19 out of 24 people found the following comment useful :- Diluted and boring film a clef., 17 June 2004
Author:
Robert J. Maxwell (rmax304823@yahoo.com) from Deming, New Mexico
It's a not-entirely fictional story about the Ango-American landings at
Anzio on Italy's west coast. It's diluted because the story behind
those landings is far more interesting than what we see on the screen.
Names, personalities, and motives are changed around so that hardly any
echo of the real characters remains, although we get a lot of
information about characters created in the screenplay.
Basically, Robert Ryan plays General Mark Clark who was in charge of
the operation and was in overall command of the Fifth Army. He was an
interesting guy for a general -- tall, vain, brave, half-Jewish, a
large-featured face like the mask of Tragedy, carrying around a sidearm
as a prop. Arthur Kennedy plays General John P. Lewis (modeled after
Gen. Lucas), in charge of the landings themselves. Mitchum accuses him
of being "timid" (three times) and in a way he was, although it wasn't
entirely his fault. Arthur Franz has a small role as General Lucian K.
Truscott, the junior general in command of the Third Division (Audie
Murphy's division). All the names have been changed to protect the
guilty.
Here, basically, is how it worked. The Allies of half a dozen
nationalities were being slaughtered throwing themselves against the
German Gustav line, which ran across the Italian boot from sea to sea,
commanded by the unconquerable Monte Cassino. The Anzio landings were
designed to catch the enemy by surprise from behind and relieve
pressure at the Gustav line. Mark Clark (who saw to it that any
reference to the Fifth Army in the press appeared as a reference to
"Mark Clark's Fifth Army") had supervised similar earlier landings at
Salerno. They were successful, but just barely. The landings at Anzio
were handed over to Lewis, whose orders included a drive inland, if
possible, to the Alban Hills which commanded a perfect view of the
beachhead and the main highway to Rome. But Lewis was advised by Clark,
"Don't stick your neck out like I did at Salerno." (The line is
directly quoted in the movie, but is given to Robert Ryan's fictional
general.) So Lewis didn't stick his neck out. He went inland seven
miles, stopped short of the Alban Hills, and dug in. Clark, who was on
the beach, agreed with the decision. And Lewis wasn't the cocksure but
mistaken strategist played by Arthur Kennedy. The real Lewis kept a
diary and it's full of gloomy forebodings. The Germans, under
Kesselring and Mackensen, were caught unprepared. Nothing stood between
the allies and Rome. But Lewis did nothing, and for good reasons. He
didn't have the resources to take Rome and hold it. Except for the
probe by Rangers, as shown on screen, and others by British troops,
everyone dug in and waited for the German reinforcements to deploy,
which happened apace. Kesselring was a very efficient tactician and had
plenty of time to ring in troops in the stalled Allied beach head.
Instead of Anzio rescuing the troops at the Gustav line, the situation
was turned around. In the end, some 24,000 American and 9,000 British
casualties were evacuated from the beachhead. Clark fired Lewis and
gave command to Truscott. When the German resistance finally collapsed,
General Clark had an opportunity to drive eastward across the Italian
boot and cut off the German troops to the south. He chose instead to
forget about capturing the German army and to zip his own troops north
along the highway to Rome so that he could "conquer" the open city. You
know -- like Julius Caesar? The German army promptly withdrew north to
their next massive defense line.
I leave it to the viewer to decide which story is more engaging, the
historical one or the plot we see on the screen, which is mostly the
story of seven survivors of the Ranger patrol who try to make their way
back to Anzio, a story we've seen many times before. I wish I could at
least say that the story presented on screen is well done but the fact
is that it's not. This is one of Mitchum's lazier performances.
Sometimes he sounds positively drunk. No one else stands out, including
Peter Falk, who overplays, as does Arther Kennedy as the smarmy General
Whatever-his-name-is. And some other posters are absolutely right about
the score. Whew! A simple-minded would-be catchy love song doesn't turn
into a martial theme just because you throw some snare drums behind it
and play it as a march.
What a missed opportunity.
12 out of 12 people found the following comment useful :- Uneven War Movie, 9 October 2005
Author:
Theo Robertson from Isle Of Bute , Scotland
It's always a bad sign when a film's theme tune sounds nothing like the
genre it's claiming to be . THE BAT for example features a funky jazz
tune and boy was that film a pile of rodent droppings and alarm bells
started ringing when the opening credits of ANZIO started where a war
weary corespondent played a very possibly drunk Robert Mitchum marched
through a military HQ to the sounds of a Frank Sinatra style swing song
! Yeah there's nothing quite like a war film to get you on your feet
grooving away , bah bah bah bah bah bah bah
ANZIO isn't an awful film but it's far from being a great one either
with the script being the major problem . It opens one of those light
hearted scenes of with over paid , over sexed and over confident US
soldiers that we've seen far too many times before . I guess it's
supposed to be amusing but it's not . Eventually the film lives up to
its title and shows us what went wrong at the Anzio landings with the
American generals Clark and Lucas not driving inland quick enough .
