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| Videos (see all 8) |
| Duane Jones | ... | Ben Hanser | |
| Judith O'Dea | ... | Barbra | |
| Karl Hardman | ... | Harry Cooper | |
| Marilyn Eastman | ... | Helen Cooper / Bug-eating zombie | |
| Keith Wayne | ... | Tom | |
| Judith Ridley | ... | Judy | |
| Kyra Schon | ... | Karen Cooper | |
| Charles Craig | ... | Newscaster / Zombie | |
| S. William Hinzman | ... | Cemetery Zombie (original and new scenes) (as Bill Heinzman) | |
| George Kosana | ... | Sheriff McClelland | |
| Frank Doak | ... | Scientist | |
| Bill 'Chilly Billy' Cardille | ... | Field reporter | |
| A.C. McDonald | ... | Zombie / Posse Member | |
| Samuel R. Solito | ... | Zombie / Posse Member | |
| Mark Ricci | ... | Washington scientist | |
| Lee Hartman | ... | Zombie / News reporter | |
| Jack Givens | ... | Zombie | |
| Rudy Ricci | ... | Zombie (as R.J. Ricci) | |
| Paula Richards | ... | Zombie | |
| John Simpson | ... | Zombie | |
| Herbert Summer | ... | Zombie | |
| Richard Ricci | ... | Zombie | |
| William Burchinal | ... | Zombie | |
| Ross Harris | ... | Zombie | |
| Al Croft | ... | Zombie | |
| Jason Richards | ... | Zombie | |
| Sharon Carroll | ... | Zombie | |
| William Mogush | ... | Zombie | |
| Steve Hutsko | ... | Zombie / TV cameraman Steve | |
| Joann Michaels | ... | Zombie | |
| Phillip Smith | ... | Zombie / Posse Member | |
| Ella Mae Smith | ... | Zombie | |
| Randy Burr | ... | Zombie / Posse Member | |
| Scott Vladimir Licina | ... | Rev. Hicks (30th Anniversary 1999 scenes) | |
| Grant Cramer | ... | Dan (30th Anniversary 1999 scenes) (as Grant Kramer) | |
| Adam Knox | ... | Mike (30th Anniversary 1999 scenes) | |
| Debbie Rochon | ... | Darlene Davis (30th Anniversary 1999 scenes) | |
| Heidi Hinzman | ... | Rosie (30th Anniversary 1999 scenes) | |
| Scott Kerschbaumer | ... | Prison Guard (30th Anniversary 1999 scenes) | |
| George Drennen | ... | Arthur Krantz (30th Anniversary 1999 scenes) | |
| Julie Wallace Deklavon | ... | Hilda Krantz (30th Anniversary 1999 scenes) (as Julie Wallace) | |
| Dan Abraham | ... | Garage Mechanic (30th Anniversary 1999 scenes) | |
| Diana Michelucci | ... | Mother, car crash victim (30th Anniversary 1999 scenes) | |
| Dawn Michelucci | ... | Daughter #1, car crash victim (30th Anniversary 1999 scenes) | |
| Jessica Streiner | ... | Daughter #2, car crash victim (30th Anniversary 1999 scenes) | |
| rest of cast listed alphabetically: | |||
| Tommy Goodwin | ... | Zombie (30th Anniversary 1999 scenes) | |
| David Barber | ... | Posse Member (30th Anniversary 1999 scenes) (uncredited) | |
| Betty Ellen | ... | Zombie (30th Anniversary 1999 scenes) (uncredited) | |
| Roger McGovern | ... | Zombie (30th Anniversary 1999 scenes) (uncredited) | |
| Tony Pantanella | ... | Posse Gunman (uncredited) | |
| George A. Romero | ... | Washington reporter (uncredited) | |
| John A. Russo | ... | Washington military reporter (uncredited) | |
| Russell Streiner | ... | Johnny (uncredited) | |
| Vincent D. Survinski | ... | Vince, Posse gunman (uncredited) | |
Directed by | |||
| George A. Romero | |||
Writing credits | ||
| John A. Russo | (screenplay) (as John Russo) and | |
| George A. Romero | (screenplay) (as George Romero) | |
Produced by | |||
| Karl Hardman | .... | producer | |
| Russell Streiner | .... | producer (as Russell W. Streiner) | |
Original Music by | |||
| Scott Vladimir Licina | (1998) | ||
Cinematography by | |||
| George A. Romero | (uncredited) | ||
Film Editing by | |||
| George A. Romero | (uncredited) | ||
| John A. Russo | (uncredited) | ||
Makeup Department | |||
| Bruce Capristo | .... | hair stylist | |
| Karl Hardman | .... | makeup artist (uncredited) | |
Production Management | |||
| George Kosana | .... | production manager | |
| Vincent D. Survinski | .... | production director (as Vincent Survinski) | |
Art Department | |||
| Charles O'Dato | .... | props | |
Sound Department | |||
| Marshall Booth | .... | sound engineer | |
| Gary Streiner | .... | sound engineer (as Gary R. Streiner) | |
| Karl Hardman | .... | electronic sound effects (uncredited) | |
Special Effects by | |||
| Tony Pantanella | .... | special effects (as Tony Pantanello) | |
| Regis Survinski | .... | special effects | |
Stunts | |||
| Jacqueline Streiner | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| S. William Hinzman | .... | director of photography: new scenes (1998 edition) (as Bill Hinzman) | |
| Jean-Pierre Nutini | .... | gaffer: added scenes | |
| Joseph Unitas | .... | lighting supervisor | |
| Karl Hardman | .... | still photographer (uncredited) | |
| S. William Hinzman | .... | assistant camera (uncredited) | |
Animation Department | |||
| Rick Catizone | .... | animator: ending credits | |
Editorial Department | |||
| Dean Lachiusa | .... | editor: new scenes (re-cut version) | |
Music Department | |||
| Emil Cadkin | .... | composer: stock music | |
| Ib Glindemann | .... | composer: stock music (uncredited) | |
| Philip Green | .... | composer: stock music (uncredited) | |
| Geordie Hormel | .... | composer: stock music (uncredited) | |
| William Loose | .... | composer: stock music (uncredited) | |
| Jack Meakin | .... | composer: stock music (uncredited) | |
| Spencer Moore | .... | composer: stock music (uncredited) | |
Other crew | |||
| Betty Ellen Haughey | .... | continuity | |
| Dean Lachiusa | .... | director: new scenes (re-cut version) | |
| Dean Lachiusa | .... | producer: new scenes (re-cut version) | |
| John A. Russo | .... | director: new scenes (1998 edition) | |
| Jacqueline Streiner | .... | script coordinator | |
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| Dawn of the Dead | Dawn of the Dead | Non si deve profanare il sonno dei morti | Land of the Dead | Night of the Demon |
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The Shining, The Exorcist and The Omen are all films that owe some of their stylistic approach to this film. This is the film that re-wrote the rules of the horror genre as it went along, whilst acting as both social critique and fond homage to 'The Birds' as well.
Romero set in place a steady breakdown of all our assumptions of the horror film, which he then utilised to full effect through the rest of this film and the two superb sequels that followed.
This is perhaps one of the greatest low budget cult movies ever made, certainly one of the most influential, and in its brutally harrowing documentary style conclusion a harsh statement on American racial attitudes. A statement which is as relevant today as it was over thirty years ago.