| Photos (see all 43 | slideshow) | Videos (see all 2 NEW) |
| Zero Mostel | ... | Max Bialystock (as Zero) | |
| Gene Wilder | ... | Leo Bloom | |
| Dick Shawn | ... | 'L.S.D.' - Lorenzo St. DuBois | |
| Kenneth Mars | ... | Franz Liebkind | |
| Lee Meredith | ... | Ulla | |
| Christopher Hewett | ... | Roger De Bris | |
| Andréas Voutsinas | ... | Carmen Ghia (as Andreas Voutsinas) | |
| Estelle Winwood | ... | 'Hold Me Touch Me' | |
| Renée Taylor | ... | Eva Braun (as Renee Taylor) | |
| David Patch | ... | Goebbels | |
| William Hickey | ... | The Drunk (as Bill Hickey) | |
| Barney Martin | ... | Göring | |
| Shimen Ruskin | ... | The Landlord | |
| Frank Campanella | ... | The Bartender | |
| Josip Elic | ... | Violinist | |
| Madelyn Cates | ... | Concierge (as Madlyn Cates) | |
| John Zoller | ... | Drama Critic | |
| Brutus Peck | ... | Hot Dog Vendor | |
| Anne Ives | ... | Lady | |
| Amelie Barleon | ... | Lady | |
| Lisa Kirk | ... | Lady (as Elsie Kirk) | |
| Nell Harrison | ... | Lady | |
| Mary Love | ... | Lady | |
| rest of cast listed alphabetically: | |||
| Bernie Allen | ... | Auditioning Hitler (uncredited) | |
| Rusty Blitz | ... | Auditioning Hitler (uncredited) | |
| John Braden | ... | Bar patron (uncredited) | |
| Mel Brooks | ... | Singer in 'Springtime for Hitler' (voice) (uncredited) | |
| Ron Charles | ... | Auditioning Hitler (uncredited) | |
| Mae Crane | ... | Showgirl (uncredited) | |
| Michael Davis | ... | Production Tenor (uncredited) | |
| Diana Eden | ... | Showgirl (uncredited) | |
| David Evans | ... | Lead Dancer (uncredited) | |
| Anthony Gardell | ... | Auditioning Hitler (uncredited) | |
| Hank Garrett | ... | Stagehand (uncredited) | |
| Trent Gough | ... | Auditioning Hitler (uncredited) | |
| Zale Kessler | ... | Jason Green (uncredited) | |
| Bill Macy | ... | Jury Foreman (uncredited) | |
| Patrick Owens | ... | Theatre Orchestra Pit Conductor (uncredited) | |
| Robert Paget | ... | Auditioning Hitler (uncredited) | |
| Arthur Rubin | ... | Auditioning Hitler (uncredited) | |
| Tucker Smith | ... | Lead Dancer (uncredited) | |
| Clifton Steere | ... | Nazi in play (uncredited) | |
| Bud Truland | ... | Whiskey Sours Orderer (uncredited) | |
Directed by | |||
| Mel Brooks | |||
Writing credits | ||
| Mel Brooks | (written by) | |
Produced by | |||
| Sidney Glazier | .... | producer | |
| Jack Grossberg | .... | associate producer | |
| Joseph E. Levine | .... | executive producer (uncredited) | |
Original Music by | |||
| John Morris | |||
Cinematography by | |||
| Joseph F. Coffey | (director of photography) (as Joseph Coffey) | ||
Film Editing by | |||
| Ralph Rosenblum | |||
Casting by | |||
| Alfa-Betty Olsen | |||
Production Design by | |||
| Charles Rosen | |||
Set Decoration by | |||
| James Dalton | |||
Costume Design by | |||
| Gene Coffin | |||
Makeup Department | |||
| Irving Buchman | .... | makeup artist | |
Production Management | |||
| Robert Porter | .... | production supervisor: Embassy Pictures & Universal Marion Corp. | |
| Louis A. Stroller | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Martin Danzig | .... | second assistant director | |
| Michael Hertzberg | .... | assistant director | |
Art Department | |||
| Eli Aharoni | .... | carpenter | |
| Shelly Bartolini | .... | scenic artist | |
| Joe Williams Sr. | .... | construction (as Joseph Williams) | |
Sound Department | |||
| Willard W. Goodman | .... | production sound (as Willard Goodman) | |
| Alan Heim | .... | sound editor | |
Camera and Electrical Department | |||
| Edward R. Brown | .... | camera operator (as Edward Brown) | |
| Edward Engels | .... | set grip | |
| Morton Novak | .... | gaffer | |
Costume and Wardrobe Department | |||
| Celia Bryant | .... | wardrober | |
Editorial Department | |||
| Michael Breddan | .... | assistant editor | |
Music Department | |||
| Felix Giglio | .... | music supervisor | |
| John Morris | .... | conductor | |
| Frank Kulaga | .... | music recording engineer (uncredited) | |
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| The Producers | Tootsie | Stage Door | Stonewall | The Muppets Take Manhattan |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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When you see a movie once and think it's hilarious, that's a good sign. When you see a movie about a half-dozen times and think it's still hilarious, that's more than a good sign. That means that not only can you put up with seeing it multiple times, but you also find new things that you didn't see before. Plus, there are some scenes that are too hilarious not to laugh at! The chemistry between stars doesn't hurt, either. What movie am I talking about? Mel Brooks' The Producers, his most sustained and inspired piece of lunacy!
Gene Wilder and Zero Mostel have amazing chemistry as meek accountant Leo Bloom and scheming Broadway producer Max Bialystock. Max seduces little old ladies for checks, and when Leo comes into his office one day, he finds that a producer can make more money with a flop instead of a hit. They decide to do his ploy, and create the world's worst play, Springtime for Hitler (a gay romp with Adolf and Eva), and meet interesting characters, including author Franz Liebkind (Kenneth Mars), director Roger DeBris (Christopher Hewett), and their Hitler, Lorenzo St.DuBois, aka L.S.D. (Dick Shawn).
What makes this comedy such a gem is its mixture of types of comedy. There is slapstick, there's satire, there's bad taste, and everything but the kitchen sink! The scenes I have seen so many times, but what makes me love them is how they, mainly Wilder, play their roles. Wilder is somewhat crazy, and relies on his blanket to calm himself down. Not only does he have comic perfection, he's a darned good actor to boot! Mostel is great as the would-be sleazy loser-producer, with eye movements that put Silent Bob to shame and a great voice.
The songs in it are great, also. Two of them were written by Brooks himself, `Springtime for Hitler' (with which I have auditioned for a role in a musical with) and `Prisoners of Love'. They're both very funny (real Brooks-ian) (note to Merriam-Webster: include that word right next to `bling-bling'). It's not exactly a musical, but The Producers is in a class of its own. Long live The Producers!
My rating: 9/10
Rated PG for bad taste and homosexual themes.