This is a fairly good history lesson since it paints a fairly poor
picture of American leadership in Italy . Remember in SAVING PRIVATE
RYAN , BAND OF BROTHERS and A BRIDGE TOO FAR Monty is painted as
possibly the most incompetent allied General of the war ? This was
nothing compared to the ridiculous mistakes made by Clark and Lucas
during the Italian campaign , though somewhat cowardly this film
renames Clark as " Carson " and Lucas as " Lewis " which is a great
pity because a history student could do worse than watch this film ,
though if they did they'd notice like a great number of war films made
during this period ( BATTLE OF THE BULGE is a good example ) that both
German and American tanks are from a different generation but the Anzio
landings here are more accurate than the ones seen in PINK FLOYD THE
WALL
After this the narrative then sadly settles down into a straightforward
war film where the action could basically have taken place anywhere
like France or the Phillipines where a bunch of GIs are surrounded by
the enemy and have to make it back to enemy lines . As many people have
pointed out on these pages the script is rather unfocused and slightly
disjointed and I had a gut feeling that some of it ended up on the
cutting room floor , for example we see the platoon escape from a house
at night and almost immediately after the platoon are trapped by some
German snipers in the middle of the day , though to be honest this
isn't a movie that is afraid to kill off characters so deserves some
credit alongside the historical accuracy
12 out of 13 people found the following comment useful :- Mixed Messages, 29 May 2006
Author:
kikiloveslegwarmers from United States
Anzio is a weird film. Made at the height of the Viet-Nam War, it's
clear this Italian film is trying to be anti-war. Robert Mitchuim, who
looks like he hadn't slept for a month, and was on a week-long drinking
binge, rambles on about the waste of war. He sounds like a drunk at a
upscale cocktail party. Yet, the movie also uses the basic Hollywood
heroics to attract the viewing public. The sniper shoot-out is done
realistically and is somewhat exciting. Aside from that, the film is
way to talkative, way too long, and the action in general is dull.
The best thing about this movie are the performances of Mark Damon and
Reni Santoni as two U.S. Army Rangers. Peter Falk was stereotyped with
this type of anti-establishment role in the late 1960s and played the
exact same role in Castle Keep. Falk also looks beat, drunk, and bored.
Arthur Kennedy and Robert Ryan are totally wasted and it's clear they
were hired for their names. Earl Holliman gives a modest performance.
10 out of 13 people found the following comment useful :- Weird, 2 February 2004
Author:
August1991 from Montréal
The music in this film is the tip off that something weird is afoot. I
mean the cheery 1960s American sitcom style orchestrals. But there's
also the singing scene in the back of the truck with Peter Falk. What
the ... ? This is a weird war movie. Anyone know 'Kings Go Forth' with
Sinatra and Martin? 'Anzio' is the 60s version. Or rather, 'Anzio' is
one of the last war movies before filmmakers (in this case, Dino de
Laurentiis) clued into Stanley Kubrick. (Better than Kubrick? See
William Wyler's 'Thunderbolt'.)
With all this said, the history is right. The Americans could have
entered Rome without problem. Their fear of casualties stopped them,
leading to worse. The film clearly shows this.
Lastly, I have been to Anzio and walked through the American war
cemetery at Nettuno. I smoked a cigarette over the gravestone of one
guy - as I usually do in such places - and thanked them all for my
right to be there to do it. God knows what they'd think of people today
watching such silly war movies.
7 out of 8 people found the following comment useful :- A Stranded Whale, 3 February 2007
Author:
bkoganbing from Buffalo, New York
When Winston Churchill was asked to appraise the Anzio operation he
said that instead of hurling a wildcat on the beach and flanking the
Germans the 36,000 allied troops at Anzio were nothing more than a
stranded whale.
Of course the whole Anzio landing was Churchill's own idea, but to give
him some credit it was an attempt to try and break the logjam of the
Italian offensive. The Allies had landed back in 1943 at Salerno and
Churchill's 'soft underbelly of Europe' proved to be armor plated.
Progress was measured in yards. It wasn't like the trench warfare of
the first World War, but it was enormous American, British, Canadian
and other assorted allies casualties.
Anzio Beach was selected for a landing up the Italian coast near Rome
to both outflank the Germans and maybe take Rome. It worked, but the
American commander John P. Lucas moved too cautiously having remembered
the 21 Day pitched battle at Salerno in those first landings in Italy.
Field Marshal Kesselring was able to bring down reinforcements from the
north and contain the Allies on that beach. There in fact they stayed
until they linked up with the main offensive months later, just before
the American Fifth Army liberated Rome officially on June 5, 1944.
