| Photos (see all 14 | slideshow) |
| Elizabeth Taylor | ... | Leonora Penderton | |
| Marlon Brando | ... | Maj. Weldon Penderton | |
| Brian Keith | ... | Lt. Col. Morris Langdon | |
| Julie Harris | ... | Alison Langdon | |
| Zorro David | ... | Anacleto | |
| Gordon Mitchell | ... | Stables Sergeant | |
| Irvin Dugan | ... | Capt. Murray Weincheck | |
| Fay Sparks | ... | Susie | |
| Robert Forster | ... | Pvt. L.G. Williams | |
| rest of cast listed alphabetically: | |||
| Ted Beniades | ... | Sergeant (uncredited) | |
| John Callaghan | ... | Private (uncredited) | |
| Jed Curtis | ... | Accordionist (uncredited) | |
| Frank Flanagan | ... | General Sugar (uncredited) | |
| Trent Gough | ... | Soldier (uncredited) | |
| Harvey Keitel | ... | Soldier (uncredited) | |
| Al Mulock | ... | Private (uncredited) | |
| Douglas Stark | ... | Dr. Burgess (uncredited) | |
| Friedrich von Ledebur | ... | Lieutenant at Garden Party (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits(in alphabetical order) | ||
| Gladys Hill | writer | |
| Carson McCullers | novel | |
| Chapman Mortimer | writer | |
Produced by | |||
| C.O. Erickson | .... | associate producer | |
| John Huston | .... | producer | |
| Ray Stark | .... | producer | |
Original Music by | |||
| Toshirô Mayuzumi | |||
Cinematography by | |||
| Aldo Tonti | |||
| Oswald Morris | (uncredited) | ||
Film Editing by | |||
| Russell Lloyd | |||
Production Design by | |||
| Stephen B. Grimes | (as Stephen Grimes) | ||
Art Direction by | |||
| Bruno Avesani | |||
Set Decoration by | |||
| William Kiernan | |||
Costume Design by | |||
| Dorothy Jeakins | |||
Makeup Department | |||
| Alexandre | .... | hair stylist: Ms. Taylor (as Alexander of Paris) | |
| Paolo Borselli | .... | hair stylist (as Paolo Borzelli) | |
| Agnes Flanagan | .... | hair stylist | |
| Amato Garbini | .... | makeup artist | |
| Frank La Rue | .... | makeup artist (as Frank LaRue) | |
| Phil Rhodes | .... | makeup artist | |
Production Management | |||
| Mario Del Papa | .... | production manager | |
| Frederick Muller | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Vana Caruso | .... | assistant director | |
| Edward Folger | .... | assistant director (uncredited) | |
Sound Department | |||
| John Cox | .... | sound | |
| Basil Fenton-Smith | .... | sound | |
| Leslie Hodgson | .... | sound editor | |
Camera and Electrical Department | |||
| Nino Cristiani | .... | camera operator (as Michele Cristiani) | |
| Alberico Novelli | .... | electrician (uncredited) | |
| Bob Penn | .... | still photographer (uncredited) | |
| Piero Servo | .... | first assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Anna Maria Feo | .... | wardrobe mistress (as Anna Maria Fea) | |
Music Department | |||
| Marcus Dods | .... | conductor | |
Other crew | |||
| Angela Allen | .... | script supervisor | |
| Friedrich von Ledebur | .... | horse master | |
| Recent Posts (updated daily) | User |
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Reflections in a Golden Eye came out at an interesting transitional period for gay people. The Code that had dominated what could and could not be shown on the screen was just being lifted. That Code had succeeded in making gay people all but invisible by Hollywood standards. But it was two years before the Stonewall Rebellion which gave the gay rights movement a political voice.
Originally Montgomery Clift was scheduled to do this film with three time screen partner Elizabeth Taylor, but Clift died before the film started shooting. Marlon Brando took his place and in my opinion gave a very underrated performance as the repressed latent homosexual Major married to Elizabeth Taylor.
Brando and Taylor dusted off a couple of southern accents previously used in films, Brando from Sayonara and Taylor from Raintree County. But the characters here are vastly different from the characters portrayed in both of those other films.
Although certainly given Clift's background he was eminently qualified to play a repressed gay man, I'm not sure he would have been the type to have played an authority figure like Major Penderton here. Brando was far more the type. The part of the wife was Taylor made for Liz and she went to town with it.
I wonder what those people who want to keep gays out of the military would say about Brando. Brando's burgeoning homosexuality is finding an outlet in a raging crush on a handsome private played by Robert Forster. Forster during his off hours likes to walk and ride horses in the buff and sneaks into Brando's house to play with Liz Taylor's lingerie. Liz is having an affair with Brando's immediate superior Brian Keith who has an invalid and mentally disturbed wife in Julie Harris. And Harris spends most of her time with her very effeminate Filipino houseboy, Zorro David.
Of course this is a recipe for tragedy and tragedy does come. Author Carson McCullers, herself a lesbian, created some unforgettable characters here.
Reflections in a Golden Eye was way before its time. Today the film and Director John Huston would have gotten far better reviews than the film did in 1967.