Overview
Release Date:
21 September 1968 (USA)
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Plot:
Two regular police officers patrol Los Angeles.
full summary
Awards:
Nominated for Primetime Emmy.
Another 4 nominations
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User Comments:
Reed and Malloy to the rescue
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| Dennis Donnelly | | (28 episodes, 1971-1975) |
| Hollingsworth Morse | | (21 episodes, 1968-1975) |
| Christian Nyby | | (13 episodes, 1970-1975) |
| Lawrence Doheny | | (13 episodes, 1972-1974) |
| James Neilson | | (12 episodes, 1971-1972) |
| Joseph Pevney | | (11 episodes, 1969-1975) |
| Alan Crosland | | (10 episodes, 1968-1970) |
| Phil Rawlins | | (9 episodes, 1968-1969) |
| Robert Douglas | | (6 episodes, 1969-1970) |
| Christian I. Nyby II | | (6 episodes, 1973-1975) |
| Sam Freedle | | (5 episodes, 1972-1973) |
| Bruce Kessler | | (3 episodes, 1969-1970) |
| Oscar Rudolph | | (3 episodes, 1970-1971) |
| Jack Webb | | (2 episodes, 1968-1974) |
| Alan Crosland Jr. | | (2 episodes, 1969-1971) |
| Ozzie Nelson | | (2 episodes, 1971) |
| Robert M. Leeds | | (2 episodes, 1972-1973) |
| Norman Abbott | | (2 episodes, 1974) |
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| Leo Gordon | | (unknown episodes) |
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| Robert A. Cinader | | (174 episodes, 1968-1975) |
| Jack Webb | | (174 episodes, 1968-1975) |
| Leo Gordon | | (21 episodes, 1971-1975) |
| Michael Donovan | | (17 episodes, 1969-1973) |
| Stephen J. Cannell | | (15 episodes, 1971-1973) |
| Preston Wood | | (12 episodes, 1968-1973) |
| Robert I. Holt | | (11 episodes, 1968-1973) |
| James Doherty | | (11 episodes, 1969-1972) |
| Richard Morgan | | (6 episodes, 1968-1969) |
| Guerdon Trueblood | | (5 episodes, 1969-1970) |
| David H. Vowell | | (4 episodes, 1973-1975) |
| William Keenan | | (4 episodes, 1974-1975) |
| John T. Dugan | | (3 episodes, 1970-1971) |
| Walter Dallenbach | | (3 episodes, 1974-1975) |
| Jack Hawn | | (2 episodes, 1969) |
| Herbert Purdom | | (2 episodes, 1971) |
| Leonard F. Hill | | (2 episodes, 1972-1973) |
| Jeffrey Lewis | | (2 episodes, 1972-1973) |
| Jim Carlson | | (2 episodes, 1973-1974) |
| Bryan Joseph | | (2 episodes, 1973-1974) |
| Kenneth Johnson | | (2 episodes, 1973) |
| Edward J. Lakso | | (2 episodes, 1973) |
| Arnold Somkin | | (2 episodes, 1974) |
| Jerry Thomas | | (2 episodes, 1974) |
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| Pat Boyette | | (unknown episodes) |
| William R. Cox | | (unknown episodes) |
| Howard Dimsdale | | (unknown episodes) |
| John Kingsbridge | | (unknown episodes) |
| James E. Moser | | (unknown episodes) |
| Wilton Schiller | | (unknown episodes) |
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| Edward K. Dodds | .... | unit production manager / production manager / ... (26 episodes, 1968-1969) |
| Mel A. Bishop | .... | unit manager (11 episodes, 1970-1972) |
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| Vincent Dee | .... | costume supervisor (32 episodes, 1968-1971) |
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| Richard Belding | .... | editorial supervisor / editorial supervision (39 episodes, 1968-1972) |
| Robert Brower | .... | color coordinator (29 episodes, 1968-1970) |
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| Stanley Wilson | .... | music supervisor / music supervision (29 episodes, 1968-1970) |
| Hal Mooney | .... | music supervision / music supervisor (5 episodes, 1972) |
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| Tom Williams | .... | assistant to producer / assistant to executive producer (31 episodes, 1968-1970) |
| Edward M. Davis | .... | technical advisor: Los Angeles Police Department (12 episodes, 1969-1972) |
| Stephen J. Cannell | .... | executive story consultant / executive story editor / ... (6 episodes, 1971-1972) |
| John T. Dugan | .... | executive story consultant (4 episodes, 1970-1971) |
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| Bryan Joseph | .... | executive story consultant (unknown episodes) |
| David H. Vowell | .... | story editor (unknown episodes) |
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Additional Details
Runtime:
30 min (174 episodes)
Color:
Color (Technicolor)
Aspect Ratio:
1.33 : 1
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Fun Stuff
Trivia:
According to the LAPD Training officers doing the audio commentary on the Season Two DVDs, the little medallions that Reed and Malloy wear on their uniforms signify their shooting abilities. In the case of Malloy, who has a gold medallion with two bars, he is rated as an expert shot while Reed, who has a medallion with one bar, is at least a marksman. The commenting officers also explain that police officers are required to be tested on their shooting skills every two years in the LAPD.
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Goofs:
Continuity: Whenever there is an insert of either the radio, the "hot sheet" (list of stolen cars), or when Reed is jotting down information on the pad, the visuals almost never match the continuity of the scene. Example: It can be daytime in the scene, but when the insert of the radio or the hot sheet is shown, they appear, due to the lighting, that the inserts are from nighttime. Also, the same insert of Reed writing on the pad is used whenever he writes info down. As with the errors with the radio not matching the scene, there are times when Reed is wearing the short-sleeve uniform, yet when he's writing info down, we see the cuff of a long-sleeve shirt.
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Quotes:
Pete Malloy:
You know what this is?
Jim Reed:
Yes sir, it's a police car.
Pete Malloy:
This black and white patrol car has an overhead valve V8 engine. It develops 325 horsepower at 4800 RPM's. It accelerates from 0 to 60 in seven seconds; it has a top speed of 120 miles an hour. It's equipped with a multi channeled DFE radio and an electronic siren capable of admitting three variables...
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Adam-12 is the best cop show before Cagney & Lacey, & NYPD Blue. Martin Millner plays Officer Pete Malloy Badge #744 and his partner Officer Jim Reed Badge #2430 played by Kent McCord was great.
After the first season of the show, there were changes. The 8 point caps that they wear changed to round. Reed's hair grow in every season. and they begain to wear nametags in the second season.
I like it.
I give it *****.