Testa | ... | Poodle | |
| Laura Platz | ... | Mac | |
| Sharon Brown | ... | Ginger Snap | |
| Robert Woods | ... | Rocky | |
| David Harris | ... | Bill | |
| Steve White | ... | Doodie | |
| Leslie Sharoff | ... | Muscles | |
| John Shackleford | ... | Policeman #1 | |
| John Chaffin | ... | Policeman #2 | |
| Rick Williams | ... | Outlaw | |
| Roy Collodi | ... | Bartender | |
| Robert Lennard | ... | Highway Patrolman | |
| Robert Morrison | ... | Stud #1 | |
| James Madalia | ... | Stud #2 | |
| Rocky Williams | ... | Stud #3 | |
| Lourdes Artique | ... | Waitress | |
| Toni Newsholme | ... | Karen's Mother | |
| Maria E. Arregui | |||
| Jim Pindras | |||
| Paul Jensen | |||
| Rosalind Leva | |||
| Joseph Smith | |||
| Ana Arteaga | |||
| John Nagar | |||
| Martin Wade Lewis | |||
| William C. Read | |||
| Vernon Herbert | |||
| Randall Woodbury | |||
| Albert G. Dawe | |||
| Barry Whitmore | |||
| Anita Martine | |||
| Kathy Cole | |||
| Richard Laird | |||
| Ken Trager | |||
| John Vardamis | |||
| Ray Welden |
Directed by | |||
| Herschell Gordon Lewis | |||
Writing credits(in alphabetical order) | ||
| Allison Louise Downe | writer (as Louise Downe) | |
| Fred M. Sandy | idea | |
Produced by | |||
| Herschell Gordon Lewis | .... | producer | |
| Fred M. Sandy | .... | executive producer | |
Original Music by | |||
| Larry Wellington | |||
Cinematography by | |||
| Roy Collodi | |||
Film Editing by | |||
| Richard Brinkman | |||
Costume Design by | |||
| Miriam Jones | |||
| Alma Kamp | |||
Art Department | |||
| Robert Enrietto | .... | set designer | |
Sound Department | |||
| Spyridon Hortis | .... | sound recordist | |
Camera and Electrical Department | |||
| Alex Ameri | .... | camera operator: second unit (as Eskandar Ameripoor) | |
Editorial Department | |||
| Robert Lewis | .... | assistant editor | |
| Rick Williams | .... | assistant editor | |
Other crew | |||
| J.G. Patterson Jr. | .... | assistant to producer | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Anyone who can't appreciate this CAMPY movie for what it is has no appreciation or knowledge of true 60's B-sleaze-movies. C'mon, folks - it was 1968.. the summer of Love was just barely over, and you still had massive restrictions on what you could, and couldn't show in a film of ANY genre. Enter Hershel G. Lewis. and the Man-Eaters. Part of what's so hilarious about this film is that the real-time, bikerChix of Southern FL (Filmed in a town called "Medley" around an abandoned airport) were bikers 1st, and actors second. Compared to latter-day hip-hop momma's of Brooklyn's PS103, these broads WOULD be a bunch of Daisy-pickin' mommas - but again, this was 1968. The styles, clothes, cars, HAIR!, and other peripherial shots are worth the watching, as is the clumsy acting. Those who lived through 1968 will catch some of the buzz-words of the day, ie: "Where's his PAD, Nick?" and "What's the Action?" And check out that theme song, repleat with the same twangin' guitar sound as (I) remembered being used on late-60's girl Scout commercials! It's hilarious! And the lounge-Music used for the orgies after the girls "Pick" - Not what I'd imagine Ruby Tuesday would have been into in 1968, with her LSD-inspired scraggly hair and shades - but hey, this is the mistique that is S.D.O.W. Even the "Sex" scenes are tame by today, when Janet Jackson can make a cereal commercial with her boob hangin' out - but remember, it was 1968 and the best that 200+ LB. "Whitey" could do sexually was ride some dork's back in a twitchin', twirlin' frenzy. Whoo! The swingin' female-sex kitten-dominatrix theme is nothing new, nor was it when HGL made this film. What WAS new was that he used real bikers, a real Florida town, and the REAL bad acting that made this cult film the classic it is. If you expect more than that - you're missing the point. I can't imagine what a current-day sequel could be. As for Karen - I think she should have left the gang with Rodney Beddell ( the Blond w/the Corvette ) - but that would have been my ulitmate ending: Kick Queenie's ass, send Whitey to jail, befriend HoneyPot before she gets herself knocked-up or raped again, and go back to being a good girl. Sigh* - I can dream.
If ANY of the actors involved with this movie are still breathing, CONTACT ME!