The story of the military failure of Anzio is told with fictional names
as Robert Ryan, Arthur Kennedy, and Arthur Franz play Mark Clark, John
Lucas, and Lucian Truscott respectively. Truscott is the guy who
relieved Lucas and kept the Allies from being driven off the beach,
although to be fair to Lucas his priority was a secure beachhead and he
certainly succeeded.
The other story of the film Anzio is that of Ernie Pyle like war
correspondent Robert Mitchum who drives all the way to an unguarded
Rome and then gets caught with a bunch of American GIs and one Canadian
in trying to get back to Anzio beach.
Earl Holliman, Reni Santoni, and Peter Falk play some of the soldiers
with Mitchum and they do well. This is definitely not a war for glory
for them, they're just trying to survive out there. Falk particularly
is riveting in playing an American who was wounded and invalided out of
the American army from the Pacific Theater who then moved to Canada to
join their army. Why you would ask, because he's grown to like it and
has a real jones for combat.
Anzio unfortunately doesn't concentrate on either story long enough to
tell it in the best possible way. It had potential to be a great film,
but falls short. In addition Jack Jones's singing of the theme song is
jarringly out of place.
What I would like is someday for someone to tell the story of the
original landings in Italy at Salerno, Messina, and Brindisi. That
would make a great motion picture if done right.
When you watch Anzio you are sad for the colossal waste of human life
it was, especially since the objective wasn't obtained. And a great
story needs better telling.
9 out of 12 people found the following comment useful :- Anti-war drama comes off as hollow, 30 October 2002
Author:
SgtSlaughter from St. Davids, Pennsylvania, USA
American director Edward Dmytryk headed to Italy to shoot "Anzio", one
the most lopsided World War II epics to come out of the 1960s. Despite
some good intentions, this film fails as both an anti-war drama and an
action piece.
The film stars Robert Mitchum ("The Enemy Below") as Dick Ennis, a cold
and cynical war correspondent that does his work on the front lines
with the infantrymen. When the squad he is accompanying gets cut off
behind the German lines due to an ambush, he must pick up a gun and
help them fight their way back to Allied lines.
The movie has a lot going for it, right from the start. Every actor
looks comfortable, especially Mitchum. Robert Mitchum has never been
one of my favorite American actors, simply because he always seems to
be acting despite the dimensionality of the part, Mitchum can never
seem to break out of a box. Here, he looks to be having plenty of fun
and seems quite natural in the role. Mark Damon ("Between Heaven and
Hell") provides the necessary dramatic opposite as an infantryman who
can't seem to agree with Ennis on his policies. Arthur Kennedy ("Attack
and Retreat") is the exact opposite of Ennis' character as the
incompetent General Lesley, who takes too much time establishing a
solid beachhead and allows the Germans to launch an offensive, pinning
his men down on the beach. Peter Falk ("Situation Normal, All Fouled
Up"), on the other hand, is totally wasted as Corporal Rabinoff, a
soldier who has become addicted to combat. Earl Holliman ("Armored
Command") is the Sergeant in command of the squad, and he makes the
most out of a clichéd-role by giving his character personality. Be sure
to watch for Robert Ryan, Anthony Steel, Arthur Franz and Patrick Magee
as Allied Generals.
There is only one big battle sequence, which expertly staged and filled
with tanks, extras and big explosions. However, its effectiveness is
limited because of two key flaws. Primarily, American soldiers are seen
to stand up in the open and rush German machine-gun nests, only to be
mowed down by overwhelming enemy fire. Secondly, there's a ridiculous
scene in which Ennis and a soldier engage in a discussion about the war
right in the middle of a fight, despite the fact that bullets and
artillery shells are landing all around them! The final, small-scale,
climactic showdown with German snipers was much more suspenseful, due
to some excellent editing and great music score.
One major flaw in the film is, unfortunately, the script. It's as if
"Anzio" can't decide if it wants to be a gung-ho flag-waver, or a
downbeat, anti-war story. The first half the film is filled with
humorous, almost slapstick scenes, although some of Mitchum's dialog
hints that this is going to change and it does, in fact the focus
turns around 180 degrees. Throughout the second half of the film, the
action stops dead in its tracks so that the characters discuss issues
of personal sacrifice, what constitutes above and beyond the call of
duty, etc until it's been repeated so much that you can't stand to
hear anymore. For all of this discussion, the conclusion is pretty
forced. Mitchum says something along the lines of, "Men kill each other
because they like to. Maybe if we all sit back and realize it, we could
stop the killing and get along." That statement defines over-emphasis.
Instead of being a history lesson about the real Anzio campaign, the
film turns into a social commentary on Vietnam.
