4 out of 4 people found the following comment useful :- sex toys and organ solos, 5 January 2004
Author:
goblinhairedguy from Montreal
This middle-period Sarno opus concentrates more than usual on the erotic
scenes and heaving breasts, and for once probably satisfied the raincoat
crowd as much as puzzling them. For fans of the auteur, there's plenty of
psychological intensity and moral irony, as well as a neat jazzy organ
score
-- like Fassbinder, Sarno was continually recombining his major themes
and
stylistic tropes in clever new variations. Quite uncharacteristically, a
nosy Brooklyn-accented cleaning lady is used as a comic Greek chorus,
punctuating the action with her inquisitions. (The SWV video box gives
the
date as 1969, whereas the 1967 date given by IMDB and other sources seems
correct.)
1 out of 2 people found the following comment useful :- Next door is a box room of earthly delights, 17 October 2005
Author:
christopher-underwood from Greenwich - London
Far from being top notch Sarno, this remains worth watching because it
is just so idiosyncratic. I suppose sex noir might be an appropriate
term for the director's best work with the keen use of black and white
photography and usually a very strange central character and a tendency
as here to have our sense of morality challenged by just who or what is
good and bad. Just a little too much groping in bed here for me,
especially with the censorship of the time restricting just what the
camera could show, that and men with hairy backs! Two sisters, one more
pushy and keen to repeat the sexual games of their childhood, the other
an aspiring poet. Next door is a box room of earthly delights where a
busty blonde holds court and with an adventurous couple and an antique
looking vibrator, tempt first the elder and eventually the younger into
their den. Interspersed with exterior shots of the elder walking around
in New York. These shots were clearly all shot on the same day because
the streets look a dismal grey and the roads wet in every shot, still
they add to the air of discontent running through this strange little
film and almost make us keen to get back to he of the hairy back.
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Vibrations (1968)
4 out of 4 people found the following comment useful :-

sex toys and organ solos, 5 January 2004
Author: goblinhairedguy from Montreal
This middle-period Sarno opus concentrates more than usual on the erotic scenes and heaving breasts, and for once probably satisfied the raincoat crowd as much as puzzling them. For fans of the auteur, there's plenty of psychological intensity and moral irony, as well as a neat jazzy organ score -- like Fassbinder, Sarno was continually recombining his major themes and stylistic tropes in clever new variations. Quite uncharacteristically, a nosy Brooklyn-accented cleaning lady is used as a comic Greek chorus, punctuating the action with her inquisitions. (The SWV video box gives the date as 1969, whereas the 1967 date given by IMDB and other sources seems correct.)
1 out of 2 people found the following comment useful :-

Next door is a box room of earthly delights, 17 October 2005
Author: christopher-underwood from Greenwich - London
Far from being top notch Sarno, this remains worth watching because it is just so idiosyncratic. I suppose sex noir might be an appropriate term for the director's best work with the keen use of black and white photography and usually a very strange central character and a tendency as here to have our sense of morality challenged by just who or what is good and bad. Just a little too much groping in bed here for me, especially with the censorship of the time restricting just what the camera could show, that and men with hairy backs! Two sisters, one more pushy and keen to repeat the sexual games of their childhood, the other an aspiring poet. Next door is a box room of earthly delights where a busty blonde holds court and with an adventurous couple and an antique looking vibrator, tempt first the elder and eventually the younger into their den. Interspersed with exterior shots of the elder walking around in New York. These shots were clearly all shot on the same day because the streets look a dismal grey and the roads wet in every shot, still they add to the air of discontent running through this strange little film and almost make us keen to get back to he of the hairy back.
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