Night of the Living Dead (1968)

Director:

George A. Romero

Writers:

John A. Russo (screenplay) and
George A. Romero (screenplay)

Release Date:

1 October 1968 (USA)

Genre:

Horror | Sci-Fi | Thriller

Tagline:

They keep coming back in a bloodthirsty lust for HUMAN FLESH!...

Plot:

A group of people hide from bloodthirsty zombies in a farmhouse.

Plot Keywords:

Farmhouse | Barricade | Zombie | Truck | Basement

Awards:

1 win

US TV Schedule:

Sat. Nov. 28

1:30 AM

AMC

Cast

Duane Jones	...	Ben
Judith O'Dea	...	Barbra
Karl Hardman	...	Harry Cooper
Marilyn Eastman	...	Helen Cooper / Bug-eating zombie
Keith Wayne	...	Tom
Judith Ridley	...	Judy
Kyra Schon	...	Karen Cooper
Charles Craig	...	Newscaster / Zombie
S. William Hinzman	...	Cemetery Zombie (original and new scenes) (as Bill Heinzman)
George Kosana	...	Sheriff McClelland
Frank Doak	...	Scientist
Bill 'Chilly Billy' Cardille	...	Field reporter
A.C. McDonald	...	Zombie / Posse Member
Samuel R. Solito	...	Zombie / Posse Member
Mark Ricci	...	Washington scientist

Also Known As:

Night of the Living Dead: 30th Anniversary Edition (Philippines: English title) (recut version) (USA) (recut version)
George A. Romero's Night of the Living Dead (Australia)
Laugh Track: Night of the Living Dead (USA) (video title (redubbed comic version))
Monster Flick (USA) (working title)
Night of Anubis (USA) (working title)
Night of the Flesh Eaters (USA) (working title)

Runtime:

96 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono

Certification:

Canada:R (Nova Scotia) (original rating) | Canada:AA (Ontario) | USA:Unrated (1968) | Finland:K-16 (cut) | Finland:K-18 (uncut) | Singapore:NC-16 (30th anniversary edition) | Iceland:16 | Canada:14A | Spain:13 | UK:15 (video rating) (2007) | Australia:R | USA:TV-14 (TV rating) (cut) | USA:TV-MA (TV rating) (uncut) | South Korea:18 | Spain:18 | Italy:T (original DVD rating) | Italy:VM18 | Australia:M | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) (DVD rating) | Canada:R (Manitoba) | France:-16 | Germany:16 (re-rating) (uncut) | Ireland:18 | Norway:15 | Singapore:PG | Sweden:15 | Switzerland:16 | UK:X (original rating) | West Germany:18 (original rating) (cut) | Philippines:R-18 | Argentina:18 | Germany:BPjM Restricted

Filming Locations:

Basement, Latent Image - Carson Street, South Side, Pittsburgh, Pennsylvania, USA

Company:

Image Ten

Trivia:

The gas pump was not bolted to the ground when the actress who played Barbra, Judith O'Dea, runs into it at the start of the film. She did it with so much force she almost tipped it over on the cameraman.

Goofs:

Continuity: As Ben informs Barbara that the house is secure and all windows have been sealed up, a plain, uncovered, unsecured window is visible right behind him.

Quotes:

[first lines]
Barbara: They oughta make the day the time changes the first day of summer.
Johnny: What?
Barbara: Well, it's eight o'clock, and it's still light!
Johnny: A lot of good the extra daylight does us. You know, we've still got a three-hour drive back; we're not gonna be home until after midnight.
Barbara: Well, if it really bugged you, Johnny, you wouldn't do it.
Johnny: Heh, you think I'd wanna blow Sunday on a scene like this? You know, I figure we'll have to get mother to move down here or have the grave moved down to Pittsburgh.
Barbara: Well, she can't make a trip like this!
Johnny: Yeah, I know that she can't.
[Reach for the wreath in the backseat]
[...]

Movie Connections:

Referenced in Shaun of the Dead: EPK Featurette (2004) (V)

The film that redefined the horror genre overnight

The Shining, The Exorcist and The Omen are all films that owe some of their stylistic approach to this film. This is the film that re-wrote the rules of the horror genre as it went along, whilst acting as both social critique and fond homage to 'The Birds' as well.

Romero set in place a steady breakdown of all our assumptions of the horror film, which he then utilised to full effect through the rest of this film and the two superb sequels that followed.

This is perhaps one of the greatest low budget cult movies ever made, certainly one of the most influential, and in its brutally harrowing documentary style conclusion a harsh statement on American racial attitudes. A statement which is as relevant today as it was over thirty years ago.