The on-location shooting served the proceedings well, as the film looks
like sunny Italy in every frame. The scene in the Italian house looked
excellent, and Dmytryk uses wide angles throughout to show off the
scope of the Italian locales. The score ranges from victorious and
rousing to mournful and depressing, which contributes a great deal to
the mood of some important scenes such as the entry into liberated
Rome and the significance of one character's death in the sniper
sequence.
"Anzio" is a mixed bag, but despite a lack of focus on one theme, it
manages to be entertaining and satisfying as a drama, with enough
well-staged action scenes to hold it together and help obscure the
muddled anti-war sentiments.
4 out of 5 people found the following comment useful :- Unconvincing war movie, 19 May 1999
Author:
RIO-15
The Allied invasion of Anzio,which took the Germans totally by
surprise,is the background for this war movie.Because of extreme caution
on
the part of the Allied commander (Arthur Kennedy)the invasion became a big
military failure.
The plot concentrates on a small group of men trying to survive behind
enemy lines after their platoon had been almost totally wiped out by the
Germans.
A totally unconvincing war movie,which is surprising considering the
people
involved in it. The acting is bad.Robert Mitchum seems to utter his lines
as
if he was reading a boring book.The dialogue is childish and typical
macho-stuff,but there are a few action scenes that are well
staged.
6 out of 10 people found the following comment useful :- Too bad, 21 September 2005
Author:
cpurvis from cheap seats
It's a shame that the makers of a movie made about one of the bloodiest
battles of WWII chose to make a semi-fictional work. The real story is
far more gripping than this movie. Anzio was a four month struggle,
which for the Allies, had no rear area. There was nowhere an Allied
soldier could go that was out of range of German artillery and planes.
The real battle for Anzio was a true Allied effort with the British and
Americans locking in a duel to the death with the best German troops
Hitler could put in Italy. It was supposed to break the deadlock of the
Gustav line by flanking but was doomed from the start because it lacked
sufficient landing strength. True, the road to the Rome WAS uncontested
on D-Day, but Kesselring himself said later he would have easily cut
off and destroyed any such small force if it extended itself even to
the Alban Hills, let alone Rome.
The story of the loss of Darby's Rangers is covered in other movies
better; of the 767 Rangers sent on a mission, only six returned. It is
but one of many stories of horrific sacrifice of young lives. Further
south, in a diversionary mission designed to take pressure off the
Anzio landing, the US 36th division lost 1600 men in a single night
trying to cross the Rapido river. The British took terrible losses,
especially in the German offensive of 18-19 Feb 1944, mainly due to
their bad luck of being placed in the line in the area in which Hitler
personally chose to concentrate the main German offensive, which came
within about 1000 yards of breaking the last line of defense.
Such losses are unimaginable today, yet they were accepted then as the
price that must be paid to rid Europe of Hitler.
There are no films that I know of that do justice to Anzio. One would
be better served by reading any of the numerous books about Anzio or
even reading the write-up at
http://www.army.mil/cmh/brochures/anzio/72-19.htm -- it is infinitely
more interesting than this movie.
9 out of 16 people found the following comment useful :- Italian produced films of World War 2, 30 January 2004
Author:
Tim (TiminPhoenix@aol.com) from Phoenix, AZ
Italian produced films often try and paint their own involvement in World
War 2 as some sort of accident.
Here in Anzio, the film tries to treat Italy as just another country like
France, waiting with baited breath for liberation. Granted, Italy did
surrender in the middle of the war but ask the Brits from the 8th Army at
Tobruk if the Italians were neutral.
It takes on sides in a debate over the handling of the battle by the various
generals. That the film is so unworthy to do so is like listening to a
lecture from a 14 year old about how society works.
The film tries under the guise of being gritty to portray a number of the
American soldiers as criminals, nutjobs, and horndogs. While the horndog
might be accurate, the other two groupings do not represent the American
military. Of course some in the military were like this, but the producer
tends to shape it as if it were the rule, instead of the
exception.
Robert Mitchum, one of the most over-rated actors in Hollywood history tries
to play it both ways here. He talks about why men kill other men. A
comment, during the second world war, which would require only a 5 second
film clip from one of the concentration camps to explain why the Brits and
the Americans were fighting and thus killing Germans. Within 2 minutes,
however of this pacifist musing the director wants you to get all jazzed
over some Germans being shot.
The stereotypes are sloppy. Falk, another actor that gets more credit that
he deserves is way over the top and seems not to have a grasp of what his
character is all about.
Like the actual Anizo campaign, this film is disorganized and doesn't at all
live up to the potential that was there.
All right I guess., 27 October 2004
Author:
JerryCantrell from Connecticut, America
Dull at times, but it get's the job done. Over acting done on Peter
Falk's part.
I had the opportunity to watch this film on Digital Cable this morning.
