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Chronik der Anna Magdalena Bach (1968)
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Overview
Release Date:
6 November 1968 (France) morePlot:
A chronicle of Johann Sebastian Bach's life, eschewing drama to focus almost entirely on his music. Narrated by his wife Anna in voiceover... more | add synopsisAwards:
1 win & 1 nomination moreUser Comments:
Well, great music, at any rate. moreCast
(Cast overview, first billed only)| Gustav Leonhardt | ... | Johann Sebastian Bach | |
| Christiane Lang | ... | Anna Magdalena Bach | |
| Paolo Carlini | ... | Hölzel | |
| Ernst Castelli | ... | Steger | |
| Hans-Peter Boye | ... | Born | |
| Joachim Wolff | ... | Rector | |
| Rainer Kirchner | ... | Superintendent | |
| Eckart Bruntjen | ... | Prefect Kittler | |
| Walter Peters | ... | Prefect Krause | |
| Kathrien Leonhard | ... | Catherina Dorothea Bach | |
| Anja Fahrmann | ... | Regine Susanna Bach | |
| Katja Drewanz | ... | Christine Sophie Henrietta Bach | |
| Bob van Asperen | ... | Johann Elias Bach | |
| Andreas Pangritz | ... | Wilhelm Friedemann Bach | |
| Bernd Weikl | ... | Singer in Cantata No. 205 |
Additional Details
Also Known As:
Cronaca di Anna Magdalena Bach (Italy)The Chronicle of Anna Magdalena Bach (USA)
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Parents Guide:
Add content advisory for parentsRuntime:
94 minLanguage:
GermanColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
MonoCertification:
West Germany:6 (f)MOVIEmeter: 
Fun Stuff
Trivia:
Gustav Leonhardt portrays Bach in his only performance as an actor. He is a music scholar of International renown, specialized in the works of Johann Sebastian Bach, and a harpsichord virtuoso whose Bach recordings (both as harpsichord player and conductor) are the finest to be found in recording History. moreFAQ
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Very stark, very drab, no real drama. Why not just make a documentary? This isn't exactly The Passion of Joan of Arc. The only reason for seeing Chronicles is to hear the performances. I love Bach's music and even I found it hard to sit through this misery of a film. The great Gustav Leonhardt plays (in two senses of the word) Bach. We don't get much of a sense of him as an actor, since he's given so little to do dramatically. Mostly, he gets to walk purposefully or angrily out of various rooms. Bach's life, of course, was not an Errol Flynn movie. It was indeed fairly drab and more than a little hard. This probably means that the life isn't a terrific candidate for a film. The music, of course, is another story. I recommend The Stations of Bach. Far more information, for one thing, and some insight into the music, which is, after all, why Bach interests us in the first place.