| Photos (see all 3 | slideshow) |
| Paul Jones | ... | Steven Shorter | |
| Jean Shrimpton | ... | Vanessa Ritchie | |
| Mark London | ... | Alvin Kirsch | |
| William Job | ... | Andrew Butler | |
| Max Bacon | ... | Julie Jordan | |
| Jeremy Child | ... | Martin Crossley | |
| James Cossins | ... | Professor Tatham | |
| Frederick Danner | ... | Marcus Hooper | |
| Victor Henry | ... | Freddie K | |
| Arthur Pentelow | ... | Leo Stanley | |
| Steve Kirby | ... | Squit | |
| Malcolm Rogers | ... | Rev. Jeremy Tate | |
| Doreen Mantle | ... | Miss Crawford | |
| Michael Graham | ... | Timothy Arbutt | |
| Michael Barrington | ... | The Bishop of Essex | |
| Edwin Finn | ... | The Bishop of Cornwall | |
| John Gill | ... | The Bishop of Surrey | |
| Norman Pitt | ... | The Bishop of Hersham | |
| Alba | ... | The Bishop of Rutland | |
| The George Bean Group | ... | The Runner Beans | |
| rest of cast listed alphabetically: | |||
| Martin Beere | ... | Photographer (uncredited) | |
| Gweneth Guthrie | ... | (uncredited) | |
Directed by | |||
| Peter Watkins | |||
Writing credits | ||
| Norman Bogner | (written by) | |
| Johnny Speight | (story) | |
| Peter Watkins | (additional scenes and dialogue) | |
Produced by | |||
| Timothy Burrill | .... | associate producer | |
| John Heyman | .... | producer | |
| Peter Watkins | .... | producer | |
| Albert Finney | .... | producer (uncredited) | |
Original Music by | |||
| Mike Leander | |||
Cinematography by | |||
| Peter Suschitzky | (director of photography) | ||
Film Editing by | |||
| John Trumper | |||
Casting by | |||
| Miriam Brickman | |||
Art Direction by | |||
| Bill Brodie | |||
Costume Design by | |||
| Vanessa Clarke | |||
Makeup Department | |||
| Jill Carpenter | .... | makeup artist | |
| Daphne Vollmer | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Scott Wodehouse | .... | assistant director | |
| Antal Kovacs | .... | third assistant director (uncredited) | |
Sound Department | |||
| Iain Bruce | .... | sound | |
| Kevin Gurry | .... | boom operator | |
| Ken Scrivener | .... | dubbing mixer | |
| Roy Taylor | .... | dubbing editor | |
Visual Effects by | |||
| Scott Dougherty | .... | digital restoration producer: Cinesite (uncredited) | |
| Jerry Pooler | .... | digital restoration supervisor (uncredited) | |
| Tiffany Smith | .... | digital restoration coordinator: Cinesite (uncredited) | |
Camera and Electrical Department | |||
| Duffy | .... | still photographer | |
| Jimmy Turrell | .... | camera operator | |
| Patrick Ward | .... | still photographer | |
Costume and Wardrobe Department | |||
| Barbara Gillett | .... | wardrobe supervisor | |
Other crew | |||
| Valerie Booth | .... | continuity | |
| Colin Corby | .... | follow focus | |
| David Griffith | .... | location manager | |
| Derek Ware | .... | action sequences | |
| Recent Posts (updated daily) | User |
|---|---|
| On DVD + VHS!!!! | dama36 |
| Privilege? | regvernon |
| The Book | PanicPop |
| is this the film I'm thinking of? | zgran |
| Flawed but Fascinating | PanicPop |
| Jean Shrimpton | AZINDN |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
| Add this title to MyMovies |
Privilege is one of those `lost' rarely screened masterpieces that always seem to end up on some critic's top-ten list, but you almost never know anyone who has seen the film. It is no wonder no one has seen this film it has never been available on video (except for crummy bootlegs), it's not shown on television any longer and revival theatres have long since forgotten about it. Why?
Privilege has much more pertinence now than it did back in 1967. Paul Jones (lead singer of Manfred Mann) plays Steve Shorter, a British manufactured rock-n-roll icon, who is shaped and molded into a tool used to sell every product imaginable. In one humorous moment, the British Apple Growers Association, having harvested far too many apples to be sold, hire Steve to do a commercial convincing each British person to eat six apples a day.
To the nation, Steve is a god. A symbol of everything that is pure and good. Steve can do no wrong. Unfortunately, Steve has no mind of his own and is easily led from concert-to-concert, commercial-to-commercial and meeting-to-meeting by his conniving, greedy managers. Everyone wants a piece of Steve. The mere mention of a product from Steve's lips will sway the entire nation's fashion sense if Steve wears black, the whole country wears black. His managers know this and there is no organization they will not sell him out to.
`The Church', in an act to attract more young members into its congregation, hires Steve to convince the nation's youth to become God-fearing Christians. But, this does not sit well with Steve who is becoming more cognizant of his surroundings through the help of a young artist played by sixties supermodel, Jean Shrimpton.
Privilege, even though rarely shown, is a surreal motion picture every film fanatic and music historian should seek out. With teeny-bop stars like Britney Spears, Christina Aguilera, Mandy Moore, Jessica Simpson and NSYNC sprouting up like so many invasive weeds, Privilege is very worthy of a second look. Hurry, please, before it is too late.