I took the chance as it was a war film I had not gotten to see yet. It
has some decent action, but was rather dull at times. I may be
mistaken, but it also appeared that during the ambush scene, the
German's were using Bren light machine guns (wth). Perhaps I am wrong,
but it I don't believe the MG-42 or 34 or had top loaded clips.
Still worth a watch if you got time to kill though. Just don't expect a
masterpiece.
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19 out of 24 people found the following comment useful :-

Diluted and boring film a clef., 17 June 2004
Author: Robert J. Maxwell (rmax304823@yahoo.com) from Deming, New Mexico
It's a not-entirely fictional story about the Ango-American landings at Anzio on Italy's west coast. It's diluted because the story behind those landings is far more interesting than what we see on the screen. Names, personalities, and motives are changed around so that hardly any echo of the real characters remains, although we get a lot of information about characters created in the screenplay.
Basically, Robert Ryan plays General Mark Clark who was in charge of the operation and was in overall command of the Fifth Army. He was an interesting guy for a general -- tall, vain, brave, half-Jewish, a large-featured face like the mask of Tragedy, carrying around a sidearm as a prop. Arthur Kennedy plays General John P. Lewis (modeled after Gen. Lucas), in charge of the landings themselves. Mitchum accuses him of being "timid" (three times) and in a way he was, although it wasn't entirely his fault. Arthur Franz has a small role as General Lucian K. Truscott, the junior general in command of the Third Division (Audie Murphy's division). All the names have been changed to protect the guilty.
Here, basically, is how it worked. The Allies of half a dozen nationalities were being slaughtered throwing themselves against the German Gustav line, which ran across the Italian boot from sea to sea, commanded by the unconquerable Monte Cassino. The Anzio landings were designed to catch the enemy by surprise from behind and relieve pressure at the Gustav line. Mark Clark (who saw to it that any reference to the Fifth Army in the press appeared as a reference to "Mark Clark's Fifth Army") had supervised similar earlier landings at Salerno. They were successful, but just barely. The landings at Anzio were handed over to Lewis, whose orders included a drive inland, if possible, to the Alban Hills which commanded a perfect view of the beachhead and the main highway to Rome. But Lewis was advised by Clark, "Don't stick your neck out like I did at Salerno." (The line is directly quoted in the movie, but is given to Robert Ryan's fictional general.) So Lewis didn't stick his neck out. He went inland seven miles, stopped short of the Alban Hills, and dug in. Clark, who was on the beach, agreed with the decision. And Lewis wasn't the cocksure but mistaken strategist played by Arthur Kennedy. The real Lewis kept a diary and it's full of gloomy forebodings. The Germans, under Kesselring and Mackensen, were caught unprepared. Nothing stood between the allies and Rome. But Lewis did nothing, and for good reasons. He didn't have the resources to take Rome and hold it. Except for the probe by Rangers, as shown on screen, and others by British troops, everyone dug in and waited for the German reinforcements to deploy, which happened apace. Kesselring was a very efficient tactician and had plenty of time to ring in troops in the stalled Allied beach head. Instead of Anzio rescuing the troops at the Gustav line, the situation was turned around. In the end, some 24,000 American and 9,000 British casualties were evacuated from the beachhead. Clark fired Lewis and gave command to Truscott. When the German resistance finally collapsed, General Clark had an opportunity to drive eastward across the Italian boot and cut off the German troops to the south. He chose instead to forget about capturing the German army and to zip his own troops north along the highway to Rome so that he could "conquer" the open city. You know -- like Julius Caesar? The German army promptly withdrew north to their next massive defense line.
I leave it to the viewer to decide which story is more engaging, the historical one or the plot we see on the screen, which is mostly the story of seven survivors of the Ranger patrol who try to make their way back to Anzio, a story we've seen many times before. I wish I could at least say that the story presented on screen is well done but the fact is that it's not. This is one of Mitchum's lazier performances. Sometimes he sounds positively drunk. No one else stands out, including Peter Falk, who overplays, as does Arther Kennedy as the smarmy General Whatever-his-name-is. And some other posters are absolutely right about the score. Whew! A simple-minded would-be catchy love song doesn't turn into a martial theme just because you throw some snare drums behind it and play it as a march.
What a missed opportunity.
