Overview
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Release Date:
24 September 1968 (USA)
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Plot:
After spending most of her life in big cities, widow Doris Martin decides to move back to the family ranch.
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Awards:
Nominated for 2 Golden Globes.
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| Reza Badiyi | | (23 episodes, 1970-1971) |
| William Wiard | | (15 episodes, 1969-1973) |
| Bruce Bilson | | (12 episodes, 1968-1972) |
| Coby Ruskin | | (9 episodes, 1969-1970) |
| Gary Nelson | | (8 episodes, 1968-1969) |
| Bob Sweeney | | (7 episodes, 1968) |
| Denver Pyle | | (7 episodes, 1970) |
| Marc Daniels | | (7 episodes, 1971-1973) |
| Harry Falk | | (5 episodes, 1968-1969) |
| Richard Kinon | | (5 episodes, 1971-1973) |
| Lee Philips | | (5 episodes, 1971-1973) |
| Roger Duchowny | | (5 episodes, 1972-1973) |
| Frederick De Cordova | | (4 episodes, 1970) |
| Norman Tokar | | (4 episodes, 1971-1972) |
| Earl Bellamy | | (2 episodes, 1969-1970) |
| Hal Cooper | | (2 episodes, 1969-1970) |
| Lawrence Dobkin | | (2 episodes, 1969) |
| Irving J. Moore | | (2 episodes, 1971) |
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| James Fritzell | | (93 episodes, 1968-1973) |
| Jack Elinson | | (28 episodes, 1969-1971) |
| Norman Paul | | (28 episodes, 1969-1971) |
| Budd Grossman | | (16 episodes, 1969-1971) |
| Arthur Julian | | (16 episodes, 1971-1973) |
| Laurence Marks | | (15 episodes, 1971-1973) |
| William Raynor | | (6 episodes, 1969-1973) |
| Myles Wilder | | (6 episodes, 1969-1973) |
| Don Genson | | (6 episodes, 1970-1973) |
| Sidney Morse | | (4 episodes, 1968-1969) |
| Richard Powell | | (4 episodes, 1971-1972) |
| Rick Mittleman | | (3 episodes, 1970-1973) |
| Phil Sharp | | (3 episodes, 1971-1972) |
| Dick Bensfield | | (2 episodes, 1968-1969) |
| Joseph Bonaduce | | (2 episodes, 1968-1969) |
| Jerry Devine | | (2 episodes, 1968-1969) |
| Perry Grant | | (2 episodes, 1968-1969) |
| Bruce Howard | | (2 episodes, 1968-1969) |
| Bruce Johnson | | (2 episodes, 1968-1969) |
| E. Duke Vincent | | (2 episodes, 1968-1969) |
| Harry Winkler | | (2 episodes, 1968-1969) |
| Arthur Alsberg | | (2 episodes, 1969-1970) |
| Don Nelson | | (2 episodes, 1969-1970) |
| Doug Tibbles | | (2 episodes, 1970) |
| Courtney Andrews | | (2 episodes, 1972-1973) |
| Laurie Samara | | (2 episodes, 1972-1973) |
| Charlotte Brown | | (2 episodes, 1972) |
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| Abby Singer | .... | production manager (27 episodes, 1969-1971) |
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| Ray Evans | .... | composer: theme music / composer: theme song "Que Sera, Sera" (128 episodes, 1968-1973) |
| Jay Livingston | .... | composer: theme music / composer: theme song "Que Sera, Sera" (128 episodes, 1968-1973) |
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Additional Details
Runtime:
30 min (128 episodes)
Aspect Ratio:
1.33 : 1
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Fun Stuff
Trivia:
At the end of this series' fifth season, with CBS ready to renew it for at least another year,
Doris Day in effect "cancelled" her own series. She held a press conference and announced that in five years, she believed "all that could be done with this material" had been done, and she was uninterested in continuing to work on it. Afterwards Doris Day retired from acting and has not acted since. (2008).
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Soundtrack:
Que Sera, Sera (Whatever Will Be, Will Be)
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Two decades ago, when they showed it for the last time, I was glued to the set every day, not only because Doris Day is one of the greatest actresses and most likable screen presences ever, but because the writing was so good. Yet there are no writing credits listed. I had a decided preference for the urban part of the show. The part where she is in the country struck my as pure corn. When she moves to the city where Anthony Benedetto left his heart, it becomes a different show. I love the season where she is living over the Italian restaurant and Kaye Ballard plays an Italian matron to the hilt. I love the episodes with Billy de Wolfe. He's a cranky, prissy bachelor listening to a cello recital and takes noisy neighbor Doris to task for perturbing his quietude. As Doris says in her book, she and Billy were friends and she tried to help him in his last illness. Great show, great memories. But we should know who wrote it. The writers are the real stars.