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5 out of 6 people found the following comment useful :-
Good but could have been one of the best, 25 June 2001
7/10
Author: galensaysyes

If this had been done earlier in the Zatoichi series it could have been one of the best. It is good enough, as most of them are, but the plot and the characters seem too complicated for the series at this point. The situation is unusually intriguing: the farmers in the province have two champions, a benevolent boss (for once) and a philosopher-samurai who starts a sort of Grange; both run afoul of the usual local gangsters, who want the crops to fail because it increases their gambling revenues and their chances to snap up some land; their chief or powerful ally is a seeming puritan who is death on drinking and gambling but secretly indulges his own perverse appetites. (He also resembles Dracula, as the villains in the later Zatoichi movies tend increasingly to do.) These characters have enough meaning so that they deserved to be set against Zatoichi as he was drawn originally, but by now he has lost many of his nuances, and the changes in some of the characters, such as the good boss and the angry sister of a man Zatoichi has killed, need more time then the movie has to give, so that the story seems choppy, as if some scenes were missing. Other than that, the movie shows the virtues of most of the others in the series: good acting, sometimes lyrical photography, the creation of a vivid, believable, and uniquely recognizable landscape (the absence of which is obvious in the occasional episode where the director just misses it), and a technical quality that of its nature disguises itself: the imaginatively varied use of limited sets so their limitations seem not to exist. And of course there is the keynote actor, whose presence, as much as his performance, makes it all work. This must be one of the best-sustained series in movie history.

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4 out of 5 people found the following comment useful :-
New director and writers does not equal a better film, 17 February 2005
6/10
Author: Tom (bighouseaz) from United States

*** This comment may contain spoilers ***

Zatoichi the Outlaw is one of my least favorite entries in the Zatoichi series. Yamato Satsuo directs his only Zatoichi film, and the writers are new as well. In the US, this is also the first Zatoichi film released by AnimEigo on DVD.

The colors are rich and verdant as the film takes place in the rich farmland of summertime Japan. There are some interesting characters, but as others have said, perhaps there are TOO many characters, and none of them is fleshed out well enough.

I do very much like the reaction of Zatoichi as he encounters this unique village and hears the peasants singing of the joy of a life without whores and gambling.

Zatoichi says to himself, "No gambling, no whores, no fighting. Ah, sounds like I've stumbled upon one strange village!"

And the fact that Zatoichi is wandering around Japan, encountering different peoples and situations in different seasons, makes the series a true road trip experience.

Zatoichi also tries his hand at improving the situation in the rural community, only to make things even worse. Zatoichi kills one corrupt boss, only to return from a year's absence to find that his place has been taken by the boss that Zatoichi formerly admired.

There is also a great scene where Katsu Shintaro plays the biwa. This man can play and his sword drawing is just as good!

So although there are some entertaining moments throughout the film, the film doesn't have the natural flow that a Misumi Kenji directed film has. My advice is to check out the other better films in the series, and check out Zatoichi the Outlaw if you are still hungry for more.

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1 out of 1 people found the following comment useful :-
Strangely paced, but it pays off in the end., 12 June 2009
7/10
Author: planktonrules from Bradenton, Florida

*** This comment may contain spoilers ***

This is one of the oddest films of the Zatôichi series due to its very unusual pacing and the role that Ichi plays in the film. Interestingly enough, this was the first Zatôichi film made by Shintaro Katsu's new production company. Now, instead of just playing the blind swordsman, Katsu is in charge of making the films. This could easily explain why this film seems so different in style to the previous 15 films. As far as Ichi's role, the film is very different because he isn't in the film as much as usual. He's also easy to fool and actually, for a while, does a lot to harm people instead of helping!

"Zatôichi Rôyaburi" begins with Ichi talking with an old lady who tries to take advantage of his blindness. Oddly, in this scene, Ichi says that he's been blind since a toddler, though in an earlier film he says his blindness set in when he was 8. This is a minor mistake, and only a crazed fan like myself would have noticed.

This film takes place over a period of at least six months and is more likely to have taken a year--so you can see what I said about odd pacing. Most films in the series take place over a few days or weeks. Ichi comes to a town where there is a boss (Asagoro) who tries very hard to be nice to Ichi because he knows of the blind man's reputation. The boss is quite charming and surprisingly Ichi is totally taken in by the evil man. At the same time, he meets another boss (Shushui)--a sort of guru to the poor. Shushui admonishes the people to forsake all violence and even Ichi falls under his teaching--giving up his blade for many months. Shushui's teachings are very similar to Daoist teachings from China--non-violence and acceptance of life as it is (for good or for bad).

Months after leaving this town and thinking all was well, Ichi learns that as soon as he left, Asagoro showed his true colors--enslaving women, oppressing the poor and being an all-around jerk. In a way, Ichi is responsible for this, as he helped Asagoro and counted him as a friend. Now, Asagoro has captured Shushui and several innocent people have killed themselves due to the evil boss' actions.

When Ichi returns, he doesn't accept automatically that Asagoro is good or evil but tests him cleverly. This bit with a scarecrow is inspired and leads to a finale where, what else, Ichi kills the baddies and frees Shushui. This finale was very good and occurred in the rain. Then final scene with Asagoro and the rocks is great, though the beheading is a tad cheesy by today's special effects standards.