12 out of 12 people found the following comment useful :-

Uneven War Movie, 9 October 2005
Author: Theo Robertson from Isle Of Bute , Scotland
It's always a bad sign when a film's theme tune sounds nothing like the genre it's claiming to be . THE BAT for example features a funky jazz tune and boy was that film a pile of rodent droppings and alarm bells started ringing when the opening credits of ANZIO started where a war weary corespondent played a very possibly drunk Robert Mitchum marched through a military HQ to the sounds of a Frank Sinatra style swing song ! Yeah there's nothing quite like a war film to get you on your feet grooving away , bah bah bah bah bah bah bah
ANZIO isn't an awful film but it's far from being a great one either with the script being the major problem . It opens one of those light hearted scenes of with over paid , over sexed and over confident US soldiers that we've seen far too many times before . I guess it's supposed to be amusing but it's not . Eventually the film lives up to its title and shows us what went wrong at the Anzio landings with the American generals Clark and Lucas not driving inland quick enough . This is a fairly good history lesson since it paints a fairly poor picture of American leadership in Italy . Remember in SAVING PRIVATE RYAN , BAND OF BROTHERS and A BRIDGE TOO FAR Monty is painted as possibly the most incompetent allied General of the war ? This was nothing compared to the ridiculous mistakes made by Clark and Lucas during the Italian campaign , though somewhat cowardly this film renames Clark as " Carson " and Lucas as " Lewis " which is a great pity because a history student could do worse than watch this film , though if they did they'd notice like a great number of war films made during this period ( BATTLE OF THE BULGE is a good example ) that both German and American tanks are from a different generation but the Anzio landings here are more accurate than the ones seen in PINK FLOYD THE WALL
After this the narrative then sadly settles down into a straightforward war film where the action could basically have taken place anywhere like France or the Phillipines where a bunch of GIs are surrounded by the enemy and have to make it back to enemy lines . As many people have pointed out on these pages the script is rather unfocused and slightly disjointed and I had a gut feeling that some of it ended up on the cutting room floor , for example we see the platoon escape from a house at night and almost immediately after the platoon are trapped by some German snipers in the middle of the day , though to be honest this isn't a movie that is afraid to kill off characters so deserves some credit alongside the historical accuracy
12 out of 13 people found the following comment useful :-

Mixed Messages, 29 May 2006
Author: kikiloveslegwarmers from United States
Anzio is a weird film. Made at the height of the Viet-Nam War, it's clear this Italian film is trying to be anti-war. Robert Mitchuim, who looks like he hadn't slept for a month, and was on a week-long drinking binge, rambles on about the waste of war. He sounds like a drunk at a upscale cocktail party. Yet, the movie also uses the basic Hollywood heroics to attract the viewing public. The sniper shoot-out is done realistically and is somewhat exciting. Aside from that, the film is way to talkative, way too long, and the action in general is dull.
The best thing about this movie are the performances of Mark Damon and Reni Santoni as two U.S. Army Rangers. Peter Falk was stereotyped with this type of anti-establishment role in the late 1960s and played the exact same role in Castle Keep. Falk also looks beat, drunk, and bored. Arthur Kennedy and Robert Ryan are totally wasted and it's clear they were hired for their names. Earl Holliman gives a modest performance.
10 out of 13 people found the following comment useful :-

Weird, 2 February 2004
Author: August1991 from Montréal
The music in this film is the tip off that something weird is afoot. I mean the cheery 1960s American sitcom style orchestrals. But there's also the singing scene in the back of the truck with Peter Falk. What the ... ? This is a weird war movie. Anyone know 'Kings Go Forth' with Sinatra and Martin? 'Anzio' is the 60s version. Or rather, 'Anzio' is one of the last war movies before filmmakers (in this case, Dino de Laurentiis) clued into Stanley Kubrick. (Better than Kubrick? See William Wyler's 'Thunderbolt'.)
With all this said, the history is right. The Americans could have entered Rome without problem. Their fear of casualties stopped them, leading to worse. The film clearly shows this.
Lastly, I have been to Anzio and walked through the American war cemetery at Nettuno. I smoked a cigarette over the gravestone of one guy - as I usually do in such places - and thanked them all for my right to be there to do it. God knows what they'd think of people today watching such silly war movies.
7 out of 8 people found the following comment useful :-

A Stranded Whale, 3 February 2007
Author: bkoganbing from Buffalo, New York
When Winston Churchill was asked to appraise the Anzio operation he said that instead of hurling a wildcat on the beach and flanking the Germans the 36,000 allied troops at Anzio were nothing more than a stranded whale.
Of course the whole Anzio landing was Churchill's own idea, but to give him some credit it was an attempt to try and break the logjam of the Italian offensive. The Allies had landed back in 1943 at Salerno and Churchill's 'soft underbelly of Europe' proved to be armor plated. Progress was measured in yards. It wasn't like the trench warfare of the first World War, but it was enormous American, British, Canadian and other assorted allies casualties.
Anzio Beach was selected for a landing up the Italian coast near Rome to both outflank the Germans and maybe take Rome. It worked, but the American commander John P. Lucas moved too cautiously having remembered the 21 Day pitched battle at Salerno in those first landings in Italy. Field Marshal Kesselring was able to bring down reinforcements from the north and contain the Allies on that beach. There in fact they stayed until they linked up with the main offensive months later, just before the American Fifth Army liberated Rome officially on June 5, 1944.
The story of the military failure of Anzio is told with fictional names as Robert Ryan, Arthur Kennedy, and Arthur Franz play Mark Clark, John Lucas, and Lucian Truscott respectively. Truscott is the guy who relieved Lucas and kept the Allies from being driven off the beach, although to be fair to Lucas his priority was a secure beachhead and he certainly succeeded.
The other story of the film Anzio is that of Ernie Pyle like war correspondent Robert Mitchum who drives all the way to an unguarded Rome and then gets caught with a bunch of American GIs and one Canadian in trying to get back to Anzio beach.
Earl Holliman, Reni Santoni, and Peter Falk play some of the soldiers with Mitchum and they do well. This is definitely not a war for glory for them, they're just trying to survive out there. Falk particularly is riveting in playing an American who was wounded and invalided out of the American army from the Pacific Theater who then moved to Canada to join their army. Why you would ask, because he's grown to like it and has a real jones for combat.
Anzio unfortunately doesn't concentrate on either story long enough to tell it in the best possible way. It had potential to be a great film, but falls short. In addition Jack Jones's singing of the theme song is jarringly out of place.
What I would like is someday for someone to tell the story of the original landings in Italy at Salerno, Messina, and Brindisi. That would make a great motion picture if done right.
When you watch Anzio you are sad for the colossal waste of human life it was, especially since the objective wasn't obtained. And a great story needs better telling.
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Anti-war drama comes off as hollow, 30 October 2002
Author: SgtSlaughter from St. Davids, Pennsylvania, USA
American director Edward Dmytryk headed to Italy to shoot "Anzio", one the most lopsided World War II epics to come out of the 1960s. Despite some good intentions, this film fails as both an anti-war drama and an action piece.
The film stars Robert Mitchum ("The Enemy Below") as Dick Ennis, a cold and cynical war correspondent that does his work on the front lines with the infantrymen. When the squad he is accompanying gets cut off behind the German lines due to an ambush, he must pick up a gun and help them fight their way back to Allied lines.
The movie has a lot going for it, right from the start. Every actor looks comfortable, especially Mitchum. Robert Mitchum has never been one of my favorite American actors, simply because he always seems to be acting despite the dimensionality of the part, Mitchum can never seem to break out of a box. Here, he looks to be having plenty of fun and seems quite natural in the role. Mark Damon ("Between Heaven and Hell") provides the necessary dramatic opposite as an infantryman who can't seem to agree with Ennis on his policies. Arthur Kennedy ("Attack and Retreat") is the exact opposite of Ennis' character as the incompetent General Lesley, who takes too much time establishing a solid beachhead and allows the Germans to launch an offensive, pinning his men down on the beach. Peter Falk ("Situation Normal, All Fouled Up"), on the other hand, is totally wasted as Corporal Rabinoff, a soldier who has become addicted to combat. Earl Holliman ("Armored Command") is the Sergeant in command of the squad, and he makes the most out of a clichéd-role by giving his character personality. Be sure to watch for Robert Ryan, Anthony Steel, Arthur Franz and Patrick Magee as Allied Generals.
There is only one big battle sequence, which expertly staged and filled with tanks, extras and big explosions. However, its effectiveness is limited because of two key flaws. Primarily, American soldiers are seen to stand up in the open and rush German machine-gun nests, only to be mowed down by overwhelming enemy fire. Secondly, there's a ridiculous scene in which Ennis and a soldier engage in a discussion about the war right in the middle of a fight, despite the fact that bullets and artillery shells are landing all around them! The final, small-scale, climactic showdown with German snipers was much more suspenseful, due to some excellent editing and great music score.
One major flaw in the film is, unfortunately, the script. It's as if "Anzio" can't decide if it wants to be a gung-ho flag-waver, or a downbeat, anti-war story. The first half the film is filled with humorous, almost slapstick scenes, although some of Mitchum's dialog hints that this is going to change and it does, in fact the focus turns around 180 degrees. Throughout the second half of the film, the action stops dead in its tracks so that the characters discuss issues of personal sacrifice, what constitutes above and beyond the call of duty, etc until it's been repeated so much that you can't stand to hear anymore. For all of this discussion, the conclusion is pretty forced. Mitchum says something along the lines of, "Men kill each other because they like to. Maybe if we all sit back and realize it, we could stop the killing and get along." That statement defines over-emphasis. Instead of being a history lesson about the real Anzio campaign, the film turns into a social commentary on Vietnam.
The on-location shooting served the proceedings well, as the film looks like sunny Italy in every frame. The scene in the Italian house looked excellent, and Dmytryk uses wide angles throughout to show off the scope of the Italian locales. The score ranges from victorious and rousing to mournful and depressing, which contributes a great deal to the mood of some important scenes such as the entry into liberated Rome and the significance of one character's death in the sniper sequence.