Pluses for the film are that although poorly paced, it is different and cannot be mistaken for the previous 15 (which often seem very similar). Additionally, it does end very well. Minuses (aside from pacing) are that some might dislike seeing Ichi so fallible and the scenes with Ichi and the other blind men that are included for comic relief fall flat...very, very, very flat. They are tacky and unfunny...that's the sort of flat that it is.

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5 out of 9 people found the following comment useful :-
If your appetite for samurai movies has been whetted by Takeshi's 'Zatoichi' or Tarantino's 'Kill Bill: Vol. 1' and 'Vol. 2', don't just stick with the Kurosawa classics, try the original Zatoichi movies., 6 July 2004
Author: Infofreak from Perth, Australia

'Zatoichi The Outlaw' was I think the sixteenth(!) entry in this long running action series, regarded by many as the most entertaining and consistent one of its type. The films generally shared a similar plot device - the wandering blind masseuse Zatoichi (played by Shintaro Katsu, incidentally the brother of Tomisaburo Wakayama star of the cult Lone Wolf And Cub series) enters a village being tormented by local baddies and kicks their asses, but the series managed to explore many variations of this basic theme (which is also pretty similar to Kurosawa's classic 'Yojimbo', and yes, Zatoichi did eventually "meet" Yojimbo in case you're wondering!). Katsu is perfect in the role which he really made his own. Beat Takeshi I admit was very cool as Zatoichi in his recent reworking of the character, but I'm sure even he would concede that Katsu IS Zatoichi. 'Zatoichi The Outlaw' has an interesting Leftist sub-text, and includes an intriguing character who attempts to organize the local peasants into a co-operative. If your appetite for samurai movies has been whetted by Takeshi's 'Zatoichi' or Tarantino's 'Kill Bill: Vol. 1' and 'Vol. 2', don't just stick with the Kurosawa classics, try the original Zatoichi movies. They are well made, well acted and filled with excitement and interest. I haven't seen enough of them to rate 'Zatoichi The Outlaw' overall, but it's a very entertaining film and I recommend it.

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A fine, if not brilliant entry in the long running series, 8 November 2009
7/10
Author: t-birkhead from United Kingdom

Zatoichi The Outlaw was the first film made by its hero's (Shintaro Katsu) own production company, this is perhaps why this is a slightly lesser entry in the series, though it is by no means weak overall. It tells of our hero coming across two towns, rival bosses and a mysterious ronin helping the poor and from this set up spins a tale encompassing tragedy, violence and no little interest, all served up with lashings of the unshowy but inspired swordplay that is one of the series trademarks. It is a fairly predictable plot and it mounts in unsurprising fashion, but it zips along with style and is interesting stuff. The helpful ronin for example is a nobly inscrutable revolutionary character, upsetting the established order without being painted as a truly likable or heroic figure, Zatoichi himself makes one or two mistakes and causes harm by his actions, whilst the ruling system fuels the exploitation of the poor. Its a harsh world, with one or two more visceral than expected moments in the fighting, though things aren't as rousing as they could be. Shintaro Katsu turns in a typical bravura performance as Zatoichi, mixing wisdom, deadly skill and worldliness with a subtly sad sense of vulnerability, while solid work comes also from Rentarô Mikuni and an effectively baleful Kô Nishimura (later to appear as Katsu's superior "Snake" Magobei in the Hanzo trilogy) as the two main bosses in the film. There is also a good emotional turn from Yuko Hamada as a wronged woman. The film loses out through shaky pacing and a not so well constructed sequence of events, there is at least one slightly jarring time jump and the power of the plot becomes a little lost, meaning that when things heat up towards the end the film isn't as exciting as it could be, emotional impact is lost also. The action or scenes of Zatoichi using his ingenious skills are well handled by director Satsuo Yamamoto, though some of the gambling is less interesting and the film builds up in a workmanlike rather than really inspired way, without the lively characters or strong verve of some other installments. Still, I enjoyed this one, it has its flaws and isn't one of the best of the series but it still packs a sweetly satisfying dose of entertainment, a good story and decent doses of Zatoichi's trademark ingenious and quirky cool. Recommended for fans of the series, and a reasonable entry point, classy stuff though not a true great.

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3 out of 8 people found the following comment useful :-
First disappointing film in Zatoichi series, 26 February 2005
4/10
Author: dana6-1 from United States

I agree with most if not all of the previous commenter's Tom (bighouseaz@yahoo.com). The Zatoichi series is a great character study combined with great sword fighting and excitement.

I have seen Zatoichi 1-13,15,16; I believe 14 has not been released on Zone 1 (usa). Zatoichi the Outlaw was disappointing. The story line was complicated, and seemed to be a hodgepodge of many previous Zatoichi story lines. At one point, I was wondering if I was not seeing a remake of a previous Zatoichi film.

This film was disappointing because it started to depend on effects (a head rolling, limbs severed, blood) and less on the nobility of the Zatoichi character. All the previous films succeeded based on the storyline and action, and won a great following without having to resort to effects.

I am just hoping that the remaining Zatoichi films do NOT follow the same trend. This is the first Zatoichi film from his studio. I highly recommend all the previous Zatoichi films -- and recommend them.

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