"Anzio" is a mixed bag, but despite a lack of focus on one theme, it manages to be entertaining and satisfying as a drama, with enough well-staged action scenes to hold it together and help obscure the muddled anti-war sentiments.
4 out of 5 people found the following comment useful :-

Unconvincing war movie, 19 May 1999
Author: RIO-15
The Allied invasion of Anzio,which took the Germans totally by surprise,is the background for this war movie.Because of extreme caution on the part of the Allied commander (Arthur Kennedy)the invasion became a big military failure. The plot concentrates on a small group of men trying to survive behind enemy lines after their platoon had been almost totally wiped out by the Germans.
A totally unconvincing war movie,which is surprising considering the people involved in it. The acting is bad.Robert Mitchum seems to utter his lines as if he was reading a boring book.The dialogue is childish and typical macho-stuff,but there are a few action scenes that are well staged.
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Too bad, 21 September 2005
Author: cpurvis from cheap seats
It's a shame that the makers of a movie made about one of the bloodiest battles of WWII chose to make a semi-fictional work. The real story is far more gripping than this movie. Anzio was a four month struggle, which for the Allies, had no rear area. There was nowhere an Allied soldier could go that was out of range of German artillery and planes.
The real battle for Anzio was a true Allied effort with the British and Americans locking in a duel to the death with the best German troops Hitler could put in Italy. It was supposed to break the deadlock of the Gustav line by flanking but was doomed from the start because it lacked sufficient landing strength. True, the road to the Rome WAS uncontested on D-Day, but Kesselring himself said later he would have easily cut off and destroyed any such small force if it extended itself even to the Alban Hills, let alone Rome.
The story of the loss of Darby's Rangers is covered in other movies better; of the 767 Rangers sent on a mission, only six returned. It is but one of many stories of horrific sacrifice of young lives. Further south, in a diversionary mission designed to take pressure off the Anzio landing, the US 36th division lost 1600 men in a single night trying to cross the Rapido river. The British took terrible losses, especially in the German offensive of 18-19 Feb 1944, mainly due to their bad luck of being placed in the line in the area in which Hitler personally chose to concentrate the main German offensive, which came within about 1000 yards of breaking the last line of defense.
Such losses are unimaginable today, yet they were accepted then as the price that must be paid to rid Europe of Hitler.
There are no films that I know of that do justice to Anzio. One would be better served by reading any of the numerous books about Anzio or even reading the write-up at http://www.army.mil/cmh/brochures/anzio/72-19.htm -- it is infinitely more interesting than this movie.
9 out of 16 people found the following comment useful :-
Italian produced films of World War 2, 30 January 2004
Author: Tim (TiminPhoenix@aol.com) from Phoenix, AZ
Italian produced films often try and paint their own involvement in World War 2 as some sort of accident.
Here in Anzio, the film tries to treat Italy as just another country like France, waiting with baited breath for liberation. Granted, Italy did surrender in the middle of the war but ask the Brits from the 8th Army at Tobruk if the Italians were neutral.
It takes on sides in a debate over the handling of the battle by the various generals. That the film is so unworthy to do so is like listening to a lecture from a 14 year old about how society works.
The film tries under the guise of being gritty to portray a number of the American soldiers as criminals, nutjobs, and horndogs. While the horndog might be accurate, the other two groupings do not represent the American military. Of course some in the military were like this, but the producer tends to shape it as if it were the rule, instead of the exception.
Robert Mitchum, one of the most over-rated actors in Hollywood history tries to play it both ways here. He talks about why men kill other men. A comment, during the second world war, which would require only a 5 second film clip from one of the concentration camps to explain why the Brits and the Americans were fighting and thus killing Germans. Within 2 minutes, however of this pacifist musing the director wants you to get all jazzed over some Germans being shot.
The stereotypes are sloppy. Falk, another actor that gets more credit that he deserves is way over the top and seems not to have a grasp of what his character is all about.
Like the actual Anizo campaign, this film is disorganized and doesn't at all live up to the potential that was there.
All right I guess., 27 October 2004

Author: JerryCantrell from Connecticut, America
Dull at times, but it get's the job done. Over acting done on Peter Falk's part.
I had the opportunity to watch this film on Digital Cable this morning. I took the chance as it was a war film I had not gotten to see yet. It has some decent action, but was rather dull at times. I may be mistaken, but it also appeared that during the ambush scene, the German's were using Bren light machine guns (wth). Perhaps I am wrong, but it I don't believe the MG-42 or 34 or had top loaded clips.
Still worth a watch if you got time to kill though. Just don't expect a masterpiece.
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